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Showing posts with label Brian Keane. Show all posts
Showing posts with label Brian Keane. Show all posts

Wednesday, December 08, 2021

Brian Keane & Omar Faruk Tekbilek: Beyond The Sky 1992 + Omar Faruk Tekbilek: Mystical Garden 1996

 

BRIAN KEANE

                                                                                 


Born 1953 in Philadelphia, USA. A versatile composer, producer, and musician,  has produced over

three dozen records and scored well over 100 films and television shows. His credits span such critically acclaimed productions as The Great Depression, for Blackside Films (Eyes on the Prize) declared by TIME magazine as one of the top 10 TV series of 1993 and The Vernon Johns Story starring James Earl Jones for Laurel Entertainment.
                                           

In addition, Keane is credited with scoring an Emmy-winning Jane Goodall special for HBO, and National Geographic Explorer for TBS as well as General Motors Playwright's Theatre series for Nederlander Television on A&E, which has garnered four Ace Awards. When not working in television and film, Keane has produced numerous albums including Maricachi Cobre (11095-2) and Khenany (13078-2).
                                            


Keane is considered a guitarist's guitarist, and has toured the world, playing and recording with many of

the world's greatest musicians including Larry Coryell, Flamenco great Paco DeLucia, Bobby McFerrin, The Brubecks, and Spyro Gyra, among many others. A truly international musician, Keane has carved out a substantial career while remaining largely outside of the mainstream entertainment industry establishment.

OMAR FARUK TEKBILEK

                                               


His name is Omar Faruk Tekbilek, but you can call him Faruk. "Everyone does," says his longtime

producer and collaborator, Brian Keane. Faruk has an unusual story, one in which Keane's Connecticut studio figures prominently. Faruk's first international exposure was on Keane's 1988 album Süleyman the Magnificent (13023-2). A film was being made about the Ottoman emperor Süleyman to coincide with the opening of an exhibition at New York's Metropolitan Museum of Art, and Brian Keane was hired to do the soundtrack.
                                         

"I knew I wanted to incorporate Turkish instruments and players," he recalls, "but the Met saddled me with a bunch of professors—all intellect and no emotion." Desperate to move the recording along, Keane called Arif Mardin, the legendary Turkish producer of the Bee Gees, Aretha Franklin, and so

many others, and asked if he knew any Turkish musicians. Mardin didn't. "But two or three days later, he called and said his cooks went to Fazil's, a belly dance club in Manhattan. So I went for five nights and suffered through really bad belly dance music. Then one night Faruk shows up, looking like he was right off the boat." (In fact, he had just driven down from Rochester, NY, over 330 miles away.) "You could tell immediately that he was different. His playing was so emotional; he really stood out."
                                    

Keane had already seen the opening of the film and knew what he wanted—the mystical sound of the Sufi flute, or ney, added to his own synthesizer. As far as he knew, this combination hadn't been done

before, but Keane invited Tekbilek to his studio to try it. "When Faruk started playing," he says, "the hairs on the back of my neck stood up. It was magic from the start." Their very first take became the opening of the movie and the recording. Faruk brought in some of his friends, and the soundtrack was soon finished.
                                  

Omar Faruk Tekbilek later moved to New York. He collaborated with guitarist Brian Keane on three albums, "Suleyman the Magnificent Sdtrk.", "Firedance" and "Beyond the Sky". Downbeat says of "Fire Dance", "Keane contributes acoustic guitar leads and an acute producer's sensitivity to the spirit of this music. You'll feel you're in a tent with dancing girls and a hookah."
                                                 

Tekbilek has also worked with Michael Askill on "Fata Morgana" and has released a solo album of

Middle Eastern fusion called Whirling. One Truth followed in 1999. The rhythmic dance collection Dance Into "Eternity": "Selected Peices 1987-1998" was released a year later.
He is best known for his performances with the flute-like ney, but also plays the piccolo-like kaval, and the double-reed zurna. Among stringed instruments, he plays the oud and the bağlama.

BEYOND THE SKY  1992
                                   
Brought in with Armenian lute player Ara Dinkjian for the third Keane/Tekbilek album, "Beyond The Sky" (13047-2), the Armenian percussionist has become a fixture on Faruk's recent recordings.
                                 

