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Showing posts with label Psychedelic Rock. Show all posts
Showing posts with label Psychedelic Rock. Show all posts

Friday, March 22, 2024

The Ghost: When You're Dead - One Second 1970

 

UK ack THE GHOST was formed in 1969, at the very start using the moniker Holy Ghost but pretty soon shortened for obvious reasons. Paul Eastmont (vocals, guitar), Charlie Grima (drums), Terr Guy (keyboards, vocals) and Daniel McGuire (bass, vocals) were the forming members; and when Shirley Kent (vocals, guitars) hooked up with shortly after the line-up was complete, and they headed off to


record their first single, issued in 1969. swiftly followed by a full length production, both issued in 1969.
Ghost formed in Birmingham in the late sixties. They started out playing a heavish sort of blues-rock before they met up with singer Shirley Kent who'd already recorded two tracks on a charity EP, The Master Singers And Shirley Kent Sing For Charec 67 (Keele University 103) in 1966. Paul Eastment had earlier played in Velvett Fogg.
              

They recorded their album at the end of 1969, spawning their first 45 at the end of the year. When You're Dead was a strong song with a clear US West Coast influence. It was hardly Chart material, though, so predictably sales were poor. The album came out in January 1970. There's a clear contrast between the folk pieces that Shirley Kent sings on like Hearts And Flowers and Time Is My Enemy, which in style recall Sandy Denny's heyday in Fairport Convention, and the blues-rock numbers contributed by the rest of the band, of which For One Second sounds the strongest. Also worth checking out is the powerful Too Late To Cry. The album has now become a major collector's item, partly on account of its rarity but also on account of the breadth of its appeal to fans of both blues-rock and folk.
                   
               
The band returned to the studio in Spring 1970 to record I've Got To Get To Know You. Another track from their album, For One Second, was put on the flip, but when the 45 failed to sell the band slowly began to fall apart. Shirley Kent left to pursue a solo career and eventually released an album in 1975, Fresh Out, under the pseudonym Virginia Tree. I haven't heard it but it's reputedly folkier than Ghost's

output and featured former band members Paul Eastment and Terry Guy on three of the tracks. After Kent's departure, the remaining band members soldiered on for a while using the name Resurrection but this later incarnation of the band didn't make it onto vinyl. However, Shirley Kent decides to leave the band to start a solo career soon after. The band continue using the moniker Resurrection, but split up without releasing any more material.
                  

THE GHOST briefly appeared like a spectral vision in Birmingham, England in the late-1960's. Their hauntingly-titled one and only album "When You're Dead - One Second" rose from the grave in 1970 before the band just as quickly disappeared in a wisp of hazy smoke like a phantom apparition. The spooky album cover showed a ghostly translucent image of the five-piece band gathered around a large tombstone, headed by a Celtic Cross. Right from the first few opening bars of "When You're Dead", you can tell we're going to be in for a weird and wonderful wild psychedelic ride here. This acid-drenched music is very reminiscent of the American band H.P. Lovecraft. In fact, The Ghost have such a strong resemblance to the American West Coast sixties sound that it's hard to believe they could be from the gloomy backstreets of Birmingham in England. This "phantasmic" bunch of Brummies really know how to Rock! The Ghost are listed as Prog Folk on ProgArchives, but make no mistake, this opening number sounds like a wild Psychedelic Rock trip back in time to the flower-power freeway of love in San Francisco in the swinging sixties.
              

In complete contrast, the second song "Hearts and Flowers" is a gorgeous Folk Pop refrain that could quite easily have been recorded by Peter, Paul & Mary or The Seekers. It's a truly beautiful melody floating along on a gentle wave of gorgeous guitar strings and uplifting harmonies. This stunning song - featuring Shirley Kent on lead vocals - is a real gem that shines like a sparkling diamond and would

have had tremendous hit potential if it had ever been released as a single. We're back on the magic bus again for "In Heaven", and if you love the sound of H.P. Lovecraft, then you'll be "In Heaven" too when you hear this absolutely fabulous psychedelic sixties song. It's groovy, baby! There's a return to gentler Folk Rock territory for "Time is My Enemy", a poignant song about the passing of the years which conjures up fond memories of the classic years of Sandy Denny and Fairport Convention, although this is more of an unconventional slice of Psych-Folk.
                  

