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Showing posts with label The Saints. Show all posts
Showing posts with label The Saints. Show all posts

Tuesday, April 12, 2022

The Saints: (I'm) Stranded 1977 + Prehistoric Sounds 2007 + Chris Bailey & The Saints: Rarities


Chris Bailey, the lead singer of legendary Australian band the Saints, has died.
                                                    


The band announced his death on Facebook on Monday.
“It is with great pain in our hearts that we have to inform you about the passing of Chris Bailey, singer

and songwriter of The Saints, on April the 9th 2022,” the statement said.
“Chris lived a life of poetry and music and stranded on a Saturday night.”
Bailey was born in Nanyuki, Kenya, to Irish parents in 1957 and lived the first seven years of his life in Belfast before his family emigrated to Australia. They lived in Inala in Brisbane and he met bandmates Ed Kuepper and Ivor Hay at Corinda state high school. They originally named their band Kid Galahad and the Eternals, changing the name to the Saints in 1974.
                                        

On Monday Kuepper, who left the band in 1978 after musical disagreements with Bailey, expressed his

sadness at Bailey’s death, saying the pair had “an extremely strong artistic partnership” and he “couldn’t have hoped for a better singer”. The Saints were the core of the Australian punk scene in the 1970s – though police attended the band’s Brisbane shows and arrested audience members and musicians, leading to their bookings evaporating.
                                      

Roaring out of Brisbane, Australia in 1977 with the punk-era classic "(I'm) Stranded," the Saints,

despite going through numerous incarnations, were a part of rock & roll for more than 20 years, thanks mainly to their indefatigable leader (and founder), Chris Bailey. Although they didn't play anything that passes for punk rock after about 1978, and despite extended dormant periods, the Saints never officially broke up, and Bailey always seemed to have another version of the band and another record ready to release.
                                    

Saints' fans generally fall into two distinct camps: the punk-era fans (up to about 1980) and the mature pop fans, which for American audiences begins with the release of All Fools Day in 1987. After co-

founder Ed Kuepper left in 1979 and the band became Bailey's show, the twists and turns he took them through (horns, folk/blues arrangements, as well his numerous solo excursions) produced some good music, but it was mostly scattershot and lacked focus, though Bailey did record two fine records with the late-'80s incarnation of the band.
                                        

Punk-era Saints were exactly what you'd expect: buzzsaw guitars, Bailey's pissed-off, nasal vocals, and locomotive rhythms supplied by bassist Kym Bradshaw and drummer Ivor Hay. After the LP (I'm) Stranded became a modest hit in England, the follow-up record, Eternally Yours, showed some changes

(more varied tempos, acoustic guitars) that would set the stage for their third record, Prehistoric Sounds, which combined horn arrangements into a punk-ish sort of R&B. It was at this point that the Saints were beginning to change enough to not resemble the band they were just a scant two years earlier. Kuepper left to form the arty Laughing Clowns and eventually made a number of records as a solo act. Bailey, however, got to keep the name the Saints and soldiered on, taking time here and there to record his own solo records.
                                 

The group had their first hit with (I’m) Stranded in 1976 and released their first LP with the same name in 1977. They went on to release 13 more records. After forming their own label, Fatal Records in 1976, they were then signed by record label EMI for a three-album contract.
Bailey was the only member to be with the band its entire run.
                                      

Chris Bailey (1957 – 9 April 2022)
was the co-founder and singer of rock band The Saints. He was born in Nanyuki, Colony of Kenya to Irish parents. Bailey grew up in Belfast, Northern Ireland until the

age of seven, when his family emigrated to Australia. His family settled in Inala, in Brisbane, Queensland and he and his sister Margaret attended Inala State High School, Oxley State High School and Corinda State High School where Ed Kuepper and Ivor Hay were also students. They formed the band, The Saints in 1973. Their first hit was in the UK with the classic punk anthem "(I'm) Stranded". The band slowly evolved toward a more sophisticated sound on their next few albums.
                               

After several years of solo adventure, Bailey revived The Saints to record Howling in 1996. This album was followed by Everybody Knows the Monkey (1998), Spit the Blues Out (2002), Nothing is Straight in My House (2005), Imperious Delirium (2006) and "King of the Sun" (2012-Australia, 2013-Europe) which were all recorded under the name of The Saints.

