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Showing posts with label The Gun Club. Show all posts
Showing posts with label The Gun Club. Show all posts

Tuesday, June 17, 2025

The Gun Club: Mother Juno (2CD) 1987 + Pastorial Hide & Seek/Divinity 1997 + Lucky Jim (2CD) 1993

 

The Gun Club were formed by Jeffrey Lee Pierce (guitar and vocals) with friend, chief of the Ramones


fan club and fellow music enthusiast Brian Tristan, also known as Kid Congo Powers. Pierce was the former head of the Blondie fan club in Los Angeles and previously a member of the Red Lights, the E-Types, the Individuals, Phast Phreddie & Thee Precisions, and the Cyclones.
                       

One of the most unusual bands to emerge from the Los Angeles punk rock scene of the late '70s and early '80s, the Gun Club took the musical and thematic influences of blues, merged them

with the frenetic attack of punk, and conjured a sound that was aggressive, evocative, and emotionally complex without pretension.
Led by guitarist, vocalist, and songwriter Jeffrey Lee Pierce -- the sole constant throughout the band's history -- the Gun Club went through significant stylistic evolutions during their 16-year life span, with jazz, country, rockabilly, pop, and hard rock informing their sound.
                   

In 1980, Snowden and Dunning quit the band, and were replaced by Rob Ritter and Terry Graham (the

rhythm section of the The Bags). Powers accepted an invite to join The Cramps, and his place on guitar was taken by Ward Dotson. The new band went on to record the group's classic first two albums, "Fire Of Love" & "Miami". Ritter left the band in 1982 just before "Miami" was released - which is the reason the band is seen as a trio on the LP cover. Dotson soon quit as well. 
              

Ritter taught his basslines to former Bags band-mate Patricia Morrison before leaving so she joined in his place. Graham quit, and gave his place to Dee Pop. The next release, the "Death Party" EP, came

from an improptu recording session that featured Jim Duckworth, and a bassist friend of Pop. For their next album - the only release to feature Morrison on bass - "Las Vegas Story" out in 1984, Kid Congo Powers returned on guitar, and Terry Graham on drums. After some successful tours, Pierce started to travel around the world and the band came to a halt for a period, as he started to work on his solo album. 
                  

It was the internal struggle most clearly evoked in the blues, however, that was Pierce's enduring

obsession, and at a time when a growing number of L.A. bands were incorporating roots music into their approach, the Gun Club did it in a way that was unique. The group's most direct bluesy attack can be heard on their 1981 debut Fire of Love; they returned to that strength with 1987's Mother Juno, and came to a surprisingly nuanced and perceptive end with 1994's Lucky Jim. 
                  

On March 25, 1996, Pierce was found unconscious at his father's home in Salt Lake City, Utah.

He was hospitalized and remained in a coma until his death from a brain hemorrhage on March 31, effectively ending the Gun Club.
The White Stripes played "For the Love of Ivy" and "Jack on Fire" (both from Fire of Love) at live shows. That band's vocalist and guitarist, Jack White, said, "'Sex Beat', 'She's Like Heroin to Me', and 'For the Love of Ivy'...why are these songs not taught in schools?". 
                  

THE GUN CLUB - MOTHER JUNO 1987 (2 CD REISSUE 2006)

                            


The Gun Club collapsed within a year of the release of 1984's The Las Vegas Story, so more than a few fans were surprised in 1987 when Jeffrey Lee Pierce and Kid Congo Powers returned with a new

version of the band, featuring Romi Mori (Pierce's significant other) on bass and Nick Sanderson (ex-Clock DVA) on drums. Even more startling was that the group's comeback album, Mother Juno, was produced by Robin Guthrie of the Cocteau Twins, who would hardly have seemed a likely choice to channel the Gun Club's fiery blues-punk assault onto vinyl. But against the odds, Mother Juno turned out to be one of the band's best albums.
                  

The Gun Club – Mother Juno
Label: Flow Records – FR 011-2
Series: 9 Lives – No 3
Format: CD, Album, Reissue, Remastered May 26, 2006
Country: Netherlands
Released: 1987    
Genre: Rock
Style: Blues Rock, Garage Rock

CD1.

