KRUSHOR RELEASE "TASTE OF HATRED"

 

PRESS RELEASE:

Finnish thrashers Krushor are set to release their debut EP 'Taste of Hatred' on January 9th 2026 via Inverse Records. The second single 'Taste of Hatred' is unleashed today and it's available here: https://push.fm/fl/krushor-taste 

The band comments:

"Taste of hatred is about situation where a person takes a stand for someone who's pushed 'em down long enough to make that person retaliate. What happens, when beaten and oppressed person decides to stand their ground and says they've had enough and gives back all they had to endure. What kind is this persons actual hatred if just a taste of it can turn tables and make the one who made them suffer have taste of their own medicine."

LISTEN to the first single 'Shockwave': https://push.fm/fl/krushor-shockwave

BIOGRAPHY:

The band found its current identity through shared musical tastes, playing together, and a shared hobby. We are a group of people who enjoy making and playing music that works for all of us. A big part of this is that composing, writing lyrics, and editing songs is open to everyone. All songs and compositions are created by the whole group, not based on one person's vision or goal. 

Our influences definitely come from older metal, but that doesn't matter, because mixing genres actually adds a lot to our music; there's no one right way to do things. Krushor's goal is to make music that sounds good and at the same time talk about the difficult things that are part of life. For many people, music can be therapeutic, and if even one person feels that way about our music, we feel we have succeeded.

Krushor - Taste of Hatred (single 2025)

Track list:

1. Taste of Hatred

-Composed by Joni Kärsämä, Juho Mattila

Saku Hirvimäki, Sami Keränen

-Lyrics by Ville Lehtoranta

-Arranged by Krushor

-ISRC: FI3FC2595904

Single cover by Joni Kärsämä

­

Krushor - Taste of Hatred (EP 2026)

Track list:

01. Shockwave

02. Vortex

03. Rise Above

04. Taste of Hatred

-Composed by Joni Kärsämä, Juho Mattila

Saku Hirvimäki, Sami Keränen

-Lyrics by Ville Lehtoranta

-Arranged by Krushor

EP cover by Joni Kärsämä

­

Line-up:

Ville Lehtoranta - Vocals 

Joni Kärsämä - Guitar 

Juho Mattila - Guitar 

Sami Keränen - Bass 

Saku Hirvimäki - Drums

 

Links:

https://www.facebook.com/krushorofficial 

https://www.instagram.com/krushor_official 

https://krushor.bandcamp.com

EL MUERTO RELEASE "LOST AND AMSTERDAMNED"

 

PRESS RELEASE:

El Muerto, the Netherlands' one-man Black/Death Metal project, has released debut EP, Lost and Amsterdamned!

Stream/Purchase Lost and Amsterdamned:

elmuerto2.bandcamp.com/album/lost-and-amsterdamned

open.spotify.com/album/1ii2JWwZludnI4z7r4ZcWP

music.apple.com/us/album/lost-and-amsterdamned/1839573465

El Muerto was born in the depths of personal crisis, a raw and unflinching document of depression, trauma, and the desire to disappear. Conceived as a final message from an artist who had lost the will to live, each track captures a chapter of that darkness. But this record is no longer a goodbye. It’s proof that even in the shadows, something can still survive.

El Muerto is the alter ego of a multi-instrumentalist whose journey spans continents, from the underground metal scene of Mexico (Sekhmet) to experimental projects in Australia (Conscious Comma), now anchored in the Dutch landscape. With Lost and Amsterdamned, he delivers a fiercely collaborative black/death metal EP shaped by the frostbitten influence of Immortal, the grim atmosphere of Darkthrone and Mgła, and the progressive shadows of Opeth and Emperor.

Driven by guitar-forward compositions and visceral vocals, the record balances old-school extremity with cinematic vision. Each track is both a personal exorcism and a descent into archetypal horror, as described by below by El Muerto.

"Enthroned in the Tower of Shadows (The Witch)" – A theatrical black metal tale of the witch-queen reigning from a tower of obsidian. Ritualistic, grand, and venomously lyrical, it reads like folklore soaked in blood and fire. Betrayal, treason and lies.

"Ghosts of Torment" – An inner war against unseen forces. This track is a descent into madness where haunting spirits represent trauma, anxiety, and mental illness. Dissonant and despairing, it’s a song about being torn from within—and haunted from without.

"Lich King" – A blighted anthem of death’s dominion. With imagery of skeletal monarchs and ruined worlds, it’s a march into the void, full of oppressive riffing and funereal dread.

"A Song for Ran" – A melancholic invocation of the Norse sea goddess, casting despair into the sea’s cold embrace. Melodic and mournful, it drifts between surrender and transcendence beneath crashing waves and whispered death. Where the final rest in the most peaceful as well.

"Blood Crypt" – The EP’s most venomous moment: a burial rite soaked in bile and loathing. A brutal poem of closure through decay, it turns memory into rot, laying ghosts to rest in a cathedral of scorn.

"Wolves of Den Haag" – Inspired by the real-life cannibalistic murder of Dutch statesman Johan de Witt in 1672, this track uses historical horror to reflect modern betrayal and societal rage. Gnarled riffs and spectral tension echo through The Hague’s ghost-soaked streets.

Each song speaks in the language of metal, but beneath the corpse paint and distortion lies something deeply human—anguish, defiance, and ultimately, release.

Each of these songs reflects personal trauma through the lens of myth, horror, and metal’s harshest language turning lived experience into sonic ritual. Lost and Amsterdamned no longer marks an ending. It is a violent testament of survival, memory, and transformation. A cathartic howl from the pit—and the sound of someone crawling out of it.

The album's rhythm section features guest musicians from international metal acts, such as downunder's Norse and Europe's Adarrak.

Mixed by the legendary Tomas Skogsberg of Sunlight Studios in Sweden and mastered by Ricardo Botello. Recorded in studios across the Netherlands.