THE SAINTS - (I'M) STRANDED 1977

                                                                  



The Saints – (I'm) Stranded
Label: EMI – 50999 5 00371 2 4, EMI – 5003712
Format:    CD, Album, Reissue, Remastered 2007
Country: Australia
Released: 1977   
Genre: Rock
Style: Punk


TRAXS

                                       



01. (I'm) Stranded   (Written-By – Bailey, Kuepper)  3:25
02. One Way Street  (Written-By – Bailey, Kuepper)  2:54
03. Wild About You  (Written-By – Anderson)  2:38
04. Messin' With The Kid  (Written-By – Bailey, Kuepper)  6:05
05. Erotic Neurotic  (Written-By – Bailey, Kuepper)  4:11
06. No Time  (Written-By – Bailey, Kuepper)  2:45
07. Kissin' Cousins  (Backing Vocals – The Flat Top Four)  (Written-By – Wise, Randy Starr)  2:04
08. Story Of Love  (Written-By – Kuepper)  3:14
09. Demolition Girl  (Written-By – Kuepper)  1:45
10. Nights In Venice  (Written-By – Bailey, Kuepper)  5:49

BONUS TRAXS       

                                  


  
11. Untitled  (Written-By – Kuepper)  2:56
12. This Perfect Day (Single Version)  (Written-By – Bailey, Kuepper)  2:12
13. L-I-E-S  (Written-By – Bailey, Kuepper)  2:05
14. Do The Robot  (Written-By – Kuepper)  2:44
15. Lipstick On Your Collar  (Written-By – Edna Lewis, George Goehring)  2:35
16. One Way Street  (Written-By – Bailey, Kuepper)  2:52
17. Demolition Girl  (Written-By – Kuepper)  1:59
18. River Deep Mountain High  (Written-By – Ellie Greenwich, Jeff Barry, Phil Spector)  3:53

MEMBERS

                                          


Bass – Kym Bradshaw
Drums – Ivor Hay
Engineer – Bill Price (tracks: 12, 15 to 18), Mark Moffatt (tracks: 1, 6)
Guitar, Remastered By – Ed Kuepper
Liner Notes [Reissue] – Toby Creswell
Producer – Chris Bailey (tracks: 1, 6, 12 to 18), Ed Kuepper (tracks: 1, 6, 12 to 18), Rod Coe (tracks: 2 to 5, 7 to 11)
Remastered By – Don Bartley
Vocals – Chris Bailey

Originally released in 1977.
Track 11 outtake from " (I'm) Stranded ".
Tracks 12 to 14 originally released as ltd. single 12" " This Perfect Day c/w L-I-E-S " in 1977.
Tracks 15 to 18 originally released as EP 7" " One Two Three Four " in 1977.
Tracks 1 & 6 recorded at Window Studios, Brisbane, Australia, June 1976
Tracks 2 to 5 and 7 to 11 recorded at Window Studios, Brisbane, Australia, December 1976
Track 12 recorded at Wessex Studios, London, June 1977
Tracks 13 & 14 recorded at EMI Studios, Sydney, Australia, February 1977
Tracks 15 to 18 recorded at Air Studios, London, July 1977
Remastered at Studios 301, Sydney, Australia, during 2003 and 2004

MP3 @ 320 Size: 129 MB
Flac  Size: 417 MB


PREHISTORIC SOUNDS (REMASTERED 2007)

                                               


With Prehistoric Sounds (the last record of the band's original lineup), the Saints provide the textbook

by which to make a great rock record where horns play as much of a role as guitar. Further extracting themselves from the limitations of punk, the band retains the attitude and turns it into a smart, bluesy, gutsy combination of controlled power. There's more dip in the hip and additional swagger. The days of "(I'm) Stranded" might have been long gone, but the varied tempos and sophisticated songwriting don't sacrifice the band's intensity at all. The horns are the real treat, a central element to the record's solidity.
                                       

