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Showing posts sorted by relevance for query Garage Beat. Sort by date Show all posts
Showing posts sorted by relevance for query Garage Beat. Sort by date Show all posts

Sunday, July 12, 2020

Various ‎– Garage Beat '66 Vol.3 (Feeling Zero...) 2004 + Garage Beat ’66 Vol. 4 (I’m In Need!) 2004


 GARAGE BEAT '66 VOL.3 (FEELING ZERO...)

Garage Beat '66 Volume 3: Feeling Zero... is a compilation album featuring rare material recorded by American psychedelic and garage rock bands that were active in the 1960s. The album's contents are sourced from the original master tapes. It is the third installment of the Garage Beat '66 series and was released on April 27, 2004 on Sundazed Records.


The album marks a point in the series in which the musical content began branching out to compile fuzz-drenched psychedelia and more standard pop rock-influenced numbers. Musical highlights include "Mother Nature/Father Earth", a rare 1968 single by the proto-punk band the Music Machine. The Preachers are represented with their snarling take of Bo Diddley's "Who Do You Love?", which received attention with its inclusion on Pebbles, Volume 1.


Additional highlights include the Brogues' Pretty Things-inspired "Don't Shoot Me Down", Southwest F.O.B.'s cover version of "Smell of Incense", which became a moderate national hit, and the E-Types' harmonized pop song "She Moves Me". Further exploration into psychedelia is evident with the track "Feeling Zero" by the San Francisco group Neighb'rhood Childr'n.


[ By Richie Unterberger
The third volume in Sundazed's Garage Beat '66 follows the same format as the preceding installments, the 20 tracks hailing from all over North America, most of them quite rare, all of them sourced from the original masters.


Mid-'60s garage rock is the main course here, but it does allow for some different shades than the stereotypical snarling fuzz-laden pounders, including some psychedelic and pop-influenced productions.


The Music Machine is the only group here that had a big hit (though they're represented by a non-charting 1968 single, "Mother Nature/Father Earth"), and while some of the other songs and artists will be fairly familiar to '60s collectors who specialize in this area, most listeners who've only just digested the Nuggets box set will find most of it virgin territory.


It occupies a somewhat peculiar niche, though, in that collectors who dig this stuff might be apt to Southwest F.O.B.'s pop-psychedelic "Smell of Incense," the first-rate harmonized pop/rock of the E-Types' "She Moves Me," the Preachers' fierce version of "Who Do You Love," the Brogues' -inspired "Don't Shoot Me Down" (with a couple of future members of Quicksilver Messenger Service), and the Mourning Reign's moody "Satisfaction Guaranteed." The other songs are mostly below the standard of the aforementioned items, but a few goodies do lurk here, particularly the mix of stomping rhythms and tag-team harmonies in the Answer's "I'll Be In" and the Mile Ends' "Bottle Up and Go," a galvanizing slice of blues-pop-garage that's one of the best such efforts not to show up on too many compilations.]


This is probably one of the most comprehensive series on Garage Rock I've ever purchased. it covers bands from many areas of the U.S.A with varied influences. one band which went by the name "The Answer" I first came across on youtube by accident. someone had uploaded their track "Why You Smile"(which appears on this CD) and included some old 1960s film footage of a very attractive young brunette woman which I discovered after researching was a young actress by the name of Arlene Farber.


Anyway, another track by this California band "I'll Be In" by this band also appears on this edition. their style is reminiscent of early Rolling Stones(think similar to "Heart of stone" and some of their more uptempo bluesier tunes from "December's Children", for instance). many bands do have sort of a stones/animals/yardbirds/kinks type influence such as The Mourning Reign's "Satisfaction Guaranteed" and The Preachers, who cover a classic blues tune(Who Do You Love). the exception would be a band by the name of Southwest F.O.B., a Texas proto-psych band that probably had more in common with folk-rock bands such as The Byrds with keyboards added.


Overall it is an excellent compilation and quite an enjoyable listen for both fans of Garage Rock and Rock music in general and whether you're a fan of 1960s Garage Rock, 1970s Punk , Hard Rock and Metal or any other style of Rock I highly recommend this comp. Sundazed has done a lot of research on the bands presented on this disc including location of band and date of release for each track. it's definitely worth the price imho!


Garage Beat '66 Volume 3: Feeling Zero... was strictly released to compact disc, and, like other albums in the series, is commended for its good sound-quality.