FFO: Opeth, Immortal, Emperor, Mgla, Death

Track Listing:

1. Enthroned in the Tower of Shadows (The Witch) [Video]

2. Ghosts of Torment

3. Lich King

4. A Song for Ran

5. Blood Crypt

6. Wolves of Den Haag [Video]

Credits:

Produced by Ricardo Botello

Mixed by Tomas Skogsberg in Sunlight Studios, Stockholm, Sweden.

Mastered by Stefan Brown from Abbey Road Studios.

All artwork created by Francisco Torres Beltrán (Tobelart).

Line-up:

Ricardo Botello - Guitars, Vocals, Piano

Zigor Munoz - Bass (except "Ghosts of Torment")

Tommaso Tani - Bass on "Ghosts of Torment"

Robin Stone - Drums

BIO:

El Muerto is the alter ego of a multi-instrumentalist, Ricardo Botello, who has made the Dutch landscape his creative home for the past years. His musical journey spans continents, from his work with the Mexican project Sekhmet to time spent with Australia’s Conscious Comma. 

Now unveiling his debut EP, Lost in Amsterdamned, El Muerto presents a collaborative effort that features a dynamic cast of guest musicians. 

instagram.com/elmuerto_

elmuerto2.bandcamp.com

youtube.com/@rbb04

DISCOVERY THROUGH TORMENT RELEASE "TELESYNTHETIC REBIRTH"

 

PRESS RELEASE:

Discovery Through Torment

Telesynthetic Rebirth - Out Dec 5th

Self Release

5 December 2025

Known for their brutal fusion of slam, blackened deathcore, and sci-fi-infused storytelling, Saint-Jean-sur-Richelieu, QC, Canada's rising force, Discovery Through Torment, has carved a distinct niche in Canada’s underground metal scene and will be unleashing their new EP ""Telesynthetic Rebirth" on December 5th, 2025, to follow their previous albums The Mangled God (2022) and Divine in Blood (2020).

"Telesynthetic Rebirth" is a concept-driven EP that plays out like a descent into divine collapse and engineered genocide. The lyrics follow a fictional, video game-inspired narrative where a fallen deity gives way to a new force that abducts humans, reshapes them into telepathic killing machines, and unleashes them in a genocidal conquest of Earth. Musically, the EP alternates between towering, atmospheric tracks and suffocating heaviness, creating a dynamic listening experience that’s both brutal and immersive.

For fans of Abominable Putridity, Carnifex, Mental Cruelty, Lorna Shore.

Below are links to check out.

Single - Lesions

Visualizer - https://www.youtube.com/watch?v=ZhKyft6BMts

Add to your Spotify playlist - https://distrokid.com/hyperfollow/discoverythroughtorment/lesions

More Info:

"Telesynthetic Rebirth" launches with “Dethronement,” a sweeping and cinematic opener that heralds the downfall of the Mangled God, a brutal, tyrannical figure defined by torture and violence. This track sets the EP’s epic tone, which pulses throughout the release. The intensity escalates with “Arcane Inception,” a relentlessly heavy and aggressive piece that introduces the rise of a new force, one that begins abducting humanity by targeting the most impressionable, dubbed “malleable respondents.” The third track, “Veil Unfurling,” shifts back into atmospheric territory, pairing a soaring chorus with lyrics laced in clinical, medical-inspired language that romanticize the transformation of captives into telepathic servants. “Lesions” then delivers the EP’s most brutal blow, with rapid-fire vocals and a twisted chorus that warns the remaining humans of their impending doom. The closing track, “First Encounter Assault Regiment,” returns to epic scale, unleashing the full scope of the genocidal plan as telepathic legions march forward. Ending on a cliffhanger, the lyrics hint at a possible regime reversal, leaving the narrative open for future exploration.

The EP also includes two subtle nods to the original F.E.A.R. video game: the final track’s title riffs on the game’s acronym, while “Veil Unfurling” features a hidden line from Paxton Fettel. Interestingly, the lyrics for “Veil Unfurling” were penned during a binge of House M.D., lending them a cold, clinical edge. Most of the synth work was crafted by guitarist Sam in his pyjamas, experimenting with Native Instruments to build the EP’s eerie soundscapes. Instrument tracking was completed in just four days, while vocals were recorded externally and independently to allow for greater precision and emotional depth.

"Telesynthetic Rebirth" follows the band’s acclaimed releases "Divine in Blood" (2020) and "The Mangled God" (2022), which earned them recognition for their uncompromising heaviness and thematic depth. With members known from acts like Deadwood, Fall of Stasis, and Ignominy, Discovery Through Torment brings a wealth of experience and intensity to both studio and stage.

The EP’s artwork, drenched in ominous reds and desolate landscapes, mirrors the sonic and lyrical themes, hinting at the origins of the lone figure at its center and the chaos to come.

Fans of Abominable Putridity, Carnifex, Mental Cruelty, and Lorna Shore will find much to devour in this release. Raw, guttural, and groovy, "Telesynthetic Rebirth" promises a listening experience that’s as devastating in a full spin as it is in a playlist shuffle.

https://discoverythroughtorment.bandcamp.com/releases

https://www.facebook.com/Discovery-Through-Torment-2310754672515168

https://www.instagram.com/discovery.through.torment/

VOIDWARD RELEASE "OCCULT SYMMETRY"

 

PRESS RELEASE:

VOIDWARD RELEASES OCCULT SYMMETRY MICRO-ALBUM AND THE PLOWMAN 11TH ANNIVERSARY EDITION MACRO-SINGLE

Progressive Stoner Doom Visionaries Usher in the Year of the Void

Marking a metaphysical milestone in heavy music, Voidward unleashes two monumental sonic offerings on February 22, 2025: the Occult Symmetry Micro-Album and The Plowman 11th Anniversary Edition Macro-Single. These releases push the boundaries of time, sound, and spiritual awareness—deepening the lore and legacy of the band that serves as Earth’s conduit to The Void.