They don't make the Saints sound like Chicago, and they don't make them sound like a faux '70s soul band -- they don't make them sound like the Doors of "Touch Me" or the Bowie of Young Americans, either. Whether used for the basis or just punctuation of each song, the tasteful use of saxophones is a

genuine masterstroke. The dynamic "Brisbane (Security City)" -- which is like an update of the Stooges' "1969" and "1970" in terms of subject matter -- is the high point. After two minutes of Chris Bailey's Iggy-like lament on his hometown, the medium tempo shifts into high gear, thanks to rhythmic overdrive, charged guitars, and (of course) the ubiquitous horns. Other bright spots include "Every Day's a Holiday, Every Night's a Party" and an energetic cover of Otis Redding's "Security," where Bailey sounds so much like a young Van Morrison that it's scary.
by Andy Kellman

The Saints – Prehistoric Sounds
Label: EMI – 50999 500373 2 2, EMI – 5003732
Format:    CD, Album, Reissue, Remastered
Country: Australia
Released: 2007
Genre: Rock
Style: Alternative Rock


TRAXS

                                      


01. Swing For The Crime    3:42
02. All Times Through Paradise    4:09
03. Every Day's A Holiday, Every Night's A Party    2:49
04. Brisbane (Security City)    4:23
05. Church Of Indifference    5:05
06. Crazy Googenheimer Blues    2:32
07. Everything's Fine    2:37
08. The Prisoner    5:01
09. Security  (Written-By – Redding)  2:22
10. This Time    3:16
11. Take This Heart Of Mine    2:28
12. Chameleon    5:17
13. Save Me  (Written-By – Aretha Franklin, Carolyn Franklin, Curtis Ousley)  3:34

BONUS TRAXS

                                   


          
14. Looking For The Sun (Studio Outtake From Prehistoric Sounds) (Live At Paddington Town Hall, Sydney 21,04,1977)  3:28
15. Intermission    0:12
16. This Perfect Day    2:12
17. Run Down    2:47
18. Erotic Neurotic    3:18
19. Demolition Girl    1:40
20. Nights In Venice    7:15

MEMBERS

                                        


Bass – Alasdair Ward (tracks: 1 to 14), Kym Bradshaw (tracks: 15 to 20)
Drums – Ivor Hay
Engineer – Bill Price (tracks: 1 to 14), Jeremy Spencer Green* (tracks: 1 to 13)
Guitar – Ed Kuepper
Producer – Chris Bailey, Don Bartley (tracks: 15 to 20), Ed Kuepper (tracks: 1 to 14)
Remastered By – Don Bartley, Ed Kuepper
Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Piano, Arranged By [Brass Arrangements] – Roger Cawkwell (tracks: 1 to 13)
Trombone – Paul Nieman (tracks: 1 to 13)
Trumpet – Martin Bruce (tracks: 1 to 13), Martin Dover (tracks: 1 to 13)
Vocals – Chris Bailey
Written-By – Chris Bailey (tracks: 1 to 3, 6, 10 to 12), Ed Kuepper (tracks: 1 to 8, 10, 12)


MP3 @ 320 Size: 156 MB
Flac  Size: 496 MB


CHRIS BAILEY AND THE SAINTS - RARITIES



 
 

The Saints & Chris Bailey – Rarities
Label: Firewood Records – 1298
Format:    CD, Compilation
Country: ?
Year: ?   
Genre:  Rock


TRAXS


    
01. Chris Bailey & Friends – Me And My Uncle
02. Chris Bailey – Midnight Run
03. The Saints – Marie Antoinette
04. Chris Bailey – It Doesn't Matter Anymore
05. Chris Bailey – Not Even Close
06. Chris Bailey – Curtains (Live)
07. Chris Bailey – Marie Antoinette (Dub)
08. Chris Bailey – Rescue
09. Chris Bailey – Wait Till Tomorrow
10. Chris Bailey – Curtains
11. Chris Bailey – Follow The Leader
12. The Saints – Some Things Never Change
13. The Saints – Calling On You
14. The Saints – Mad Race
15. The Saints – Minus A Ride
16. The Saints – Storm
17. The Saints – East Is East
18. The Saints – Idiot Blues

Written-By – Bailey (tracks: 2, 3, 6 to 18), Phillips (tracks: 1), Anka(tracks: 4), Finn (tracks: 5)
No release year is given and this CD looks suspiciously like a bootleg. It was sold at various online stores which don't otherwise deal with bootlegs so it may have been an authorised release after all.

