The Five Best Hayley Mills Performances

1. Pollyanna. The finest Hayley Mills film features her as a young orphaned girl—an optimist if there ever was one—coming to live with her wealthy, spinster aunt circa 1913. Pollyanna pretty much shakes up the whole town, bringing lonely people together and reminding everyone that there are unexpected joys to be found in the most unlikely places. It’s a charming, uplifting tale, surprisingly devoid of schmaltz--and I think that's the secret to Hayley's appeal in the title role. Unlike many other child stars, she never tries to "play cute." Instead, she finds the appeal in her character and lets it come out naturally.

Hayley Mills and Deborah Kerr.

2. The Chalk Garden. Deborah Kerr headlines this offbeat, poignant tale about a governess hired by a dowager to care for the elderly lady’s out-of-control teenage granddaughter (Hayley Mills). The girl has a fondness for setting fires and delights in threatening to burn down the gloomy mansion set among the isolated cliffs. Hayley combines brattiness with vulnerability and repressed anger with youthful innocence. Best of all, she's content to concede the film's big scenes to the marvelous Deborah Kerr and deliver a first-rate supporting performance.

Hayley with Alan Bates.

3. Whistle Down the Wind. In rural England, three children discover a fugitive in their barn and come to believe that he is Jesus. This unique film works as both a religious allegory and an intelligent look into the world of children. Hayley Mills (as the children's leader) and Alan Bates (as the convict) give powerful performances. It was based on the novel by Hayley's mother, Mary Hayley Bell, who also wrote the screenplay. Andrew Lloyd Webber transformed it into a stage musical that never made it to Broadway.

Hayley playing twins.

4. The Parent Trap. In one of her most famous films, Hayley plays 13-year-olds Susan Evers and Sharon McKendrick, who meet at camp and discover they’re twins separated at an early age when their parents divorced. It's a ridiculous premise when you think about it, but that doesn't stop The Parent Trap from being one of my favorite Disney movies. Hayley differentiates between the twins nicely, sings a duet, and once again defers to the grown-up stars (Brian Keith and Maureen O'Hara) when the plot shifts to their renewed romance.

In Sky West and Crooked.

5. Sky West and Crooked and The Trouble With Angels. Yes, it's a tie for the final spot so we can squeeze in a sixth film. The little-seen Sky West and Crooked (1965) casts Hayley as Brydie White, a seventeen-year-old girl who has mentally blocked out a childhood tragedy. Her widowed, alcoholic mother possesses no parenting skills--leaving Brydie to fend for herself. The townsfolk think the girl is a bit daft (the meaning of the title), but she still finds romance with a gypsy lad (Ian McShane). In the the popular 1966 comedy, The Trouble With Angels, Hayley plays a rebellious girl who clashes with the Mother Superior (Rosalind Russell) at a boarding school run by nuns. It's an amusing film, with Hayley's character constantly getting into trouble for her "scathingly brilliant ideas." However, Hayley brings depth to her character as she quietly watches the nuns and tries to understand their faith and dedication. It's a serious final scene that gives this frothy film its depth--and makes it stand out from similar confections (including its Hayley-less sequel Where Angels Go, Trouble Follows).

Honorable Mentions: The Truth About Spring (if I was listing my five favorite HM movies, this would be one of them); Tiger Bay;  and The Moon-Spinners (sort of a juvenile Hitchcock film--just not as good); and The Trouble with Angels (the ending makes the movie).

Coop's a Quaker and Hayley Buries Dead Animals

Gary Cooper and Dorothy Maguire.