                   


01. Bill Bailey    3:40
02. Thunderhead    3:27
03. Lupita Screams    3:12
04. Yellow Eyes   6:29
Guitar [Inexplicable Guitarist] – Blixa Bargeld
05. The Breaking Hands   4:12
Lead Guitar – Romi Mori
06. Araby    2:58
07. Hearts    3:59
08. My Cousin Kim    2:46
09. Port Of Souls    4:49
10. Crab Dance    2:56
11. Nobody's City    4:06
12. Breaking Hands (12" Version)   4:15
Lead Guitar – Romi Mori/Remix – Robin Guthrie

Flac Size: 344 MB

CD2.

                   


01. Port Of Souls    5:24
02. Araby    3:04
03. Lupita Screams    3:16
04. Funky Junkie [Yellow Eyes]   6:39
Guitar [Inexplicable Guitarist] – Blixa Bargeld
05. Hearts    4:12
06. Bill Bailey    3:43
07. Sleepy Time Blues [Nobody's City]    4:14
08. My Cousin Kim    2:44
09. Thunderhead    3:32
10. Breaking Hands   4:32
Lead Guitar – Romi Mori
11. Crab Dance    3:04
12. Country One    3:08

Flac Size: 347 MB

LINE - UP


Jeffrey Lee Pierce - vocals, guitar, whistle
Kid Congo Powers - guitar
Romi Mori - bass; lead guitar on "The Breaking Hands"
Nick Sanderson - drums


WITH


Blixa Bargeld - guitar on "Yellow Eyes"


THE GUN CLUB - PASTORIAL HIDE & SEEK 1990/ DIVINITY 1991

                    


On 1990's Pastoral Hide & Seek, Jeffrey Lee Pierce had promoted himself to lead guitar (Kid Congo

Powers was still on hand to provide slide licks), and his concise, stripped-down guitar lines lead the band away from the blues structures of their earlier work and into a leaner, more contemporary R&B-styled direction (especially on "St. John's Divine" and "The Straits of Love and Hate"), though the passion and attack of the band is still pure rock & roll throughout. 
               

The Gun Club – Pastoral Hide & Seek / Divinity
Label: 2.13.61 Records – thi 21327.2
Format: CD, Compilation 1997
Country: US
Released:
Genre: Rock
Style: Alternative Rock

PASTORIAL HIDE & SEEK 1990

                


01.  Humanesque    3:17
02. The Straits Of Love & Hate    4:17
03. Emily's Changed    3:12
04. I Hear Your Heart Singing    3:55
05. St. John's Divine    4:25
06. The Great Divide    3:10
07. Another Country's Young    5:05
08. Flowing    4:51
09. Temptation And I    4:24
10. Eskimo Blue Day    5:27

BONUS TRAX

    
11. Crab Dance    3:20

DIVINITY 1991

                     

   
12. Sorrow Knows    7:00
13. Richard Speck    2:08
14. Keys To The Kingdom    3:16
15. Black Hole    2:16
16. Yellow Eyes (Live)    8:52
17. Hearts (Live)    3:45
18. Fires Of Love (Live)    2:14

LINE - UP


Slide Guitar, Sounds [Ominous] – Kid Congo Powers
Vocals, Guitar, Lead Guitar – Jeffrey Lee Pierce
Bass, Guitar [Counter Guitar], Backing Vocals – Romi Mori
Design – Mark Droescher
Drums, Triangle – Nick Sanderson

NOTES


Originally released in 1990 (Pastoral Hide & Seek) and 1991 (Divinity)

Flac Size: 409 MB

THE GUN CLUB - LUCKY JIM 1993 (2CD REISSUE 2005)

                     



The final Gun Club album, Lucky Jim was released in 1994, less than two years before frontman Jeffrey Lee Pierce's death at the age of 37 from complications due to liver disease. Pierce was a

wasted, hollow-eyed ghost when he and the last incarnation of the Gun Club convened in Holland. Haunted from a trip to South Vietnam and Cambodia,
Pierce wrote 11 new songs for the sessions and forged ahead despite the departure of longtime mate and fellow guitar slinger Kid Congo Powers, who left to concentrate on his own band, Congo-Norvell. With Pierce handling all the guitar chores, there's more overdubbing than there would normally be on a GC disc. 
                   