Track 1 from the "Play New Rose For Me" compilation.
Tracks 2 and 7 are Chris Bailey single B sides.
Track 3 from Bucketfull Of Brains single.
Track 4 from "Every Day Is A Holly Day" tribute album.
Track 5 from "Earth Music" compilation.
Track 6 from "Live At The Kremlin" compilation.
Tracks 8 to 11 from the "Chris Bailey" [sic] album but excluded from the CD version.
Tracks 12 and 13 from the original Australian "Prodigal Son" album, replaced on later pressings.
Tracks 14 to 18 are The Saints singles B sides.

MP3 @ 320 Size: 143 MB
Flac  Size: 402 MB

 THE SAINTS ON URBAN ASPIRINES HERE

Sunday, April 19, 2020

Ed Kuepper: Black Ticket Day 1992 - Heart Of New Wane (Best Of Ed Kuepper) 1995


Edmund "Ed" Kuepper was born on 20 December 1955 in Bremen, then part of West Germany. His family migrated to Australia in the 1960s and settled in Brisbane. is a German-born Australian guitarist, vocalist and songwriter.


He co-founded the punk band The Saints (1973–78), the experimental post-punk group Laughing Clowns (1979–85) and the grunge-like The Aints! (1991–94, 2017–present). 


He has also recorded over a dozen albums as a solo artist using a variety of backing bands. His highest charting solo album, Honey Steel's Gold, appeared in November 1991 and reached No. 28 on the ARIA Albums Chart. His other top 50 albums are Black Ticket Day (August 1992), Serene Machine (March 1993) and Character Assassination (August 1994).


At the ARIA Music Awards of 1993 he won Best Independent Release for Black Ticket Day and won the same category in 1994 for Serene Machine. 

THE SAINTS: 1973 - 1978 


Ed Kuepper's music career began in 1973 when he formed The Saints in Brisbane initially as a garage band, Kid Galahad and the Eternals. The line-up was Kuepper on lead guitar, Chris Bailey on lead vocals and Ivor Hay on piano. Early in the next year Hay switched to bass guitar and Jeffrey Wegener joined on drums, and they were renamed as The Saints.


Their early sound was a hybrid of Howlin' Wolf, Pretty Things, and The Stooges, it "eventually coalesced into [their] own distinctive sound as defined by Kuepper's frenetic, whirlwind guitar style and Bailey's arrogant snarl" according to Australian musicologist, Ian McFarlane. By 1975 Hay switched to drums when Wegener left and Kym Bradshaw joined on bass guitar.


The group had difficulty finding performance venues: they converted Bailey and Hay's share-house into a music venue, 76 Club.

EARLY SOLO CAREER: 1985 - 1990


Early in 1985 Ed Kuepper started his solo career by recording his debut album, Electrical Storm (June 1985), which was co-produced with Bruce Callaway (New Christs) for Hot Records. For the album he provided vocals, guitars: electric, acoustic and bass, and mandolin; he also used Callaway on guitar, Nick Fisher on drums, and Louis Tillett on piano. McFarlane described the album as "stark and angular". While Bush felt it was "surprisingly pop-oriented".


At the ARIA Music Awards of 1992 he was nominated for Best Independent Release for the album. Kuepper won Best Independent Australian Release in 1993, for Black Ticket Day (August 1992), and in 1994 for Serene Machine (March 1993). Black Ticket Day and Serence Machine had each reached No. 45.

THE AINTS AND MORE SOLO WORK: 1990 - 1994 


In April 1991 Kuepper formed a grunge-like band, The Aints, with Kuepper on guitar and vocals; and initially the line-up had Tim Reeves on drums; and Kent Steedman (also in The Celibate Rifles) on bass guitar. McFarlane noted that they quickly released "three fiery, distortion-drenched albums": S.L.S.Q (May 1991), Ascension (December) and Auto-cannibalism (June 1992). McFarlane further elaborated that with "blistering, guitar-heavy tracks ... these albums were the antithesis of Ed's solo work".