Shirley Kent sounds in magnificent voice on this hauntingly- beautiful song. It's a compelling blend of Sandy Denny's "Fotheringay" and "Who Knows Where the Time Goes", given a liberal psychedelic sprinkling of glowing rainbow colours. This is turning out to be a very good album indeed! Continuing with the intoxicating blend of storming Hard Rock songs and gentle Folk Rock refrains comes "Too Late To Cry", a rousing rip-roaring rocker, featuring an extended psychedelic wah-wah guitar trip back to the Streets of San Francisco in the hippy sixties, or the wild and untamed streets of Chicago in the case of H.P. Lovecraft.
               

We're onto Side Two now "For One Second", which opens as a gently laid-back country-tinged melody, but wait one second because there's a surprise in store when the song metamorphosises from a caterpillar into a bright and beautiful psychedelic butterfly for the storming crescendo of acid-soaked

guitar reverb in the fabulous finale. And now we come to The Ghost's magnificent magnum opus, "Night of the Warlock", a spirited Demons and Wizards song that barrels along at pell-mell speed, taking the listener on a crazy helter-skelter ride in a headlong rush towards psychedelic nirvana. This is like a maniacal harum scarum version of "Season of the Witch", wound up to 99 and given an energetic burst of adrenalin and raw power.
             

We're off to meet the "Indian Maid" next, so you can expect to hear some exotic far-eastern vibes from the Indian sub-continent, although the song is still firmly rooted in western psychedelia. Either way, it's another great song wherever you are in the world. It's time now to mount the battlements for "My Castle Has Fallen", a storming medieval ballista firing a relentless percussive artillery barrage of pummelling Psychedelic Rock! There's no let-up in the incredible pace either because "The Storm" is on the way, a thunder and lightning display of sonic energy to rattle the windows and light up the sky. It's not all Crash! Bang! Wallop! though, because there's a return to gentler climes for "Me and My Loved Ones", a bright rainbow sunburst of groovy psychedelic colours to close the album in magnificent style. Wait a minute though, we're not quite through yet, because there's the groovy sixties number "I've Got To Get To Know You" added as a bonus track.
             

The sole album by this British band was a strange entrant into the field of late-'60s/early-'70s psychedelia, mixing folk-rock, much heavier West Coast-influenced psych, and early hard rock. The lead-off track, "When You're Dead," is the most effective and famous (at least in the world of

psychedelic collectordom) cut. Lead singer Paul Eastment sounds much like Family's Roger Chapman, but even creepier (and more ostentatious), as the group vamp around a skin-crawling riff, anchored by an almost garagey shrill organ. Yet the second song, "Hearts and Flowers," could almost be the work of an entirely different outfit, with the band's other lead singer, Shirley Kent, shining on a pretty folk tune reminiscent of some of Fairport Convention's most precious early numbers. The CD reissue on Mellotron adds the non-LP 1970 single "I've Got to Get to Know You" as a bonus track.
               

The Ghost has risen from the grave of the psychedelic sixties era and reappeared as an awesome apparition fifty years later on ProgArchives. "When You're Dead - One Second" is an album full of haunting Folk refrains and spirited psychedelic acid trips. All in all, it's a heavenly album full of devilishly good songs.
                    


The Ghost – When You're Dead - One Second
Label: UFO Records – BFTP CD 005
Series: Blast From The Past
Format: CD, Album, Reissue 1991
Country: UK
Released: 1970    
Genre: Rock
Style: Psychedelic, Prog Rock

TRACKS

          


01. When You're Dead    4:25

Written-By – P. Eastment, P. Keatly
02. Hearts And Flowers   2:54
Written-By – S. Kent
03. In Heaven   3:21
Written-By – T. Guy
04. Time Is My Enemy   4:06
Written-By – S. Kent
05. Too Late To Cry   5:04
Written-By – P. Eastment, P. Keatly
06. For One Second   5:25
Written-By – T. Guy
07. Night Of The Warlock   4:22
Written-By – P. Eastment, T. Guy
08. Indian Maid   4:21
Written-By – T. Guy
09. My Castle Has Fallen   2:57
Written-By – P. Eastment
10. The Storm   3:36
Written-By – P. Eastment, P. Keatly
11. Me And My Loved Ones   4:09
Written-By – T. Guy
12. I'Ve Got To Get To Know You   4:02
Written-By – S. Kent

LINE - UP

                


Bass Guitar – Daniel MacGuire
Drums, Percussion – Charlie Grima
Engineer – John Taylor
Vocals, Lead Guitar – Paul Eastment
Liner Notes, Supervised By – Carl Denker
Organ, Piano – Terry Guy
Vocals – Shirley Kent

Flac Size: 314 MB

Tuesday, July 04, 2023

Electric Orange: Live At Roadburn 2012

 

Electric Orange is a german neo krautrock band, mainly based on two masterminds Dirk Jan MÜLLER


(keys) and Dirk BITTNER (guitar). Up to now both musicians had uncounted collaborations during their development and produced a huge amount of material on MC, Vinyl and CD-R. Besides some temporary flirts with house/techno elements the band actually delivers modern trippy krautrock adapted music, where Tom RÜCKWALD handles the bass guitar since the year 2000.