Perhaps the most telling track on the album is "A House Is Not a Home," an electric scorcher with Pierce telling his, and his band's, life story; by the end they were a band without a country, dismissed in

America and met with indifference everywhere else except in the Netherlands. Pierce expresses his agony vocally, wailing above the guitar storm, riffing and stinging the center of the melody with razored blues fills and the odd James Burton lick. Much of the rest of the disc is nocturnal, including the odd lounge-y blues shuffle of "Cry to Me," with Pierce doing his very best Albert Collins in the intro. Lucky Jim, it turns out, didn't just signify the passage of a man, but the disappearance of the only real American rock band left in the world. Rest easy Jeffrey Lee, and thanks for the music. 
                    

The Gun Club – Lucky Jim
Label: Flow Records – FR 009-2
Series: 9 Lives – No 2
Format: CD, Album, Reissue, Remastered 2005
Country: Netherlands
Released:1993    
Genre: Rock
Style: Alternative Rock, Indie Rock

CD1.

                         


01. Lucky Jim    3:44
02. A House Is Not A Home    4:03
03. Cry To Me (Organ [Hammond] – Bart van Poppel)   5:55
04. Kamata Hollywood City    5:08
05. Ride    3:57
06. Idiot Waltz    6:43
07. Up Above The World    4:50
08. Day Turn The Night    2:52
09. Blue Monsoons (Drums – Simon Fish/Written-By – Romi Mori)  2:52
10. Desire   5:08
Guitar [Melody] – Romi Mori
11. Anger Blues (Organ [Hammond] – Bart van Poppel)    7:45

Flac Size: 366 MB

CD2.

               


01. Be My Kids Blues   3:18
Arranged By – J.L. Pierce
Dobro – Rene Van Barneveld
Written-By – Traditional
02. L.A. Is Always Real    3:46
03. I Can't Explain   1:44
Written-By – Townshend
04. Land Of A 1000 Dances   2:42
Written-By – Kenner, Domino
05. B-Side Jammin'    3:31
06. Zonar Roze    2:48
07. In My Room    3:37
08. Shame And Pain    3:46
09. City In Pain    3:56
10. A House Is Not A Home (Live In Salzburg, Austria 1993-05-25)  3:46
Guitar – Rainer Lingk
11. Another Country's Young (Live In Salzburg, Austria 1993-05-25)  5:41
Guitar – Rainer Lingk
12. Ride (Live In Salzburg, Austria 1993-05-25)   5:41
Guitar – Rainer Lingk
13. Go Tell The Mountain (Live In Salzburg, Austria 1993-05-25) 7:21
Guitar – Rainer Lingk

Flac Size: 381 MB

LINE - UP


Jeffrey Lee Pierce - vocals, lead guitar, arrangements
Romi Mori - bass
Nick Sanderson - drums


WITH


Bart Van Poppel - organ on "Cry to Me" and "Anger Blues"
Simon Fish - drums on "Blue Monsoons"

NOTES


Disc 2 contains 13 never before released tracks.
Tracks 1-1 to 1-8, 1-10, 1-11 recorded at Bananas Studios Haarlem (Holland) and track 1-9 at Zeezicht Studios Spaarnwoude (Holland) January 1992 and February 1993.
Tracks 2-1 to 2-9 recorded at Bananas Studios, Haarlem, The Netherlands, February and June 1993.

The Gun Club: Fire Of Love 1981 on Urban Aspirines HERE
The Gun Club: Maiami 1982 on Urban Aspirines HERE
The Gun Club: The las Vegas Story 1984 on Urban Aspirines HERE

Friday, April 02, 2021

The Gun Club: The Las Vegas Story 1984

The Las Vegas Story is the third studio album by punk blues group The Gun Club, released in 1984.


This album saw the return of founding member and lead guitarist Kid Congo Powers, after a three-year stint with The Cramps. The album was dedicated to Debbie Harry "for her love, help and encouragement."
                                                                                                      

[AllMusic Review by Thom Jurek  

The tragedy of the Gun Club's third album, The Las Vegas Story, is that it was largely ignored by both critics and fans due to the mixing and mastering disaster that marred its predecessor, Miami -- an album that was full of great songs and performances but was so marred by poor sound that it sounded lifeless. Both records were issued by Chris Stein's Animal label.
                                                                           

The Las Vegas Story was produced by Jeff Eyrich who was just coming off T-Bone Burnett's Proof