Following their 2022 self-titled full-length debut, which featured the hauntingly unforgettable track “Voidward,” this new dual release presents a vivid glimpse into the evolving mythos of The Void Cycle , set for full manifestation in 2026.

Occult Symmetry (Micro-Album)

Voidward introduces the world’s first Micro-Album: a singular, expansive composition in two acts— “Light Rider” and “Dark Miracle.” Clocking in with gravitational depth, Occult Symmetry stands as a meditative journey through frequency, dimension, and self. It's not just an album—it's a ritual in motion, a vibration in sync with the metaphysical forces guiding our collective experience of sound and silence.

The album artwork is a striking painting by Sally Gates, known for her work with Titan to Tachyons alongside Trevor Dunn (Mr. Bungle) and Kenny Grohowski (Imperial Triumphant). Gates is currently wrapping up a tour leg with Napalm Death and The Melvins, lending a powerful and evocative visual identity that perfectly complements Voidward’s cosmic sound.

The Plowman 11th Anniversary Edition (Macro-Single)

In celebration of 11 years of Heralding the Void , Voidward reissues The Plowman in a newly remastered, reimagined form. Originally unearthed on the knives EP (2013), this edition is part of a broader 11-version series — with Versions I through V already available, and Versions VI and VII scheduled to arrive in Autumn 2025. Each edition reveals a different dimension of The Void’s eternal message, echoing across time through heavy frequencies and ritualistic intensity.

About Voidward

Voidward isn’t just a band. Voidward is the Herald.

For fans of Castle Rat , Elder , Ghost , and even the legendary Riverbottom Nightmare Band , Voidward offers more than music—they offer initiation. Their genre-defying sound exists at the intersection of Progressive Stoner Doom and metaphysical truth, providing a heavy metal odyssey that serves as a mirror to eternity itself.

Guided by the unknowable force that is The Void, Voidward channels frequencies and philosophies from beyond, grounding cosmic chaos into sonic form. Their sound resonates deeply—most audibly through the ancient circuitry of the Boss HM2—and their mission is simple:

To bring The Void closer.

Production Credits

All music and production by Voidward

Engineered, Mixed & Mastered by Nick Petersen at Track and Field Studios, Chatham, NC

Released via Clearly Records

Join the Cult of the Void

Will you become Voidward?

Follow Voidward into the eternal dark—the next phase begins now.

https://voidwardnc.com/

http://facebook.com/voidward

https://www.instagram.com/voidward_nc/

https://voidwardnc.bandcamp.com/album/occult-symmetry

https://open.spotify.com/artist/5vvb18nqMVRI35EwFCrHPA

https://music.apple.com/us/album/occult-symmetry-single/1795295725

CREMATE RELEASE "READY TO FIGHT"

 

PRESS RELEASE:

Ready To Fight is a 4-track EP embodying raw energy through a contemporary production lens. It features three reworked classics—“Another Pain Born” reborn as “Human,” “Die as You Lived” enhanced with haunting violin by Lusty Apricot—and the brand-new title track showcasing a blistering solo from Marios Iliopoulos (Nightrage). Recorded and mixed by Akis Pastras and mastered by George Nerantzis (Abbath, Rotting Christ, Gus G.), the EP delivers an uncompromising fusion of vintage aggression and modern dark textures.

Ready To Fight symbolizes CREMATE’s powerful rebirth, honoring their 1993 cult demo while boldly pushing forward. The EP is a must-listen for fans of authentic death/thrash metal with an atmospheric edge—heavy, relentless, and uniquely dynamic.

The digital EP's release date is November 7, 2025.

"Ready To Fight"official video:  https://youtu.be/-RdHOoRT-HA?si=tZ8W-IvELU3Bg7_m

"Ready To Fight" tracklist:

1. Die As You Lived

2. Human

3. Cerebral Pain

4. Ready To Fight

Formed in 1991 in Alimos, Athens by high school friends Christos (guitar/vocals) and Leonidas (drums), CREMATE quickly carved out a raw and aggressive niche blending death and thrash metal—drawing inspiration from titans like Kreator and Sodom. Their 1993 demo End of Time garnered international acclaim through critical reviews, radio play, and devoted underground support.

Following lineup changes and relentless live shows praised by Metal Hammer and other media, CREMATE released the 7" EP Enchanting Black Recess in 1995 via Dark Side Records. However, a full-length album never materialized as the band disbanded soon after.

In 2021, founder Christos reignited CREMATE alongside drummer George and longtime collaborator Akis Pastras (Dexter Ward, Damon Systema, Nightfall). Revisiting their seminal demo, Christos re-envisioned the material by infusing dark synthesized atmospheres, samples, and new arrangements that intensify the band’s signature 90s death/thrash fury.

Line up:

Chris C: Vocals/Bass

Akis Pastras: Rhythm/Lead Guitars

The Goat: Drums

Follow CREMATE

www.instagram.com/CremateTHEBAND

www.facebook.com/crematetheband

Pre-save Ready to Fight: https://orcd.co/rtfep

DISSENTIENCE RELEASE "KAIJU"

 

PRESS RELEASE:

Dissentience

Kaiju

20 February 2026

DISSENTIENCE, the progressive death-thrash unit from Bethlehem, PA, returns with their most conceptually ambitious and sonically punishing release to date: Kaiju. Scheduled for release on February 20, 2026, Kaiju is a four-track concept EP that fuses cinematic horror, crushing riffs, and lyrical dread into a singular apocalyptic vision. Drawing inspiration from classic Japanese monster films and the unknowable terrors of Lovecraftian mythology, the record explores the narrative of a colossal, nameless beast as it decimates a city. Rather than paying tribute to kaiju lore in name alone, DISSENTIENCE builds a world where riffs, lyrics, and production align to place the listener in the path of annihilation.