Various ‎– Garage Beat '66 3 (Feeling Zero...)
Label: Sundazed Music ‎– SC 11141
Series: Garage Beat '66 – 3
Format: CD, Compilation, Mono
Country: US
Released: 2004
Genre: Rock
Style: Garage Rock, Psychedelic Rock 

TRAXS

 

01. The Purple Underground: Count Back  2:42
02. The Music Machine: Mother Nature/Father Earth 2:14
03. The Others: Revenge 2:00
04. The Answer: I'll Be In 2:32
05. Living Children: Crystalize Your Mind 2:50
06. The Preachers: Who Do You Love? 2:16
07. The Great Scots: I Ain't No Miracle Worker 2:44
08. The Mourning Reign: Satisfaction Guaranteed 2:19
09. The Brogues: Don't Shoot Me Down 2:20
10. Southwest F.O.B.: Smell of Incense 2:43
11. The Mile Ends: Bottle Up and Go 2:14
12. The E-Types: She Moves Me 2:17
13. Butch Engle and the Styx: Going Home 2:07
14. The Answer: Why You Smile 2:35
15. The Rear Exit: Miles Beyond 1:57
16. Moss and the Rocks: There She Goes 2:55
17. The Preachers: Stay Out of My World 2:33
18. Neighb'rhood Childr'n: Feeling Zero 3:05
19. Living Children: Now It's Over 2:05
20. The Brogues: But Now I Find 2:16

MP3 @ 320 Size: 113 MB
FLAC  Size: 177 MB

 GARAGE BEAT '66 VOL.4 (I'M IN NEED!)


Garage Beat '66 is back on the scene with a legion of rail-thin kids wielding obnoxiously loud guitars! The original army of teenage garage bands, the ones who made life worth living in the '60s and the heroic subjects of Sundazed's ongoing series Garage Beat '66, has returned with a vengeance. Garage Beat '66, the most far-reaching, legit, vintage garage-rock series ever, presents two new volumes showcasing fuzz-drenched genre cornerstones by Zakary Thaks, the Gonn and the Haunted as well as mind-numbing brilliance from forgotten combos like the Rahgoos, the Basement Wall and the Nuchez.


Garage Beat '66 spans the U.S. and Canada, with each volume meticulously assembled from the original source tapes and with full participation of many of the artists.
That means this stuff has never sounded so wonderful! We've included voluminous liner notes by garage experts and tons of eye-popping band photos and graphics.



For some odd reason(s) this particular volume of the 'Garage Beat 66'' CD series took awhile to locate a physical copy of. Only band here that I seem to recognize is Canadian's The Haunted with their hit "1-2-5". After giving this disc several spins, I found myself especially taking notice the obscure band The Torquays (who came from my neck of the woods - Shawnee Mission, KS) as this CD has two tracks from them; turns out The Torquays had at least one proper lp out as well as several compilations, the Count Four's "Discussion Of The Unorthodox Council" (from Goldsboro. SC), the catchy Groupies' "Down In The Bottom", the awesome Joey Fee & The Come-On's "You Know 'Til The End Of Time", the Henchmen Six with "Is Love Real?", the very psychedelic sounding the Galaxies Four's "Don't Lose Your Mind", the Quarrymen's (obviously, not the early Beatles incarnation) "Don't Try Your Luck" and The Cords "Ghost Power". Highly recommended.


[By Stephen Thomas Erlewine  [-]
Sundazed picks up its Garage Beat '66 series where it left off, with the fourth volume, subtitled I'm in Need!, following the same pattern as the first three, serving up 20 garage rock sides from the latter half of the '60s (1966 is ground zero for this comp, but it features tracks recorded between 1965 and 1970).


While this series does have something to offer serious collectors -- primarily excellent sound quality and a handful of previously unreleased tracks -- it isn't intended for garage fanatics: it's designed as
the next step for listeners who love Nuggets but don't have the time, inclination, or patience to sort through the various Pebbles and Rubble series. It's also for listeners who have a fairly strict definition of garage, preferring American bands inspired by the Rolling Stones and Yardbirds bashing out blues-influenced primitive rockers, not the psychedelia that runs rampant through Nuggets, because there's precious little of that to be found here. Which isn't to say that Garage Beat is monotonous (well, no more than any other garage rock comp, but anybody interested in this music knows that going into the disc).