Through the Night project and was about to enter the studio with both the Plimsouls and Thin White Rope. Its lineup features the return of original guitarist Kid Congo Powers, as well as drummer Terry Graham and new bassist Patricia Morrison (aka Pat Bag) from L.A. punk outfit the Bags.
                                                                                   

Late frontman /guitarist Jeffrey Lee Pierce was writing feverish rock & roll songs that took their

inspiration from Southern blues and West Texas country music all framed by an angular, jagged post-punk energy. The screaming rawness at the heart of the band's debut, Fire of Love, had been replaced by a dry, moaning lonesome, percussion heavy desert sound, space and echo float through the mix like a ghost through Pierce's slide guitar playing.
                                                                        


Bass drum and tom-toms fuel the attack with a basic, primitive nocturnal energy. Topics ranged from

personal disintegration in "Walkin' with the Beast," and the country-blues-drenched "Eternally Is Here," and the shambolic, two-step country confusion of "My Dreams" that quotes directly from Television's "Marquee Moon" to the disappearance of the nation in "Bad America"'s edgy guitar wrangle.
                                                                       

There are a couple of covers on the set tossed right in the center of the album: "The Master Plan," a

spooky, brooding, rock read of Pharoah Sanders' and Leon Thomas' "The Creator Has a Master Plan," and a slovenly, funereal version of "My Man's Gone Now," by George and Ira Gershwin from Porgy and Bess. The Las Vegas Story is a provocative record that reveals the Gun Club was pulled in many directions at once, and though the tension is in evidence on every track, it nonetheless holds together. After Fire of Love, The Las Vegas Story is their most satisfying album and is, perhaps, the band's most visionary offering.]

TRAXS

                                                                                             


01. The Las Vegas Story     0:23
02. Walking With The Beast     4:30
03. Eternally Is Here     3:02
04. The Stranger In Our Town     5:10
05. My Dreams     4:01
06. The Creator Was A Master Plan     1:50
07. My Man's Gone Now     3:14
08. Bad America     4:56
09. Moonlight Hotel     3:08
10. Give Up The Sun     6:02


All songs composed by Jeffrey Lee Pierce, except: "The Master Plan" (Leon Thomas, Pharoah Sanders) - "My Man's Gone Now" (DuBose Heyward, George Gershwin)
                                                                                 


Personnel

Jeffrey Lee Pierce – vocals, guitars, bells, musical tube, montage and piano on "The Master Plan"
Kid Congo Powers – excessive feedback, guitar and slide guitar, whirling whirlies, maracas and ancient mutterings
Patricia Morrison – bass, backing vocals, maracas and Bacardi
Terry Graham – drums

Additional musicians

Mustang Dave Alvin – lead guitar on "Eternally Is Here" and "The Stranger in Our Town"

MP3 @ 320 Size: 87 MB
Flac  Size: 231 MB

 
WALKING WITH THE BEAST  LYRICS




In the still of the night, I walk with the Beast
In the heat of the night, I sleep with the Beast
Who slipped so deep inside me
And rots the love right out of me

I prayed to Elvis on my knees
To take this thing from around me
Or snap it with a thundercrack
And change my blues to black

But, how did my love surround me
With such a dead thing around me,
I'm just walkin' I'm just walkin'
I'm just walkin'
Walkin' with the Beast...

I'm not alone, there's trucks outside
My body hurts, there's trucks outside
You get lucky in the bar
You're down and lucky in the dark

Indian winds across the skies
Black against the Nevada skies
There's nothing you say that does not squeal
There's nothing you want you do not steal

 



Well, how my love surrounds me
With such a dead thing around me
I'm just walkin' I'm just walkin'
I'm just walkin'
Walkin' with the Beast

The Beast will be with me tonight
Wild across the western sky
Someday, I'll go to the mountain and take my stand
And my spirit will rain all over this land

Sick across the highway bar
Sick and going way too far
It's the new world, see if you like it
It's the new world, you cannot fight it

Well, how my love done blessed me
With such a dead thing around me,
I'm just walkin' with the beast...


Wednesday, June 26, 2019

The Gun Club : Miami 1982


For some unfathomable reason one of the greatest bands to come out of the U.S.A. in the last years has never seemed to receive the respect it is due. Coming straight out of the L.A. punk scene in 1980, The Gun Club were one of the first to take a really punk attitude to roots music. True, they had been predated by several bands like The Blasters, NRBQ, etc. but these were really way too respectful of the material they were recreating. The Gun Club, according at least to bandleader Jeffrey Lee Pierce's autobiography Go Tell The Mountain, set out on a mission to destroy.