And while Brian Keane has become one of the most sought-after producers in the recording industry, creating several gold records in the past decade, he has returned to work on each of Faruk's recordings. "There are some things you do for your career," he says, "and some that you do just for the music. Working with Faruk has been one of the most satisfying musical experiences of my life." Both Keane and Tekbilek helped with the selection of works that appear on this recording. It represents some of the finest flowerings of Faruk's Tree of Patience.


Reuniting the innovative duo of Brian Keane with Omar Faruk Tekbilek, "Beyond the Sky" comes across as an even more adventurous excursion than their two earlier recordings, "Suleyman the Magnificent" and "Fire Dance". The listener is transported to exotic regions of the Mediterranean, including Turkey, the Middle East and North Africa....Amidst the Middle Eastern harmonies, the listener catches whiffs of Moroccan and even Afro-Cuban or South American styles, in a unique marriage of musical cultures. This collaboration brings back the symbiotic duo of Brian Keane and Omar Faruk Tekbilek, along with three other remarkable musicians. Together, they navigate a timeless path of mystery, excitement and energy, dense with the imagery of an ancient landscape.

The exceptional interaction of the musicians produce a spontaneous emotion, on both the original pieces they wrote for this recording, and the traditional Middle Eastern melodies they adapted. There is a good deal of improvisation, based on modal and rhythmic cues, updating standard tunes perhaps a thousand years old. Amidst the Middle Eastern harmonies, the listener catches whiffs of Moroccan and even Afro–Cuban styles. Beyond the Sky weaves a Middle Eastern fusion of cultural influences.

THE ARTISTS

Together again are music producer, composer, synthesist, and virtuoso guitarist Brian Keane, and Middle Eastern master musician and multi–instrumentalist Omar Faruk Tekbilek. A man of vast expertise, Tekbilek started early, performing in his native Turkey by age twelve, and studied under some of the greatest Turkish musicians. He now lives in New York, not only playing a wide variety of instruments, but building many himself. Brian also began his professional career at age twelve. His virtuosity on the guitar has made him popular as a soloist, and he has shared the stage with many performers, such as Larry Coryell, Paco de Lucia, and others. With "Beyond the Sky", Keane and Tekbilek have created an even more adventurous follow–up to their two critically acclaimed recordings "Süleyman the Magnificent" and "Fire Dance".
                                        

They are joined on this recording by three outstanding musicians. Ara Dinkjian is one of the world's foremost performers on the oud, a guitar–like instrument. The son of a popular Armenian singer, Dinkjian began performing as a boy, and went on to earn a degree from Hartt School of Music in the United States.

Arto Tuncboyaciyan
is a native Armenian percussionist who also began performing as a child. Joining the project in his debut recording is a bright new talent, Hassan Isikkut, a dazzling performer on the kanun, a Middle Eastern harp–like instrument.

Brian Keane & Omar Faruk Tekbilek – Beyond The Sky
Label:    Celestial Harmonies – 13047-2
Format:    
CD, Album, Reissue
Country:    Germany
Released: 1992
Genre:    Classical, Folk, World, & Country
Style:    Folk, Classical, Fusion,
Oriental, Ethnic

TRACKS


01. Beyond the Sky     4'40
02. Imaginary Traveler     6'08
03. Kolaymi     5'16
04. Bridge     5'36
05. Chargah Sirto     2'33
06. Your Love is My Cure     6'58
07. Selemet     6'08
08. Nighttime     6'03
09. Strange Little Corner     2'18
10. Siseler      3'49
11. Sweet Trouble     5'40
12. Al Fatiha     3'20

Total Time:     59'11

MP3 @ 320 Size: 139 MB
Flac  Size: 317 MB


MYSTICAL GARDEN  1996

                                                


The cover illustration is "Autumn Landscape With Mountains And Trees" circa 1370, and attributed to kar-i mani. It is found today in the Topkapi Museum in Instanbul.