There's a good variety of sounds and attitudes on I'm in Need!, from the snide, harmonica-fueled the Haunted's "1-2-5" and Rob Kirk & the Word's minor-key, trippy "Girl Talk" to 's fuzzy, sneering "Good Times" and the Torquays' tense, Yardbirds-styled "Harmonica Man (From London Town)." There are three previously unissued cuts here, all noteworthy: the Counts IV's dense, wordy "Discussion of the Unorthodox Council," the Groupies' version of Willie Dixon's "Down in the Bottom," which is a rowdy barnstormer, and the Rahgoos' "Do the Rahgoo," an exhilarating manic two-minute blast of chaos.


While there are no big hits here and a couple of cuts don't rise above the appealingly generic, this is a tight, compulsively listenable collection of some of the best second-tier garage rock singles. Much of this can be found elsewhere or is well known to hardened collectors, but for those listeners who don't want to amass a large collection of garage comps, this volume of Garage Beat, like the others, is an excellent distillation of some of the best lesser-known sides of the genre.]


Classic, killer garage punk gold, beautifully mastered. Very definitely the equivalent of Nuggets in terms of quality. My only regret is that Sundazed, normally prone to such things, didn't do a simultaneous pure-analog vinyl release. All volumes recommended.


Various: Garage Beat ’66 Vol. 4 (I’m In Need!)
Label: Sundazed Music ‎– SC 11150
Series: Garage Beat '66 – 4
Format: CD, Compilation, Mono
Country: US
Released: 2005
Genre: Rock
Style: Garage Rock

TRAXS


01. The Haunted: 1-2-5   2:25
02. The Torquays: Stolen Moments   2:05
03. The Counts Four: Discussion Of The Unorthodox Council   2:33
04. The Mile Ends: Bring 'Em On In   3:02
05. The Groupies: Down In The Bottom   2:33
06. The Barons: Surprise, Surprise   2:17
07. Joey Gee &The Come-Ons: You Know 'Til The End Of Time     2:10
08. Nobody's Children: Good Times   2:49
09. Up Stairs: Operator Please   2:47
10. The Torquays: Harmonica Man (From London Town)   2:17
11. The Henchmen Six: Is Love Real?     2:11
12. Rob Kirk & The Word: Girl Talk   2:10
13. The Others: I'm In Need   2:11
14. The Galaxies Four: Don't Lose Your Mind   3:02
15. The Quarrymen: Don't Try Your Luck   2:36
16. The Driving Stupid: Horror Asparagus Stories   2:36
17. Mike London And The Englishmen: Gypsy Lady     2:41
18. The Rahgoos: Do The Rahgoo   2:11
19. Joey Gee &The Come-Ons: She's Mean   2:47
20. The Cords: Ghost Power   3:07

MP3 @ 320 Size: 117 MB
FLAC  Size: 210 MB

Friday, July 17, 2020

Various: Garage Beat '66 Vol. 5 (Readin’ Your Will!) 2005 + Vol. 6 (Speak Of The Devil…) 2007 + Vol. 7 (That’s How It Will Be!) 2007


VARIOUS: GARAGE BEAT '66 VOLUME 5 (READIN' YOUR WILL) 2005


Garage Beat '66 Volume 5: Readin' Your Will,"is the fifth installment in the Garage Beat 66 series of garage rock compilations issued by Sundazed Records, which is available exclusively on compact disc.


This volume was released on June 21, 2005 and consists of a mixture of raw up-tempo numbers as well as some psychedelic. Like all of the entries in the series, which is noted for good sound quality, all of the tracks are mastered from the original studio master sources and contain well-researched liner notes written by knowledgeable authorities. Volume 5 is mentioned by AllMusic as perhaps the best collection in the series.


The set begins with "Story of My Life," performed by Taylor, Michigan's The Unrelated Segments, featuring slashing guitars and Ron Stults' characteristically passionate delivery on vocals.
The set also features "Face to Face" by The Zakary Thaks, from Corpus Christi, Texas. The Thingies' "I'm The Morning Dew from Topeka, Kansas is culled from an alternate take, which has a slightly brisker tempo than the officially-released version on the Fairyland Records single. The Headstones perform "Bad Day Blues" and The Beefeaters play "Don't Hurt Me." The Heart Beats, an all-female group does a rendition of "Little Latin Lupe Lu." The set concludes with The Tidal Waves' "Action! (Speaks Louder Than Words)."


[ By Stephen Thomas Erlewine  [-]
Sundazed's excellent Garage Beat '66 series doesn't lose momentum on its fifth volume, Readin' Your Will! Where the previous four installments focused almost exclusively on bands that aped the Rolling Stones and Yardbirds, this set digs into the trippier, psychedelic side of garage rock with a set of 20 tracks recorded between 1964 and 1968.