The EP begins with "Obsidian Tomb", a track that captures the initial moments of catastrophe. A somber acoustic intro builds tension before the monster is unleashed. The song moves through blast-laden choruses, thrash-driven verses, and groove-heavy interludes, all while painting a picture of destruction through the eyes of a terrified populace. The band intentionally avoids naming the monster or the city to keep the setting timeless and the fear universal. This choice also reinforces the Lovecraftian tone by allowing the horror to remain undefined, inviting each listener to project their own dread into the story.

"Chaos Absolute" takes a different narrative angle by focusing on the political and social collapse that follows the attack. Opening with a syncopated, high-tension riff and shifting into a massive, deceptively catchy groove, the track evokes the panic and futility of global leaders attempting to respond to an unstoppable force. Frantic guitar harmonies, dissonant progressions, and a brief clean bridge section give way to some of the heaviest material on the record. The phrase “fall into chaos absolute” functions as both a summary of the storyline and a reflection of the listener’s experience as the music surges with desperation.

The title track "Kaiju" represents the climax of the EP, unleashing a relentless barrage of violence and devastation. The lyrics describe grotesque scenes of bloodshed and helplessness as the beast rips through the last remnants of resistance. Riffs churn beneath guttural vocals, with every passage dripping with urgency and rage. The music mirrors the scale of the narrative, building to overwhelming levels of sonic brutality. The repeated line “Kaiju will bring forth a new age of rot” serves as the thesis for the entire record, framing the monster not only as a literal destroyer but as a symbol of humanity’s self-inflicted reckoning.

The final track "Death Shroud" transitions into the aftermath. With the monster gone, what remains is a landscape of ash, grief, and existential dread. The band leans into dissonance and atmosphere, balancing crushing heaviness with bleak introspection. Survivors are left to make sense of their trauma, questioning whether the world can rebuild or if it even should. The Kaiju, now retreated, is no less present. Its legacy hangs in the smoke, a constant reminder of how fragile everything truly was. “The Kaiju may lay dormant, but the anguish remains” is the emotional core of the track and perhaps of the entire release.

Kaiju was produced by DISSENTIENCE in collaboration with Corey Pierce, recorded at Peach Pie Sound by Matt Menafro, mixed by Zeuss, and mastered by Alan Douches. The yet-to-be-revealed cover art is by Matt Stikker, known for his vivid and brutal visual storytelling. This release follows the band’s prior offerings Mask of Pretense (2018) and Empire Anatomy (2022), continuing their evolution as songwriters and sonic architects.

Refusing to imitate the past, DISSENTIENCE draws from influences like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, all while forging a sound that avoids the trappings of nostalgia. Their music is defined by technicality, brutality, and a refusal to be boxed into genre clichés. Critics have taken note. Decibel Magazine remarked that DISSENTIENCE channels the essence of classic thrash and death metal without creating a carbon copy. Metal Injection praised their ability to blend groove and fury in a way that hits with maximum impact.

With Kaiju, DISSENTIENCE has crafted more than just a record. It is a fully realized conceptual journey that pushes their sound further into new territory. Every song contributes to a unified narrative of destruction, dread, and reflection. It is a rare example of a metal record that is both musically blistering and thematically rich. Where others nod to monsters, DISSENTIENCE gives them voice, weight, and consequence.

About DISSENTIENCE: 

Formed in 2013 in Bethlehem, Pennsylvania, DISSENTIENCE is a progressive death-thrash metal band that combines the technical precision of death metal with the relentless energy of thrash. Rejecting retro imitation and genre stagnation, the band creates forward-thinking metal that is both aggressive and dynamic. Drawing influence from bands like TRIVIUM, REVOCATION, SYLOSIS, THE BLACK DAHLIA MURDER, DEATH, and LAMB OF GOD, DISSENTIENCE forges a sound built on sharp riffs, crushing rhythms, and inventive songwriting.

The lineup features Connor Valentin on guitar and vocals, James Vitale on guitar, Sean Langer on bass, and Nick Scherden on drums. Known for their intense live performances and refusal to be confined to a single subgenre, the band continuously pushes their sound in new directions. Their music balances chaos and melody while exploring dark themes through a modern lens.

After releasing their debut EP Mask of Pretense in 2018 and their full-length album Empire Anatomy in 2022, DISSENTIENCE returned with the concept EP Kaiju in 2026. The record blends the devastation of giant monster cinema with the dread of Lovecraftian horror, showcasing the band’s evolution in sound and narrative depth. DISSENTIENCE has earned a reputation as one of the most compelling rising forces in heavy music. Their mission is clear: to make metal that is uncompromising, inventive, and unapologetically intense.

DISSENTIENCE is:

Connor Valentin – Guitar / Vocals

James Vitale – Guitar

Sean Langer – Bass

Nick Scherden – Drums

Connect with DISSENTIENCE:

Website: https://www.dissentience.com/

Bandcamp: https://www.dissentience.bandcamp.com

E-Shop: https://www.dissentience.com/products

Facebook: https://www.facebook.com/dissentienceband/

Instagram: https://www.instagram.com/dissentience/

Twitter/X: https://twitter.com/_Dissentience

YouTube: https://www.youtube.com/@dissentience

Spotify: https://open.spotify.com/artist/2XzjaIrjSJWK7nNaMPoCae

Apple Music: https://music.apple.com/us/artist/dissentience/1438017846

TikTok: https://www.tiktok.com/@dissentienceband

VOMITILE RELEASE "FACES OF TERROR" EP

 

PRESS RELEASE:

Cyprus Death Metal band Vomitile has released their new EP «Faces of Terror». The release was recorded and engineered by George Yildizian and Alexis Yiangoullis at "Vomit Studios", mixed by Alexis Yiangoullis and mastered by George Solonos.

https://vomitile.bandcamp.com/album/faces-of-terror

https://open.spotify.com/album/6vGirmFmrObkDToXgRXHjW

Vomitile were forged in Nicosia, Cyprus, in 2007, becoming pioneers of the Cypriot death metal scene with their aggressive, precise, and unrelenting sound. Over 15 years, they’ve evolved into a dominant live force across Europe, sharing stages with Sodom, Obituary, and Rotting Christ. Their discography includes three albums and two EPs, with the latest release, “Faces of Terror” (2025), solidifying their status as one of the Mediterranean’s premier extreme metal acts.

https://instagram.com/vomitile

http://www.facebook.com/vomitile

THE BURIAL CURSE RELEASE "LETTERS TO THE DEAD"

 

PRESS RELEASE:

Belfast, Maine Melodic Death Metal/Deathcore outfit The Burial Curse have finished tracking their debut EP 'Letters To The Dead,' with producer Evan Sammons (Last Chance To Reason, In The Kingdom Of Nightmares, Kaonashi, Sunny Mondays) The EP will be released at a date TBA through Alien Swarm Records

Singer/Guitarist Walt Fitzjurls describes the EP as, "Crushingly heavy melodic death metal with touches of hardcore breakdowns and prog metal moments."