                         

               

The sound is decorated with cheerful electronic elements adapted from Tangerine Dream or Popol Vuh


as well as provided with obsessional rhythms in the vein of Can or even Kraftwerk - all you might expect as significant for a contemporary krautrock sound.

                     


The band offer an irresistible blend of hypnotic and tribal beats, soaring organ and synths, spacey


guitars, recitatives, samples as well as analogue effects. Hereby they are keen on experimenting with all sorts of rare, obscure and vintage instruments. The song titles are often provided with funny and thought-provoking puns.

               


In 2009 ELECTRIC ORANGE decided to offer the first DVD release 'Live On The Psychedelic


Network Festival 2007' featuring a complete show from 2007 in Würzburg as well as other recordings from a period between 2005 and 2008. And then at the beginning of 2010 the band released the new production 'Krautrock From Hell' where the line up saw a change according to the drums while Silvio FRANOLI was substituted by Georg MONHEIM.

                  


Soon after second guitarist Josef AHNS left the band as well they decided to carry on as a quartet


furthermore and once a year from now on a new album was produced, one of them including live recordings from Roadburn Festival in 2012.

                               


MÜLLER and BITTNER are also regular members of the band SPACE INVADERS
Additionally Dirk Jan MÜLLER is driving an electronics project named COSMIC GROUND.

       


Electric Orange – Live At Roadburn 2012
Label: Not On Label – none
Format:    CD, Album, Unofficial Release
Country: Germany   
Released: 2013   
Genre: Electronic, Rock
Style: Psychedelic Rock, Krautrock

TRACKS

           


01. Raumschaf    14:03
02. Murk    9:47
03. Sunaut    14:41
04. Donocord    8:55

Total time: 47:25

LINE - UP
              



Dirk Bittner / guitars, percussion
Dirk Jan Müller / mellotron, synthesizer
Tom Rückwald / bass
Georg Monheim / drums


Recorded live at the Roadburn Festival in Tilburg, NL 15th of April 2012


MP3 @ 320 Size: 110 MB
Flac  Size: 288 MB

Electric Orange: ORANGE COMMUTATION on Urban Aspirines HERE

Friday, June 09, 2023

Brainticket: Brainticket-Cottonwoodhill 1971 + Psychonaut 1972


Obscure Krautrock band born out of a 60's jazz group featuring Belgian born keyboardist Joel Vandroogenbroeck, based in Switzerland. They are considered by many to be pioneers of early


European psychedelic and spaced-out cosmic music.
Brainticket is the brainchild of Joel
Vandroogenbroeck, a Belgian based in Switzerland who grew up studying classical piano before switching to jazz. He received the Art Tatum prize as “youngest jazz pianist” at the tender age of fifteen, and was soon touring around Europe and Africa. By 1967, Joel was still playing jazz but he found new inspiration in the sounds emanating from German krautrock artists Amon Duul II, Can and Tangerine Dream.
                      

Under the influence of these groups, Joel and guitarist Ron Byer recruited drummer Wolfgang Paap and

formed the trio that would become Brainticket. The group’s 1971 debut album Cottonwoodhill immediately ran into a storm of controversy for its association with psychedelic drugs. The album came with a warning label that insisted you should “only listen once a day to this record. Your brain might be destroyed,” which led to the album being banned in several countries including the USA.
                   

From then on, Brainticket’s reputation as a band of experimentalists at the forefront of underground, avant-garde music had been solidified. Following the death of Bryer, Joel began exploring electronic sounds, moved to Italy and met an American woman named Carole Muriel. A pair of Swiss musicians,

guitarist Rolf Hug and bassist Martin Sacher, followed and the group released 1972’s Psychonaut. A rock opera collaboration with Academy Award winning film composer Bill Conti (“Rocky”) followed before Joel began work on a new Brainticket album based on the Egyptian Book of the Dead. The new album, Celestial Ocean, told the after-life experience of Egyptian kings traveling through space and time, from the desert land to the pyramids. Released in 1973, the album was hailed as the definitive Brainticket experience and earned the band their greatest acclaim.
                