Omar Faruk Tekbilek – Mystical Garden
Label: Celestial Harmonies – 13092-2
Format:    CD, Album
Country: Germany
Released: 1996
Genre: Folk, World, & Country
Style: Oriental, Ethnic


TRACKS


01. Other Side Of The River    8:53
02. Magic Of The Evening    6:47
03. Laz    3:55
04. Shashkin    6:48
05. Hasret    8:53
06. Egyptian Dance    5:06
07. Three Last Words    8:33
08. Mystical Garden    7:07
09. Hu Allah    9:59

Credits

Arranged By – Ara Dinkjian (tracks: 3), Brian Keane (tracks: 3), Omar Faruk Tekbilek (tracks: 4)
Composed By – Ara Dinkjian (tracks: 7), Arto Tuncboyaciyan (tracks: 1), Brian Keane (tracks: 2), Omar Faruk Tekbilek (tracks: 5, 6, 8, 9), Traditional (tracks: 3, 4)
Executive-Producer, Art Direction – Eckart Rahn
Flugelhorn – Dan Pickering (tracks: 1)
Frame Drum, Shaker, Bells, Bendir, Finger Cymbals [Zil], Triangle, Guiro, Davul, Performer [Water Bowl] – Arto Tuncboyaciyan
Guest [Natural Sounds Provided By] – Ira Spiegel
Guitar, Synthesizer, Arranged By [Arrangements], Bass, Percussion, Cymbal, Drums, Producer – Brian Keane
Kanun, Violin – Hassan Iṣikkut
Mastered By – Dan Hersch
Mixed By – Brian Keane
Mixed By [Assisted By] – Arto Tuncboyaciyan, Jeff Frez-Albrecht*, Omar Faruk Tekbilek
Ney, Kaval [Kavala], Zurna, Baglama, Drum [Jura], Oud, Goblet Drum [Darbuka], Bendir, Tambourine, Davul, Finger Cymbals, Synthesizer, Vocals – Omar Faruk Tekbilek
Oud, Cümbüş – Ara Dinkjian (tracks: 3, 5, 7)
Percussion – Arto Tuncboyaciyan (tracks: 2)
Vocals – Arto Tuncboyaciyan (tracks: 1, 3, 7)

MP3 @ 320 Size: 156 MB
Flac  Size: 351 MB


Brian Keane & Omar Faruk Tekbilek: Fire Dance On Urban Aspirines HERE 

Ara Dinkjian And Night Ark On Urban Aspirines HERE

Tuesday, November 12, 2019

Brian Keane + Omar Faruk Tekbilek: Fire dance 1990



OMAR FARUK TEKBILEK

 Omer Faruk Tekbilek (Turkish: Omer Faruk Tekbilek, born 1951) is a Turkish musician and composer, who plays a wide range of wind, string, percussion and electronic instruments. He has developed a style that builds on traditional Sufi music, but includes inspiration from ambient electronic musicians, most notably Brian Keane. He is best known for his performances with the flute-like ney, but also plays the piccolo-like kaval, and the double-reed zurna. Among stringed instruments, he plays the oud and the baglama.


Tekbilek's father was a Turk, a religious man who called out the prayers during services in a mosque. His mother was from Egypt, and her love of the music of Reyad Elsonbaty was passed to her son, who grew up loving Arabesque music. As a young man, Faruk had studied Sufism and had thought of devoting his life to this mystical branch of Islam. At age 15, he decided to become a professional musician, and quit school. With his brother, he moved to Istanbul, where he befriended a mystical saxophone player named Ismet Siral, who had developed an approach to music based upon intuition: "He would say things like, let's play for birds, let's play for pictures".


In 1971, Tekbilek toured the United States with a Turkish folk ensemble and met his future wife. After completing his compulsory military service in Turkey, Tekbilek returned to America and found few opportunities for a musician of his training.

BRIAN KEANE

 Brian Keane (born January 18, 1953) is an American composer, music producer, and guitarist. He has composed the music for hundreds of films and television shows and produced over a hundred record albums. Keane is known as a world class guitarist, a musical pioneer in scoring music for television documentaries, a leading record producer of the 1980s and 1990s, and one of the most prominent and influential composers of his era.


Keane has scored well over one hundred award-winning documentaries and films, including eighteen Emmy winners for best documentary or series (among sixty seven nominations), nine Peabody Award-winning films, six Oscar nominated films, and one Academy Award-winning film Keane has won four Emmy Awards out of twenty nominations.


As a record producer, Keane has produced over three dozen Billboard charting albums with over 150 commercial albums in total. He is particularly known for producing ethnic and new-age music. Keane's many credits as a producer include Winter Solstice for Windham Hill Records, the Grammy Award-winning Long Journey Home: The Irish in America soundtrack album for RCA Records and his influential work with middle eastern musician Omar Faruk Tekbilek.