The first single, 'The Beauty of Letting Go,' will drop on, 10/20/25 across most digital outlets.

For fans of: Cannibal Corpse, Sanguisugabogg, Thy art is murder,Visions of Disorder & The Acacia Strain.

Tracklist:

1: The Beauty of Letting Go – 4:29

2: Addicted To Death – 2:24

3: A Heavier Shade of Black - 3:00

4: The Burden – 2:58

Band Links:

Instagram: www.instagram.com/theburialcurse

Facebook: www.facebook.com/p/The-Burial-Curse-61556091631811/

Alien Swarm Records: www.alienswarmrecords.com

Other Important Information:

The Burial Curse Is:

Walt Fitzjurls-lead vocals/guitar/bass

Matt Diko-vocals/lead guitar

Dustin Pynes-vocals/drums

Jim Gould-lights/samples/sound reinforcement/general mayhem

OLD YEAR RELEASE "NO DISSENT"

 

PRESS RELEASE:

OLD YEAR – NO DISSENT

LABEL: APOCALYPTIC WITCHCRAFT

RELEASE DATE: OCTOBER 24th 2025

“There will be no curiosity, no enjoyment of the process of life. All competing pleasures will be destroyed. But always… there will be the intoxication of power… the sensation of trampling on an enemy who is helpless. If you want a picture of the future, imagine a boot stamping on a human face - forever. ”

- George Orwell, 1984

I used to have words I wanted to say, opinions I wanted to voice. I believed fervently in right and wrong, in a morality that gave meaning to all I did. I used to have thoughts about…about…so many things. I know I stood for something and against something. But it has all drained away; down the tubes, through the wires, into the watching mechanical eyes. I am an empty vessel yet I make no noise. All is as it should be. I must sleep now. I’m not meant to be awake. I must sleep now…

Old Year have existed since 2017, initially as a two piece, in the murky shadows of the Boise, Idaho underground music scene…behind closed doors, a rumour, almost a secret. But in 2021, their line-up fleshed out to a trio, the band crawled out from their cellar stronghold into a post lockdown world and on to the stage, unleashing the insidious horror of the droning doom death that had sustained them in their isolation. In 2023 an eponymous 10 minute single became their first release – an immersion into the slow death of humanity. An ocean away Apocalyptic Witchcraft were drawn to the “uniquely desolate voice” of Old Year and now the first results of that new alliance are ready to be set loose.

No Dissent is a four track album of colossal weight, an agonised crawl through a parched, dystopian hellscape. ‘Death Frequency’ begins this trip into suffocating, bleak emotion…an insectile drone of guitars above slow, staggering drum beats carrying deep, suppurating vocal intonations – pronouncements of doom from a long dead throat. Will, desire, motivation and belief bleed slowly from your body, replaced by a black ichor of hopelessness fed into your veins to the sound of a scream of agony and despair, drawn out for eternity. Worlds die in the spaces between the chords of ‘Rotting Illusion’ and Old Year tighten their grip around your spirit, dragging you deeper into their claustrophobic embrace. There’s no moment to breathe as you slide into the maw of ‘Mechanical Birth’ where the threat becomes more direct, more immediate. This track, this movement in this grand symphony of suffering, is not content to let you drown. It moves towards you with hooks in hand…inescapable. And finally ‘Lock Step’; so oppressive you feel yourself dissolving beneath the awesome mass of Old Year. When it’s all over movement feels impossible. It takes time for the shadow of Old Year to slip from your skin, for its hold on your mind to release. And you’re left with a hunger…an addiction to the lethargic torment you have just escaped.

Adorned in bleak and tortured artwork, No Dissent will be presented to the world by Apocalyptic Witchcraft on October 24th. A vision, a warning, a promise… asphyxiating and soul crushing. Approach Old Year’s gifts with care – the future is bleak indeed.

Presale link: https://orcd.co/apw052

Line-up:

Robert Taylor Roark – Guitars/Vocals

Skyler Rezendes - Bass

Jered Veeneman - Drums

Genre: Drone/Death/Doom Metal

For fans of: Sunrot | Azell | Evoken | Khanate

Further Information: 

https://www.facebook.com/OldYearBoise

https://apocalypticwitchcraft.co.uk/

https://www.facebook.com/apocalypticwitchcraftrecordings

FIMBUL WINTER RELEASE "WHAT ONCE WAS"

 

PRESS RELEASE:

Swedish Melodic Death Metal horde FIMBUL WINTER have unleashed their first single, “Mounds of Stones”, offering a fierce preview of their upcoming debut EP What Once Was, due out November 14, 2025.

Formed by former Amon Amarth members Anders Biazzi, Niko Kaukinen, and Fredrik Andersson, together with Clint Williams, FIMBUL WINTER carry forward the legacy of Swedish Death Metal with a renewed fire. “Mounds of Stones” embodies the band’s vision - raw, cold, and unrelenting, yet sharpened by decades of experience.