There's still some straight-ahead rock & roll here, such as the Arkay IV's "Little Girl" or the Heart Beats' take on "Little Latin Lupe Lu," but there's a heavier dose of spacy harmonies, jangling guitars, fuzz tones, and swirling organs here than on previous installments of the Garage Beat '66 series. After four volumes of pile-driving garage, this comes as a welcome change of pace,
particularly because there are a lot of quite excellent singles here. A lot of this leans toward the menacing side of Texas garage rock, à la 13th Floor Elevators, but there are gentler moments like the Thingies' "I'm Going Ahead" that helps make this the most musically diverse and enjoyable disc of the series. Like the other Garage Beat '66 discs, this does contain a bunch of songs that will be familiar to hardcore garage-psych collectors -- and it does contain such cult favorites as Unrelated Segments and the tremendous Zakary Thaks -- but while those collectors will love the excellent sound and liner notes here, this isn't intended solely for collectors.


This, like the other entries in Garage Beat '66, is for garage-psych fans who love Nuggets and want to dig deeper without resorting to sorting through the Pebbles and Rubble series, or listening to all of the Trash Box. For those listeners, Readin' Your Will!, like the rest of Garage Beat '66 series, is an irresistible addition to their library.]


There are a lot of obscure tracks on here that don't appear on other anthologies. The sound quality is very good, and the originality of the tunes is great overall.
You really have to be an aficionado of the genre: these are not your typical oldies, nor is this psychedelia (for the most part.)


Garage, or early punk, as it's also known, is a genre unto itself, a sound born out of guitar driven bands that tried to emulate the sound of the Kinks, the Who, the Rolling Stones and so on, and did it with more raw emotion, more energy and more emotion than any of the original bands. They practiced in their parents' and friends' parents' garages, and sometimes their ineptitude shows. You won't find a lack of enthusiasm though, and they energy conveyed is what makes me want to crank this three-chord goodness at eleven, hoping to annoy the neighbors

Various ‎– Garage Beat ’66 Vol.5 (Readin’ Your Will!)
Label: Sundazed Music ‎– SC 11151
Series: Garage Beat '66 – 5
Format: CD, Compilation, Mono
Country: US
Released: 2005
Genre: Rock
Style: Garage Rock, Psychedelic

TRAXS


01. Unrelated Segments: Story Of My Life   2:40
02. The Liberty Bell: I Can See   3:06
03. The Lemon Drops: It Happens Everyday   2:17
04. The Headstones: Bad Day Blues   2:53
05. The Beefeaters: Don't Hurt Me   2:52
06. The Thingies: I'm Going Ahead   2:16
07. The Bad Seeds: A Taste Of The Same      2:43
08. The Front Page News: Thoughts   3:08
09. The Human Expression:  Readin' Your Will     2:46
10. The Zakary Thaks: Face To Face     2:59
11. The Knight's Bridge: Make Me Some Love     3:04
12. The Nuchez: Open Up Your Mind     3:07
13. The Basement Wall: Never Existed     2:00
14. The Human Expression: Optical Sound     2:37
15. Plato &The Philosophers: Thirteen O'Clock Flight To Psychedelphia     3:02
16. Silk Winged Alliance: Flashback     3:06
17. The Morning Dew: No More     2:47
18. The Arkay IV: Little Girl     2:49
19. The Heart Beats: Little Latin Lupe Lu   2:10
20. The Tidal Waves: Action! (Speaks Louder Than Words)  3:01

All Tracks Recorded 1964-1968

MP3 @ 320 Size: 128 MB
FLAC  Size: 184 MB

VARIOUS: GARAGE BEAT '66 VOLUME 6 (SPEAK OF THE DEVIL...) 2007

Clearly, another must-hear / have / own...…. Various Artists CD title issued sometime back on the Sundazed label. A handful of bands here that I do recognize include We The People with "In The Past", the Music Machine and their contribution "Advise And Consent" and a couple pf tunes by the Druids Of Stonehenge (had no idea they had a EP out).


Experiencing for my first time on this CD are Things To Come's "Speak Of The Devil" (band has Neil Ford & The Fanatic's "Good Men (Are Hard To Find)" - an absolutely fantastic garageDaybreaker's "Psychedelic Siren", worth mentioning from Minneapolis - Jokers Wild and their 7" - "All I See Is You", he Free-For All's "Show Me The Way" (band had three singles out) and The Bruther's "The Courtship Of Rapunzel".