FIRE DANCE

 Fire Dance is a natural progression from Suleyman. A plethora of Middle Eastern and North African instruments has been blended with synthesizers, guitar, and sophisticated orchestrations. The focus of Fire Dance has been expanded beyond Turkey, to include music from North African, Egyptian, and other Middle Eastern and Arabic sources. This recording begins with the sound of the desert wind in Somewhere in the Sahara.

Faruk’s enchanted ney enters from the distance with flourishes of goat bells. Orchestrations sneak in and build to a guitar solo with lavish synthesizer effects. The whole track then dissolves into Oglan Boyun, as if we have traveled over a dune and discovered a village in celebration, surrounded by the vast desert. As Oglan Boyun ends, we are left with Faruk’s haunting voice floating out of the wind in A Call to Prayer. This soulful segment gives way to a magical ney section orchestrated to depict a garden of earthly delights. Faruk’s voice returns in a powerful whirlwind of sound, followed by the drifting Desert Twilight. Brian’s guitar opens this melodic piece with a rich, peaceful introduction. Faruk enters on the ney in an expansive and warm tone, complemented in the bridge by the baglama, adding an Eastern flavor. The music fades, leaving the listener with serenely quiet beauty evoking the title, Desert Twilight. A Passage East is a showcase for both
Faruk’s impeccable percussion and Brian’s superb guitar chops. In Song of the Pharaohs, the wind and Faruk’s haunting ney return to create the mystical impression of the distant time of the ancient pharaohs’ rule. Enchanted by elaborate orchestrations, flourishes of windchimes, the voices of strangers, distant horns, and synthesizers that seem to defy conventional spatial dimensions, this piece assumes a psychedelic atmosphere. Beledy introduces us to the zurna, an oboe-like instrument with a very distinctive Middle Eastern sound. This composition is in the Arabic style, featuring very strong passages. Fire Dance is an energetic piece that demonstrates why Tekbilek and Keane are at the forefront of their respective musicial fields and the magical fertility of their collaboration. Ask is a contemporary Middle Eastern standard showcasing Faruk’s proficiency on the oud. Village Song is a traditional Turkish folk song in 9/8 meter featuring Faruk on percussion.
Modern Mystics brings the two musicians/composers together, on ney and guitar, in a meditative

setting. Sahara (Reprise), with Brian on guitar, was an out take that was too special to leave off this recording. Spirit of Ancestors shows a deep mystical side with Faruk’s powerful, searching voice. Halay concludes the recording with an uplifting, joyous celebration and driving rhythm. With Fire Dance, Omar Faruk Tekbilek and Brian Keane have created a unique recording that embraces many moods, at once energetic and meditative, mystical and joyous. Imbued with grace, this music transports the listener to a magical land where patterns of rich Middle Eastern traditions are joined in music. Fire Dance is an adventure in transformation from which there is no turning back.
( Read HERE: )


TRACKS

01.a. Somewhere In The Sahara
Written-By – Brian Keane, Omar Faruk Tekbilek  2:30
01.b. Oglan Boyun
Arranged By – Brian KeaneWritten By – Traditional  5:11
01.c. A Call To Prayer
Written-By – Brian Keane, Omar Faruk Tekbilek  5:20
02. Desert Twilight
Written-By – Brian Keane  5:11
03. A Passage East
Written-By – Brian Keane  3:06
04. Song Of The Pharaohs
Arranged By – Brian KeaneWritten By – Traditional  5:57
05. Beledy
Written-By – Omar Faruk Tekbilek  5:27
06. Fire Dance
Arranged By – Brian Keane, Omar Faruk TekbilekWritten By – Traditional  5:27
07. Ask
Arranged By – Brian Keane, Omar Faruk TekbilekWritten-By – S. Sagbas  6:24
08. Village Song
Arranged By – Brian Keane, Omar Faruk TekbilekWritten By – Traditional  4:16
09. Modern Mystics
Written-By – Brian Keane, Omar Faruk Tekbilek  2:59
10. Sahara (Reprise)
Written-By – Brian Keane  1:16
11. Spirit Of The Ancestors
Written-By – Omar Faruk Tekbilek  5:31
12. Halay
Arranged By – Brian KeaneWritten-By – Traditional  5:56