Friendly Persuasion (1956). This pleasant, heartfelt tale of Quaker life in southern Indiana during the Civil War lacks the drama that went into bringing the film to the screen. Jessamyn West's 1945 novel was comprised of short stories published in various magazines beginning in 1940. William Wyler acquired the rights in 1948, but the project languished for several years. It didn't help that the House Committee on Un-American Activities proclaimed screenwriter Michael Wilson to be an "unfriendly witness." Despite winning an Oscar for co-writing A Place in the Sun in 1952, Wilson was blacklisted in Hollywood. When Wyler finally produced Wilson's adaptation of Friendly Persuasion, the credits did not list a screenwriter (in 1996, the opening credits were updated to include Wilson). As for Wyler, he intended to shoot the film on location in Indiana, but the budget spiraled out of control, forcing him to finish it in California (some outdoor scenes were clearly filmed in a studio).

Anthony Perkins.

Gary Cooper stars as the patriarch of the Birdwell family, although the film focuses on his oldest son Josh (Anthony Perkins) and daughter Mattie (Phyllis Love). Mattie has fallen in love with a Union officer and Josh can't decide whether to fight alongside his friends in the war or whether to remain faithful to his Quaker beliefs. It's a leisurely, episodic movie that doesn't build to a strong climax, but there are effective scenes along the way (e.g., when Mrs. Birdwell, played by Dorothy Maguire, deals with the Confederate soldiers). Cooper, then in his mid-50s, had doubts about playing a father--and a pacifist one at that. Just five years earlier, he starred as a strong-willed sheriff with a 23-year-old Grace Kelly as his bride in High Noon. Still, Cooper anchors Friendly Persuasion and provides the film with some much-needed humor, some of it centered around the elder Birdwell's desire to beat a neighbor in a weekly "unofficial" buggy race.

The surprisingly plush Birdwell home.

Friendly Persuasion won an Oscar for Best Sound and earned other nominations for Best Picture, director, supporting actor (Perkins), song, and--incredibly--screenplay (though the nomination was for the script and not the writer because Wilson was blacklisted). Pat Boone crooned the title song, written by Dimitri Tiomkin and Paul Francis Webster, which went to #5 on the Billboard Hot 100 chart.


Sky West and Crooked (aka Gypsy Girl) (1965).  At the age of 19, Hayley Mills had pretty much wrapped up her highly-successful career as Walt Disney's biggest child star. She could still play teenagers, but adult roles were just around the corner. During this period in the mid-60s, she made several "transition" films such asThe Chalk Garden and The Truth About Spring--both personal favorites. She also starred in the unusual Sky West and Crooked, a Mills family project directed by Hayley's father, acclaimed actor John Mills, and co-written by her mother, Mary Hayley Bell.

 

Ian McShane as Roibin, the gypsy.

Set in rural England, Sky West and Crooked casts Hayley as Brydie White, a seventeen-year-old girl who has mentally blocked out a childhood tragedy. Her widowed, alcoholic mother possesses no parenting skills--leaving Brydie to fend for herself. The townsfolk think the girl is a bit daft (I surmised that was the meaning of the film's title). The local vicar and a coffin-maker's family treat her kindly and she has become the unofficial leader of the village children. Indeed, when Brydie buries her two dead hamsters in the church cemetery (she forgot to provide them with water), the other children follow suit. Soon, the children are scouring the countryside for dead animals to bury in the cemetery--much to the dismay of their parents. Brydie's life is further complicated by the arrival of a handsome gypsy lad (Ian McShane).

An animal's grave.

Sky West and Crooked is an obvious attempt to duplicate the success of the superior Whistle Down the Wind, a 1961 classic starring Hayley and based on a novel by her mother. Both films feature rural settings, uninvolved parents, and a group of children led by Hayley. They also explore religious themes: in Whistle Down the Wind, the children believe an escaped convict is Jesus; in Sky West, the coffin-maker's children launch into an unexpected discussion about souls during afternoon tea with their parents.

The entire cast is convincing, with acting honors going to Hayley, Geoffrey Bayldon as the vicar, and Ian McShane as Hayley's love interest. While Sky West and Crooked certainly doesn't rank with Hayley's best films, it's still an interesting--if slowly-paced--tale about the need for love and the challenges of becoming an adult.