BLACK TICKET DAY  1992

Black Ticket Day is the sixth solo album by Australian guitarist and songwriter Ed Kuepper recorded in 1992 and released on the Hot label.
The album spent 2 weeks in the Australian charts in 1992 peaking at number 45. Black Ticket Day was awarded an ARIA for the Best Independent Release and was a nominee for Best Album at the ARIA Music Awards of 1993.


The Allmusic review by Roch Parisien states "Even at his most gorgeously melodic, there's always a dark, mournful tinge to Kuepper's work. His ability to combine beauty with sadness and basic pop structures with extended improvisation can be mesmerizing".

In May 2010, Kuepper & Bailey reunited for a monthlong tri-residency series of shows in Brisbane, Sydney & Melbourne. With Kuepper on electric guitar/vocals & Bailey on acoustic guitar/bass guitar/vocals they played a selection of songs from both solo careers and post-Kuepper Saints, as well as a few covers.
Ed Kuepper is credited with guitar (acoustic, electric, bass, slide), vocals, banjo, mandolin, keyboard, percussion, composer, producer, mixing, remastering


Label: Hot Records ‎– HOT 1040CD
Format: CD, Album
Country: Australia
Released: 1992
Genre: Rock
Style: Indie Rock, Alternative rock
Recorded at Electric Avenue Studio, Rozelle, Sydney, Australia.

TRAXS

1. It's Lunacy     3:58
2. Blind Girl Stripper     9:03
3. Real Wild Life     3:53
4. All My Ideas Run To Crime     5:47
5. Black Ticket Day     4:43
6. Helps Me Understand     5:42
7. There's Nothing Natural     3:50
8. Walked Thin Wires     6:41

PERSONEL

Ed Kuepper - vocals, guitar
Mark Dawson - drums, percussion
Sir Alfonso - bass, string arrangements
Peter Bull - piano, organ
Tim Hopkins - saxophone
Cameron Lundy - string bass
Paula Punch - vocals
The Hub String Quartet (track 2)

IT'S LUNACY LYRICS


Now all through seasons that have passed
We played this game called "it's a farce"
We had our parts down to a tee
We made theatrical history
But I won't bow to play the game
I won't try hard to save the day

It's lunacy
It's lunacy

We spoke of love felt in our hearts
We spoke of things that never passed
It reminds me every now and then
I thought I was your only friend

Now I don't care if I spend my dough
I'll go to the baker's shop and get some more
But I never thought I'd see the day
That I could finish a song that way

It's lunacy
It's lunacy


HEART OF NEW WAVE  (BEST OF ED KUEPPER)  1995
This CD was given with the Greek music magazine POP & ROCK



LAUGHING CLOWNS: 1979 - 1985

Ed Kuepper returned to Sydney late in 1978 and considered retiring from the music industry. However, in April 1979 he had formed Laughing Clowns as a rock, soul and avant-jazz group. He
provided lead guitar, lead vocals and banjo; with former bandmate Wegener on drums; Bob Farrell on saxophone; and Ben Wallace-Crabbe on bass guitar.
Early in the next year, Ben's cousin Dan Wallace-Crabbe (ex-Crime & the City Solution guitarist) joined on piano. In May 1980 they issued their debut self-titled six-track EP on Missing Link Records, which was produced by Kuepper. AllMusic's John Bush described their sound as "jazzier and quite a bit more experimental than" The Saints.
 

Meanwhile, Kuepper and the group's manager, Ken West, started up their own label, Prince Melon Records, to release early work by Laughing Clowns. Laughing Clowns subsequently issued three studio albums, Mr Uddich Schmuddich Goes to Town (May 1982), Law of Nature (April 1984 on Hot Records), and Ghosts of an Ideal Wife (June 1985).


During July 1984 Kuepper rejoined The Saints on bass guitar as a touring musician alongside Bailey, Chris Burnham on lead guitar, and Iain Shedden on drums. However "old conflicts arose and he left" according to McFarlane. Laughing Clowns disbanded early in 1985 as Kuepper started his solo career.

THE AINTS (1991–1994)


Australian Alternative/ Punk rock band starting as a three-piece playing around Sydney in 1991. Their name is a witty pun on The Saints , the band lead singer and guitarist Ed Kuepper had formed with Chris Bailey in Brisbane in 1973.
In 2017, Kuepper decided it was time to revisit the music of his youth and assembled a new band to perform shows throughout Australia, playing material from The Saints  catalogue from 1973–1978. In September 2018, The Aints! released what is in essence the long lost fourth album by The (original) Saints. 