Listen here: SPOTIFY | APPLE MUSIC

Bandcamp: https://fimbulwinterswe.bandcamp.com/album/what-once-was

Watch the music video, made by SVARTNA FILM: https://youtu.be/RSBIXQnxAF4

The band says about the single:

“We’ve poured our passion, energy, and heart into this track. It’s more than just a song, it’s our way of showing the world what we’re capable of, and we can’t wait for people to finally hear it.

Mounds of Stones tells the story of a figure shaped by suffering, who turns his pain into vengeance. He isn’t remembered by name, only by the silence and the stones left behind.”

Lineup:

Niko Kaukinen – Drums (ex-Amon Amarth founding member)

Anders Biazzi – Guitar (ex-Amon Amarth founding member)

Fredrik Andersson – Lead Guitar (ex-Amon Amarth)

Clint Williams – Vocals (Munitions)

Session bass by Tobias Cristiansson (Necrophobic, Grave, Dismember etc)

For fans of: early Amon Amarth, Unleashed, Hypocrisy, Bolt Thrower, old-school melodic death metal

Fimbul Winter is a new force in Swedish Death Metal, but its foundation runs deep in the genre’s roots. The band unites former Amon Amarth founding members Anders Biazzi (then Hansson) and Niko Kaukinen, with longtime Amon Amarth drummer Fredrik Andersson, solidified with the addition of Clint Williams, whose presence introduced a new dimension of energy and intensity to the band’s sonic identity.

The idea began with a spontaneous reunion performing the Amon Amarth demo from 1994 called “The Arrival Of The Fimbul Winter”. That reconnection quickly turned into something more serious: a desire to create new music that captures the spirit of the early Swedish scene, without compromises and without dilution of intensity.

The result is the debut five-track EP “What Once Was” where Fimbul Winter delivers a sound that is cold, uncompromising, and fiercely authentic. As torchbearers of the Swedish melodic Death Metal tradition the band channels decades of experience while staying true to the sound that defined them, from rediscovered riffs originally written for Amon Amarth to entirely new compositions.

Fimbul Winter is not a side project or nostalgia trip. It’s a band built on unfinished business and a shared intent to continue shaping the sound they helped create.

For more info:

https://www.facebook.com/fimbulwinterswe

https://www.instagram.com/fimbulwinterswe/

https://www.reddit.com/user/Fimbul_Winter_Swe/

https://www.youtube.com/@FimbulWinter-Official

https://fimbulwinterswe.bandcamp.com/

MYSTERYXMEAT RELEASE "GOREMET"

 

PRESS RELEASE:

Houston, TX – Brace yourselves: the underground just got a lot more disgusting. Rising goregrind maniacs mysteryxmeat have dropped their debut album Goremet , now streaming on all major platforms. Released independently on March 7, 2025 , this record is a brutal sonic feast that’s already turning stomachs and heads across the extreme metal world.

Formed in 2024 and erupting from Houston’s putrid underground, mysteryxmeat combines gut-churning vocals, sludgy, dissonant riffs, and unrelenting percussive punishment into a chaotic brew of raw goregrind violence. Fans of Gutalax , Jig-Ai , and Party Cannon —prepare to devour your new obsession.

The lineup brings together some of the sickest talent the scene has to offer:

Clint Enax – vile guttural vocals

Austin Spencer – guitars, engineering, songwriting

Manuel Sarmiento – bass

Ethan Doig – drums (album drums performed by Marco Pitruzzela )

Mixed and mastered by the legendary Otyn , Goremet delivers 100% uncompromising filth, precision, and pure sonic violence. From sewage-drenched riffs to blast-beaten breakdowns, this is the soundtrack to your worst (and most glorious) grind-induced nightmares.

Whether you're an underground grinder or just discovering the joys of vomitous brutality, Goremet is an essential listen. It’s grotesque. It’s relentless. It’s mysteryxmeat.

💀 Goremet is OUT NOW and streaming everywhere:

🎧 https://mysteryxmeat.com/

Let the feast begin. Welcome to Goremet .

Check out this interview on YouTube and subscribe! 

https://youtu.be/lvnqRzeL6KM

Follow the band at these links:

https://mysteryxmeat.com/

https://linktr.ee/mysteryxmeat

https://www.facebook.com/share/1BPNpJDK3g/

https://www.instagram.com/mysteryxmeat

https://mysteryxmeat.bandcamp.com/album/goremet

https://open.spotify.com/artist/3qZfLGvMOZlzLlOYzYUq6m

https://music.apple.com/us/album/goremet/1799516389

LEAFBLOWER RELEASE "LOW HEAVEN"

 

PRESS RELEASE:

ATLANTA, GA — Rising from the smoldering underground of Atlanta’s doom scene, Leafblower returns with their full-length debut album Low Heaven , available now via Dark Sails Entertainment . With influences drawn from genre-defining acts like Neurosis , Cult of Luna , and Isis , Low Heaven is a towering monument of sorrow, grit, and transcendent heaviness.

Formed in the summer of 2020, when the world was in lockdown and mortality loomed large, Leafblower came together not just to make music—but to survive. That urgency is deeply embedded in their DNA, and it echoes throughout Low Heaven . The album showcases the band's signature sound: deliberate, mid-tempo doom riffing paired with emotionally raw and cathartic vocal performances by frontman Tim Jones .

While their debut EP introduced the world to their instrumental foundation, Low Heaven pushes their sonic boundaries further—merging crushing heaviness with moments of mournful reflection and glimmers of hope. The album was recorded, mixed, and produced by Kellan Scalf , with mastering by Chris Melillo , ensuring a visceral listening experience that captures both the weight and depth of the band’s vision.

Since their debut, Leafblower has steadily cultivated a loyal following throughout Atlanta’s underground music scene. With Low Heaven , they cement their place as a vital force in modern doom.