[ by Steve Leggett  [-]

The garage band era of the mid-'60s was the modern equivalent of a folk movement as seemingly every town in America had a half-dozen or more energetic, ragged and often musically challenged young rock combos vying for weekend gigs and small independent record deals.


These bands frequently made up for what they lacked in ability and originality with an abundance of verve and self-perceived panache, and if they did manage to make a record, it was usually derivative and crude, but often fascinatingly so, even if few of these releases ever so much as dented a regional play list.

 
These are the kinds of musical artifacts that Sundazed has collected in its Garage Beat series, of which this is the sixth volume.
Subtitled Speak of the Devil, this installment features a heavy dose of sneering, attitude-laden garage gems recorded between 1965 and 1967, including the William Penn Fyve's wry "Swami" (the organ player from the band, Gregg Rolie, went on to greater fame with Santana and then later still with Journey), Neal Ford & the Fanatics' "Good Men (Are Hard to Find)," the Road Runners' "Goodbye" (this one could have easily been a big pop hit in a world with a fair and equitable music distribution system) and a spirited version of Bo Diddley's "Who Do You Love" by the Druids of Stonehenge.


Nothing here would have toppled the Beatles or the Rolling Stones back in the day, but now, some forty years on, these tracks still sound wonderfully snotty and free of annoying finesse. What a time it was.]


Unlike many comps which often include the big hits that have appeared on numerous comps, or some that are thrown together and may include some decent tracks with some very bad recordings Sundazed does a spectacular job. this edition kicks of with a track by Florida's "We The People"(In The Past), which is an obscure 1960s garage rock band that I highly recommend for collectors of 1960s Garage Rock.
I plan on purchasing additional Sundazed Garage Beat comps, for this seems to be a worthwhile series.



Various ‎– Garage Beat ’66 Vol.6 (Speak Of The Devil…)
Label: Sundazed Music ‎– SC 11186
Series: Garage Beat '66 – 6
Format: CD, Compilation, Mono
Country: US
Released: 2007
Genre: Rock
Style: Garage Rock

TRAXS


01. We The People: In The Past     2:36
02. William Penn Fyve: Swami     2:59
03. The Vejtables: Feel The Music     2:54
04. The Music Machine: Advise And Consent     2:59
05. Things To Come: Speak Of The Devil     2:40
06. Neal Ford & The Fanatics: Good Men (Are Hard To Find)     2:56
07. Roy Junior: Victim Of Circumstances     2:23
08. Kings Verses: Lights     3:34
09. The Daybreakers: Psychedelic Siren     2:22
10. Jokers Wild: All I See Is You     2:39
11. The Vejtables: Shadows     3:13
12. Mourning Reign: Our Fate     2:29
13. The Druids Of Stonehenge: Who Do You Love     2:27
14. The Free-For-All: Show Me The Way     2:26
15. Road Runners: Goodbye     2:35
16. The Bruthers: The Courtship Of Rapunzel     2:50
17. The Druids Of Stonehenge: Bald Headed Woman     4:17
18. The Galaxies IV: Piccadilly Circus     2:41

MP3 @ 320 Size: 120 MB
FLAC  Size: 184 MB

VARIOUS: GARAGE BEAT '66 VOLUME 7  ( THAT'S HOW IT WILL BE!) 2007

Notably, the final volume CD for Sundazed's 'Garage Beat '66' series. Noticed that there are a couple of bands here that I am familiar with - even have a CD of theirs - like Human Expression giving us their "Love At Psychedelic Velocity", the Outcasts with their catchy single '"I'm In Pittsburg (And It's Raining)", "S. J. & Crossroad's "Darkest Hour" and the Livin' End's "Making Time".


Other band's here that I was definitely taken with were the awesome obscure Mad Hatters with "I'll Come Running" (had two 45's out), the rocking Bad Seed's "I'm A King Bee", from Taylor, MI - Unrelated Segments with "Where You Gonna Go?", The Lynx tune "You Lie" (band comes from Tyler, TX, the uplifting District Six cut "East Side Story", The Chevelle V's (initially released three singles) "Come Back Bird" and The WordD's "Keep On Walking". Truly a great find.


The sound quality is right up there with the 1998 Nuggets re-release, in other words, as good as it gets. Upon first listen, their allure may prove elusive. However, just like with nuggets, the second listen and every subsequent listen rewards the listener, exponentially. These gems grow on you like a Green Fuzz. You'll be walking around hearing voices, green and purple. I'm so much more comfortable with the snotty sixties than that peace and love bunk. Long live garage rock.