Miami is the second studio album by punk blues group The Gun Club, released in 1982. It was released on Blondie guitarist Chris Stein's label, Animal RecordsStein also produced the album.


 According to Terry Graham, Miami was recorded in a "tiny room in a second rate studio somewhere in New York and sports the famous "muffled" sound so favored by tiny rooms in second rate studios". This probably added greatly to the atmosphere here; that combined with Ward's slide guitar seem to underpin the sounds here. To sum up the contradictions of this record, the band captures the claustrophobia of wide-open spaces in a cramped studio in New York.



Producer Chris Stein is said to dislike heavy guitar based rock, which adds to the confusion in the production. He winds up with a ghostly presence in the sound pretty different to the way the band would come across live. It winds up sounding like the country LP the Doors never cut.


Pierce's vocals were getting stronger and he is still using the blues moan he picked up from Tommy Johnson. He would later recommend that I listen to Howlin' Wolf, an artist who was renowned for his trademark howl. Pierce's lyricism was becoming progressively mystical on tracks like "Like Calling up Thunder" and "Brother And Sister" but a rock and roll pulse still underlies everything. He approaches dirty realism on "Texas Serenade," a depiction of a suburban killing. The best track on the album is probably "Mother of Earth," a song where the narrating character is a drifter tired of 'eating and leaving but can't go back no more.'


One little known fact about this track is that Billy Idol, who was hanging around with Pierce a lot in L.A. at the time, said that "White Wedding" was an attempt to copy it. Don't let that put you off, this is beautiful. Mark Tomco of Rubber Rodeo adds pedal steel guitar to both this and "Texas Serenade" adding a further psychedelic swirl.


Miami was originally due to be called "Triggernometry," after a book on Old West gunfighters. To quote Graham again, the new title Miami " was chosen because JLP liked places like Miami, Las Vegas, New Orleans.... places where the seamy underbelly is more readily on display. Candy stores for terminally inquisitive miscreants and carnival trash. Such places were/are fair reflections of the activity inside Pierce's's head. A psychic requirement for all Gun Club temp workers." 


Debbie Harry appears as a backing singer on various tracks on the album under the pseudonym "D.H. Laurence Jr." The album front cover photograph doesn't include Rob Ritter who had already left the band. Before leaving the band, Ritter first taught all his bass-lines to his ex-Bags bandmate Patricia Morrison.


The track "Mother of Earth" was covered by alt-country band The Sadies on their 2001 album Tremendous Efforts. It was also covered by Swedish band bob hund, but with lyrics in Swedish, as “Mamma din jord” on their 2019 album “0-100”.



In 1996, aged 37, Pierce died from a brain hemorrhage at the University of Utah Hospital.

The Gun Club

    Jeffrey Lee Pierce : vocals, guitar, piano, background vocals on "Watermelon     Man", lead guitar on "Run Through the Jungle", "John Hardy" and "Mother of       Earth"
    Ward Dotson : lead guitar, background vocals on "Watermelon Man"
    Rob Ritter : bass
    Terry Graham : drums

Additional musicians

    D.H. Laurence, Jr.(Debbie Harry)
: backing vocals
    Walter Steding : fiddle on "Watermelon Man"
    Chris Stein : producer, bongos on "Watermelon Man"
    Mark Tomeo : steel guitar on "Texas Serenade" and "Mother of Earth"




TRAXS

01. Carry Home : 3:14
02. Like Calling Up Thunder : 2:29
03. Brother and Sister : 2:57
04. Run Through the Jungle (John Fogerty) : 4:07
05. A Devil in the Woods : 3:05
06. Texas Serenade : 4:40
07. Watermelon Man (Ward Dotson, Jeffrey Lee Pierce) : 4:11
08. Bad Indian : 2:37
09. John Hardy (Traditional; arranged by Jeffrey Lee Pierce) : 3:21
10. Fire of Love (Jody Reynolds, Stordivant Sonya) : 2:14
11. Sleeping in Blood City : 3:29
12. Mother of Earth : 3:21

Take It Here MP3 @ 320 Size : 91 MB

Take It Here  Flac : Size :   285 MB