FFO: Neurosis, Cult of Luna, Isis

Genre: Doom Metal

Label: Dark Sails Entertainment

Check them out on YouTube and subscribe!

https://youtu.be/2pgYvTIku84

https://youtu.be/IVTiF-704t0

Follow Leafblower:

https://www.facebook.com/profile.php?id=100082962590899

https://www.instagram.com/leafbloweratl/

https://www.youtube.com/@LeafBlowerATL

https://leafbloweratl.bandcamp.com/

https://open.spotify.com/artist/1JsJKaZmnftn5Fmc7frqiI

https://music.apple.com/us/album/low-heaven-ep/1829845911

https://darksailsentertainment.com/

https://www.facebook.com/DarkSailsEntertainment/

STERILIZING THE DECEASED RELEASE "NOTHING"

 

PRESS RELEASE:

Emerging from the emotional depths of Cleveland, OH's deathcore underground, Sterilizing The Deceased announces the release of their soul-crushing third EP, “Nothing”, now available as of August 1st, 2025. This five-track record dives headfirst into addiction, loss, and recovery, offering a raw and reflective listening experience unlike anything fans have heard from them before.

​Formed during frontman Angelo Vespucci’s final year of high school, the band quickly evolved from high-energy house shows to writing deeply personal and musically ferocious work.

“I just wanted to start a band with my buddies, and this is where we began,” says Vespucci.

That seed has since grown into a sonic force of heavy, atmospheric, emotional, and aggressive music ready to be discovered on their new EP “Nothing”. This new offering is their most refined and impactful release to date. It is more than music; it's a mirror held up to the darkest parts of the soul. With themes of drug addiction and suicide, it chronicles Vespucci’s personal battles through an intense fiction-meets-nonfiction lens. From the reflective chaos of “Recovery” to the redemptive blast of “Awake,” each track brings fans closer to their emotional reckoning.

Vespucci comments:

"This EP has the real and raw emotion behind it, unlike some other previous pieces of work, as we were finding our sound. What I want people to take away from this album after listening to it is a personal reflection on oneself. Never straying too far from your path by getting lost in the darkness. Also, realizing other people in this world are dealing with the same pain you might be experiencing, and it’s okay to feel like that, just know there is always a way out back into the light."

The writing process is led by John Hruby and Angelo Vespucci, blending communal riff-building with emotionally charged lyricism. The band’s evolution from high school chaos to mature sonic expression is evident throughout the EP’s structure and themes. Musically, the band channels influences like Reflections, Chelsea Grin, and Lorna Shore, while pulling inspiration from genres such as melodic deathcore and progressive metalcore.

​The chilling album artwork for "Nothing" features a demon forcing a chalice on a resisting figure, a metaphor for battling addiction and the constant struggle to reclaim control. It’s as haunting and visceral as the music it represents.

​

​Sterilizing The Deceased's “Nothing” hits streaming now on all digital platforms.

YouTube - https://www.youtube.com/playlist?list=PLhdBBwjEYqN77KmhXIbJkO9TIF5ZxNmpO​

Spotify - https://open.spotify.com/album/4aTbT4KtSuLM2V2G1136Zt​

Bandcamp - https://sterilizingthedeceased.bandcamp.com/​

Track Listing:​

1. Recovery - 3:58

2. Self Meditated - 3:28

3. Nothing - 3:50

4. Unconscious - 2:15

5. Awake - 3:02

EP Length: 16:34

EP Credits:​

• All songs performed by: Sterilizing The Deceased

• All songs written by: Sterilizing The Deceased

• Produced by: Sterilizing The Deceased

• Mixed by: Sammy Morales

• Mastered by: Sammy Morales

• EP Artwork by: Caelan Stokkermans

Line-up:​

Angelo Vespucci – Vocals

John Hruby – Guitar

Nioklas Adamczewski – Guitar

Alex Phillips – Bass

Matt Jarvis – Drums

More info: Facebook.com/SterilizingTheDeceased | Instagram.com/sterilizingthedeceased

MURDERESS RELEASE "TIME TO KILL: VOLUME II"

 

PRESS RELEASE:

The extreme metal band Murderess returns in full force with "Time to Kill: Volume II", a direct sequel to their debut release. This new EP deepens the band’s fusion of death, doom, and black metal, combining it with sharp, politically engaged lyrics. It expands on Murderess’s core purpose: to give voice to memory, pain, and female resistance — whether rooted in real lives, mythic figures, or stories erased by official history.

Recorded once again at Orbis Studio (DF) with co-production between the band and the studio, the EP delivers an even denser sound, filled with crushing riffs, visceral vocals, and ritualistic atmospheres that channel the ferocity of death metal, the brooding introspection of doom, and the symbolic weight of black metal.

Each track serves as a chapter of denunciation and evocation. In “Lady Death”, the band pays tribute to Soviet sniper Ljudmila Pavlichenko, one of the deadliest fighters of World War II. The track “Baba Yaga”, which also appears on the EP’s cover, reimagines the witch as a powerful, ambiguous force — a mythic figure who defies the commodification of female bodies. The provocative “No Father” takes aim at patriarchal religiosity, confronting the historical abuse and silencing of women within dominant spiritual narratives.

Closing the EP, the instrumental piece “Murderess II” connects directly to Volume I, continuing the band’s narrative through layered sonic textures that function as a soundtrack for collective memory, survival, and rage.

Founded in 2023 by Jazz Kaipora (guitar) and Claudia Franco (vocals), and now joined by Pedro Fraga (drums) and Clarissa Carvalho (bass), Murderess has been making its mark as one of the most compelling names in the Brazilian underground metal scene. Known for their intense live performances and appearances alongside bands like Crypta, Mystifier, Velho, and Vazio, the group stands out for its brutal sonic identity and fiercely intentional message — a collective cry for memory, justice, and liberation.

“Time to Kill: Volume II” is now available on all major streaming platforms: https://onerpm.link/174126131233

https://www.instagram.com/murderess.band/

https://murderessdeath.bandcamp.com/

INFAMIE RELEASE "OF SULPHUR AND PESTILENCE"

 

PRESS RELEASE:

INFAMIE's second EP "Of Sulphur And Pestilence" was released in June 2025.

