Ray Harryhausen's Valley of Gwangi

Gwangi: The star of the movie!

Made in 1969, The Valley of Gwangi is one of those movies that seems to improve with age. Its far-out “cowboys vs. dinosaur” premise has always held a certain appeal. However, repeat viewings have allowed me to truly appreciate the little touches that made special effects genius Ray Harryhausen the greatest stop-motion animator in motion picture history.

Set in Mexico at the turn of the century, Gwangi stars James Franciscus as Tuck Kirby, a hustler always eager to make a quick buck. He arrives in town to convince his former girlfriend T.J. (Gila Golan) to sell her “diving horse” to Wild Bill Hickok. Tuck thinks T.J. needs the money to save her Wild West show. However, T.J. eventually reveals that she has a new money-making attraction: a miniature horse dubbed El Diablo. The creature was found in the secret Forbidden Valley—one of those places that warrants warnings from wise old gypsy women.

Tuck befriends a paleontologist (Laurence Naismith), who reveals that El Diablo is an eohippus, a prehistoric ancestor of horses. While he and Tuck argue on El Diablo’s future, the gypsies kidnap the little horse and return him to the Forbidden Valley with T.J.’s men in pursuit. When everyone arrives in the now no-longer-secret valley, they discover a prehistoric world that has defied time. It’s “ruled” by a ferocious T-Rex dubbed Gwangi. When the carnivorous creature is injured following a cave collapse, Tuck decides to capture it. After all, Gwangi could be the biggest show attraction in the world!

A wire was used for the rope when animating the lasso.

If a connection between The Valley of Gwangi and King Kong seems obvious, that’s because the former was originally conceived by Willis O’Brien, the stop motion animator that brought Kong to life. O’Brien, who later became Harryhausen’s mentor, did a significant amount of pre-production work on the project, then titled The Valley of Mists, in the early 1940s. Unfortunately, RKO shelved the project, allegedly because its executives thought the public was no longer interested in dinosaurs. O’Brien’s premise did serve as a basis for a low-budget American-Mexican production called The Beast of Hollow Mountain in 1956, which was quickly forgotten. A decade later, when Harryhausen and his production partner Charles Schneer were exploring ideas for a new film, Ray remembered the abandoned Valley of Mists.

The Valley of Gwangi gets off to a leisurely start before transitioning to 45 minutes of almost non-stop cowboys vs. dinosaurs action. The film's highlight is the sequence where Tuck and the gang try to lasso the T-Rex. It took Harryhausen five months to animate the scene, carefully matching footage of the actors throwing ropes at a pole mounted in a jeep with the stop-motion movements of his dinosaur model. To "animate" the rope, Harryhausen used wire--again synchronizing it to match the actual lassos being thrown in the live footage.

The T-Rex takes on a Styracosaurus while cowboys watch.

For a scene where Gwangi confronts an elephant, Harryhausen originally intended to use real footage of an elephant. When the filmmakers were unable to procure a pachyderm on location (the film was shot in Spain), Harryhausen went ahead and animated the elephant, too.

While it's true that Gwangi lacks the expressive emotions that made King Kong special, one must realize that the T-Rex wasn't known for sensitivity. On the other hand, Harryhausen adds the little details that make the dinosaur seem real. My favorite is a quick shot in which Gwangi, seen in the distance, pauses to swipe at his nose with one of his little "arms."

Gila Golan and James Franciscus.

In an special effects-driven movie like Gwangi, the human actors are there to basically move the story. James Franciscus is an unlikely choice for a Western; his well-groomed looks just don't seem to fit (at least he looked scruffier in Beneath the Planet of the Apes). Still, he's a capable actor and thus pulls off the part of the hustler who eventually realizes he's taken on more than he can handle. Laurence Naismith adds some class to the film, playing the kind of British gentlemen that he specialized in. It's hard to judge Gila Golan's thespian skills as the Israeli actress was dubbed after the producers determined her accent was too strong.

The film's star, of course, is Ray Harryhausen. The Valley of Gwangi doesn't rank with his best work (e.g., Jason and the Argonauts, The 7th Voyage of Sinbad), but it's a diverting little picture with some incredible stop-motion special effects.

Short Takes with Charles Laughton, Cowboys & Dinosaurs, and Neil Simon

This Land Is Mine - When the Nazis invaded France during World War II, acclaimed filmmaker Jean Renoir relocated to the United States. Renoir, son of the Impressionist painter Auguste Renoir, had already completed what would become his masterpiece, 1939's Rules of the Game. Unlike fellow refugee director Fritz Lang, Renoir never found his groove in Hollywood. Still, his first English-language film, This Land Is Mind, is a heartfelt, patriotic story of a timid schoolteacher (Charles Laughton) in a small European village occupied by Nazis. Maureen O'Hara, George Sanders, and Una O'Connor lead a strong supporting cast.

The Valley of Gwangi - Ray Harryhausen's imaginative mix of Western and fantasy overcomes a leisurely first half en route to 45 minutes of almost non-stop cowboys vs. dinosaurs action. While it can't stand alongside Harryhausen classics like Jason and the Argonauts, the special effects in 1969's Gwangi are excellent--especially the climatic T-Rex rampage. The scene where the cowboys lasso the T-Rex took stop-motion animator Harryhausen five months to film. Willis O'Brien, King Kong's creator and Harryhausen's mentor, conceived Gwangi in 1942, but RKO abandoned the production.

The Goodbye Girl - Playwright Neil Simon penned this winning romantic comedy as a vehicle for his then-wife Marsha Mason. She plays the title character, a single mother recently jilted by her latest lover. To make matters worse, she learns that her NYC apartment has been subleased to Dreyfuss, a struggling actor. Simon wisely keeps sentiment to a minimum, while allowing his outwardly brash characters to reveal their inner insecurities. Mason is good, if a bit too theatrical, but Dreyfuss hits all the right notes in his Oscar-winning performance. Quinn Cummings, as Mason’s wise-beyond-her-years daughter, delivers most of Simon’s trademark zingers. She, Mason, Simon, and the film all earned Oscar nominations. David Gates, formerly of the rock group Bread, wrote and performed the memorable title tune, which peaked at #15 on the Billboard chart.