That's How It Will Be! is the seventh installment in the Garage Beat '66 series of garage rock compilations issued by Sundazed Records, which is available exclusively on compact disc. Like all of the entries in the series, which is noted for good sound quality, all of the tracks are mastered from the original studio master sources and contain well-researched liner notes written by knowledgeable authorities.


The set begins with the frenzied "I'll Come Running,' by the Mad Hatters, from Annapolis, Maryland. Also featured is the grinding classic, "I'm in Pittsburgh and It's Raining," by San Antonio's the Outcasts. The set includes two classics from Detroit's the Unrelated Segments, the acerbic "Where You Gonna Go?," as well as "Cry, Cry, Cry," which concludes the set. The Human Expression's "Love at Psychedelic Velocity" builds up to breakneck speed. The Bad Seeds, from Corpus Christi, Texas perform a rendition of Slim Harpo's "I'm a King Bee," previously recorded by the Rolling Stones. The Liberty Bell performs the fuzz-drenched "That's How it Will Be" and the WordD (who also recorded as the Penthouse 5) is featured playing "Keep on Walking."


Based on action-packed, critically-acclaimed earlier volumes in this series, it's official that there was one seriously healthy recording scene stretching across the garage band nation circa '66. We're here to once again honor the most savage electrical surges from those shaggy heroes and less longhaired neighborhood idols, alike; from Detroit pre-punk legends the Unrelated Segments and fuzz fracas of the Liberty Bell to no-hit wonders the Lykes of Us and the Wild Things.


[ By Steve Leggett 
The garage band era of the mid-'60s was the modern equivalent of a folk movement, as seemingly
every town in America had a half dozen or more energetic, ragged, and often musically challenged young rock combos vying for weekend gigs and small independent record deals. These bands frequently made up for what they lacked in ability and originality by an abundance of verve and self-perceived panache, and if they did manage to make a record, it was usually derivative and crude, but often fascinatingly so, even if few of these releases ever so much as dented a regional playlist.


These are the kinds of musical artifacts that Sundazed has collected in its Garage Beat series, of which this is the seventh volume. Subtitled That's How It Will Be!, this installment features a heavy
dose of sneering, attitude-laden garage singles (over half of them from Texas bands) recorded in 1966 and 1967, including the Mad Hatters' "La Bamba"-like "I'll Come Running," the Outcasts' "I'm in Pittsburgh and It's Raining," which works off a patented shave-and-a-haircut Bo Diddley rhythm, and Detroit's own the Unrelated Segments with a pair of sneering gems from 1967, "Where You Gonna Go?" and "Cry, Cry, Cry." Nothing here would have toppled the Beatles or the Rolling Stones back in the day, but now, some 40 years on, these tracks still sound wonderfully snotty and free of annoying finesse. What a time it was.]


Various ‎– Garage Beat ’66 Vol.7 (That’s How It Will Be!)
Label: Sundazed Music ‎– SC 11187
Series: Garage Beat '66 Vol.7
Format: CD, Compilation, Mono
Country: US
Released: 2007
Genre: Rock
Style: Garage Rock

TRAXS


01. The Mad Hatters: I'll Come Running     2:23
02. The Human Expression: Love At Psychedelic Velocity     2:40
03. The Liberty Bell: That's How It Will Be     2:47
04. The Bad Seeds: I'm A King Bee     1:50
05. The Unrelated Segments: Where You Gonna Go?     2:49
06. The Esquires: Judgement Day     1:59
07. The Outcasts: I'm In Pittsburgh (And It's Raining)     2:04
08. The Lynx: You Lie     2:05
09. The Wild Things: Tell Me     3:02
10. The Penthouse 5: You're Gonna Make Me     2:47
11. District Six: East Side Story     2:25
12. The Lykes Of Us: Tell Me Why Your Light Shines     2:31
13. Exotics: Come With Me     2:13
14. The Chevelle V: Come Back Bird     2:25
15. S.J. & Crossroads: Darkest Hour     2:32
16. The WordD: Keep On Walking     2:21
17. The Livin' End: Makin' Time     2:59
18. The Unrelated Segments: Cry, Cry, Cry     3:04

All tracks recorded 1965-1967 

MP3 @ 320 Size: 106 MB
FLAC  Size: 170 MB