Joel has continued to explore new creative avenues over the decades, releasing two more albums under the Brainticket moniker, including 2000’s Alchemic Universe. Recently, he teamed with Cleopatra

Records to release the first ever Brainticket box set, The Vintage Anthology 1971-1980, a 4-disc compilation containing the complete first three albums along with several rare recordings. The box set is a celebration of Brainticket’s enormous contributions to electronic and ambient music that would provide inspiration for progressive bands from Emerson Lake & Palmer to Yes as well as modern acts such as Radiohead.
                         

The first album, Cottonwoodhill, opens with Black Sand, a heavy driving slab of Prog-Psych. Places of

Light is a combination of cool grooving psychedelic-jazz and heavy rock, with beautiful flute leads by Joel, heavy rocking organ, and trippy narration by Dawn Muir. The remainder of the album consists of Brainticket Pt. 1, Pt. 1 Conclusion, and Pt. 2, which together form 25 minutes of rocking improvisational Kosmiche music, freaky alien effects, and intense narrative vocals, all built around a memorable repetitive riff.


LINE - UP


Ron Bryer – guitar
Werner Frohlich – bass, bass guitar
Hellmuth Kolbe – keyboards, sound effects
Cosimo Lampis – drums
Dawn Muir – vocals
Wolfgang Paap – percussion, tabla
Joel Vandroogenbroeck – organ, flute, keyboards, vocals
Hellmuth Kolbe – producer, engineer, electronics, supervisor, generator
                            


By the time of the second album, Psychonaut, Joel had assembled an almost entirely new Brainticket lineup that explored new realms. The album includes some strong heavy prog-psych songs. Radagacuca has a trippy tribal quality and explores various jazz, rock and ethnic territory. One Morning is a light

piano and percussion led song. Watchin' You is a powerhouse rocker with a riff and vibe that remind me a lot of Amon Duul II's Deutsch Nepal. Near the end it shifts gears completely and goes into an Indian influenced raga with the multi-instrumental Joel jamming away on sitar. Like A Place In The Sun is a dark and chunky prog-psych song. Feel The Wind Blow is another of the lighter tunes and has a bit of a flower power feel. And Coc 'o Mary is yet another intense heavy prog tune with great organ, flute and tribal percussion.  
                   

Psychonaut is more relaxed and has far less electronic elements than either Brainticket's first record, Cottonwoodhill, or the album that followed, Celestial Ocean. Though the record is more

straightforward and song-oriented, it still has progressive and experimental elements that keep it from sounding too much like anything else. If anything, the group is not quite focused on any one style on this record, throwing in everything from the ethnic-influenced folk of "Radagacuca" and "One Morning" to the more traditional strummy folk of "Feel the Wind Blow" to the percussion-heavy avant-funk instrumental "Cocò Mary" to the quirky rock assaults of "Watchin' You" and "Like a Place in the Sun."
                            
                   
"Like a Place in the Sun" is particularly effective, with dark spoken word vocals alternating in contrast

with the sung chorus of its title. Effects and electronics are used much more subtly (especially compared to the earlier record), but are still quite evident. Psychonaut may not be as cohesive as the other early Brainticket albums, but it is also not as chaotic either, and as such may be the group's most accessible record without sacrificing originality.

LINE - UP


Jane Free - Lead Vocals, Thibat, Tambourine, Slide Whistle, Sounds.
Joel Vandroogenbroeck - Organ, Piano, Flute, Sitar, Sanze Vocal, Rumors, Generator, Arragements.
Rolf Hug - Lead Guitar, Acustic Guitar, Tablas, Vocals.
Martin Sacher - Electric Bass, Flute.
Carole Muriel - Speaking on "Like A Place In The Sun" and ooohh...ooohh... on "Feel The Wind Blow"
Peter - Witch Doctoran Good Vibes.
                           


Brainticket – Brainticket - Cottonwoodhill + Psychonaut
Label: Red Fox Records – RF 618
Format: CD, Compilation, Unofficial Release
Country: France
Released: 2002
Genre: Electronic, Rock
Style: Krautrock, Psychedelic Rock

TRACKS

                



BRAINTICKET - COTTONWOODHILL       

                     

  
01. Black Sand    4:03
02. Places Of Light    4:02
03. Brainticket (Part One)    8:18
04. Brainticket (Part One Conclusion)    4:35
05. Brainticket (Part Two)    13:12

PSYCHONAUT           

                


06. Radagacuca    7:24
07. One Morning    3:51
08. Watchin' You    5:15
09. Like A Place In The Sun    6:28
10. Feel The Wind Blow    3:32
11. Coc' O Mary    6:08