The Aints is a band name used by Ed Kuepper during his prolific early 1990s period for loud, feedback-drenched three-piece performance and recordings. In 2017, Kuepper convened a new iteration, this time known as The Aints!.
The name is a variation on The Saints, the band Kuepper had formed with Chris Bailey in Brisbane in the early 1970s. It apparently derived from an old Saints bass drum head on which the initial letter "S" had worn off.


Kuepper has stated his aim with The Aints was to recapture the energy of the Saints in the late 1970s. Although the band's set started with Saints material, the sound of the band was more a driving three-piece with Neil Young-style feedback. The later original material featured saxophone and a more free-form approach.


The band started playing around Sydney on 13 April 1991 with Kuepper (guitar, vocals), Kent Steedman (bass) and Tim Reeves (drums). They quickly released a recording of this first show, S.L.S.Q – Very Live!, recorded on cassette, sold at shows as well as in shops. (The name stands for "Strictly Limited Sound Quality" or "Slightly Limited Sound Quality".) This recording and the Australian tour shows of 1991 consisted of old Saints material.


In this period, Kuepper was releasing new albums at a rate of roughly three a year. The Aints were quickly added to this release cycle. With Artie Sledge (bass), Mark Dawson (drums) and Tim
Hopkins (sax), the Aints released two albums of original songs: Ascension in November 1991 and Autocannibalism in 1992, both on Hot Records.
Hot issued a five-track CD EP compilation, Cheap Erotica, in November 1993, and a compilation, Shelflife Unlimited!!! – Hotter Than Blazing Pistols!!!, in August 1995. A third Aints album called Afterlife was recorded but never issued.
The Aints! (2017–present)

In 2017, Kuepper enlisted bassist Peter Oxley (Sunnyboys), drummer Paul Larsen Loughhead (The Celibate Rifles/The New Christs), jazz pianist Alister Spence, and trumpeter and brass arranger Eamon Dilworth. The band performed shows throughout Australia in 2017–2018, primarily focusing on material from The Saints' catalogue (1973–1978).
The debut studio album from the group (now known as 'The Aints!') is The Church of Simultaneous Existence, and features songs written by Kuepper in and around his tenure in The Saints. The album was released on 21 September 2018, through ABC Music. It debuted at number 82 on the ARIA Albums Chart.


Ed Kuepper ‎– Heart Of New Wave - The Best Of Ed Kuepper
Label: Ποπ + Ροκ ‎– Ροκ 01, Penguin ‎– Ροκ 01, Hot Records ‎– Ροκ 01
Format: CD, Compilation, Promo, Not For Sale
Country: Only in Greece
Released: 1995
Genre: Rock
Style: Indie, Alternative Rock

Tracklist


01. Ed Kuepper: Pissed Off
[From the album; "A King In A Kindness Room" 1995]
02. Ed Kuepper: Little Eddie
[From the album: "Character Assasination"  1994]  
03. Ed Kuepper: Sleepyhead
[From the album: "Serena Machine"  1993] 
04. Ed Kuepper: It's Lunacy
[From the album: "Black Ticket Day"  1992]   
05. The Aints: Red Aces
[From the album: "Autocannibalism"  1992]   
06. Ed Kuepper: Friday Blue Cheer / Liberties Of Oxley
[From the album: "Honey Steel's Gold"  1991]   
07. The Aints:     It's Still Nowhere
[From the album: Ascension  1991]  
08. Ed Kuepper: Always The Woman Pays
[From the album: Today Wonder"  1990]    
09. Ed Kuepper: Not A Soul Around
[From the album: "Everybody's Got to"  1988]   
10. Ed Kuepper: Also Sprach Of The King Of Euro Disco
[From the album: " Butterfly Net" 1994  
11. Ed Kuepper: Electric Storm
[From the album: "Electrical Storm"  1985]    
12. Laughing Clowns: Ghost Of An Ideal Life
[From the album: " Ghosts Of An Ideal Life"  1985] 
13. Laughing Clowns: Possesions
[From the album: " Law Of nature"  1984]