Version: CD Digipack

Label: Crypt Of Dr.Gore

Infamie is a Black/Death metal band based in the middle area of France. First established as a duo, the

lineup was completed at the end of 2021, and started to create a straight and uncompromising music, highly influenced by old school Death & Black metal. The band released their first EP “ Into the Necrosphere” in September 2023. Recorded live in the studio to seize the substantial energy and rawness of their music.

They had the opportunity during the following year to play some gigs and improve their style, and got back in the studio in the beginning of 2025 to record the 2nd EP “Of Sulphur and Pestilence” direct follow-up to the concept of the previous recording, with the same live method.

The official release is 6th of June under the banner of Crypt of Dr Gore

Line-up:

Fabien : Guitars

Jimmy : Bass

Damien : Drums

Greg : vocals

You can listen to it online on the respective bandcamp :

Infamie : Of Sulphur and Pestilence | Infamie

Crypt Of Dr.Gore : Of Sulphur & Pestilence | Infamie | Crypt of Dr.Gore

https://www.facebook.com/profile.php?id=100089729133634

https://www.instagram.com/infamie_necrosphere/

NEUROBLADE RELEASE "DESERT CLAW"

 

PRESS RELEASE:

In a shared musical past, the idea of creating a new musical project together had already been present in the minds of Jochen and David. Flirting with an high amount of heavy/thrash metal with an old school catchy and melodic touch to complete the package.The seed was planted but due to daily concernsof the recruited members the project never found it's liftoff.

Despite Jochen's active involvement with ENCHANTRESS and David's commitment to SHOCKER, a lingering desire to embark on something new persisted.In 2023 Jochen and David decided to start the creative process, unwilling to let the musical ideas fade away, theytook matters into their own hands. David, armed with his guitar and bass, recorded the instrumental components in his home studio. Utilizing contemporary technology, he seamlessly integrated supportive drumbeats with the riffs, creating a foundation that would later be pieced together into a cohesive arrangement with Jochen.

During one of their many collaborative sessions, Jochen added vocals to the existing riffs, gradually transforming them into fully-fledged songs. This process unfolded several times until they found themselves with a collection of completed songs, prompting the inevitable question: "What do we do with this?"

We decided to have the songs mixed/mastered and released under the musical project name "NEUROBLADE" naming the EP "Desert Claw" In summary, this is the genesis of "NEUROBLADE" and where we currently stand.

https://linktr.ee/neuroblade 

RATTLESNAKES RELEASE "DEEPER SHADES OF TORMENT"

 

PRESS RELEASE:

With their wrath - filled riffs, powerhouse growls and the sweat dripping, head - banging, intoxicating live shows, Rattlesnakes are a Nottingham based heavy metal band that even the most faithful companions cannot resist a night with. Charisma for days and melodies that can't be wiped away as easily as last night's eyeliner, you don't wanna miss the chance to see them in action!

The female-fronted heavymetallers are taking their British soil by force, playing tour after tour. What’s next? Conquering Europe, that’s what next.

https://www.facebook.com/Rattlesnakesofficial

https://www.instagram.com/rattlesnakesofficial/

https://open.spotify.com/artist/2NLTVXiv1ZQNQWUphF0AwA

https://www.tiktok.com/@rattlesnakes_official

https://www.youtube.com/@rattlesnakesbandofficial

https://www.deezer.com/us/artist/286648

https://www.amazon.com/music/player/albums/B0DYZ7NNCY

https://music.apple.com/us/artist/rattlesnakes/1748972945

NEFAS RELEASE "OBLATION OV OBLITERATION"

 

PRESS RELEASE:

NEFAS, an American cross-country collaboration, bring psycosmic deathgrind on debut EP, Oblation ov Obliteration! Featuring members of Cryptic Gallbladder Splatter, Bedlam of Cacophony, Teeth, and Wax People, the EP is out now! Click to grind at the links below!

nefas.bandcamp.com/album/oblation-ov-obliteration

open.spotify.com/album/43avkrGsVPgDFNCElemdgn

"With NEFAS, Rajan Davis and crew have crafted an eclectic array of both musical and vocal approaches, that push the boundaries of creativity and extremity further than most new bands these days; while still remaining at all times challenging, interesting and memorable. I’m super glad that Rajan finally has a proper, personal showcase of the impressive guitar/bass playing that earned him a spot playing live bass for GIGAN! Definitely listen to NEFAS as soon as ya can and enjoy!"

- Eric Hersemann (GIGAN)

"A debut of the highest quality from seasoned musicians, this one leaves you craving more while hiding behind a cushion, afraid to hear what more Psycosmic Deathgrind might sound like." (8/10)

- Metal Noise 

"NEFAS are an exciting and enjoyable addition to what I affectionately refer to as spacey death grind."

- Black Angel Promotions

"An EP with high energy, on which sounds crash into each other like particles in the Large Hadron Collider."

- Apocalyptic Rites

With seasoned experience across the technical, dissonant, and mathematical landscapes of metal, the band's sonic statement of malicious intent, Oblation ov Obliteration, is a unique offering composed of churning death metal inspired riffs; ever shifting grooves; monstrous howls, shrieks, and yells; and the sonic representations of the undoing of reality.

FFO: Earlier works of Cephalic Carnage, Intronaut, and Gojira.

Track Listing:

1. Xenomorphic

2. Spiral Degradation

3. Mindstream Transference

Credits:

Produced, engineered, and edited by Samur Khouja at Seahorse Sound Studios in Los Angeles, California.

Mixed and mastered by Erol Ulug at Bright Lights Studio.

All album art and layout: Moonroot Art.

Line-up:

Erik Burkhead-Fernandez - Vocals

Rusty Kennedy - Bass

Rajan Davis - Guitar

Alejandro Aranda - Drums

linktr.ee/nefasband

instagram.com/nefasband

facebook.com/nefasmusic

x.com/nefasband

KILL-FRENZY RELEASE "THE NEW BLASPHEMY"

 

PRESS RELEASE:

Kill-Frenzy Unleashes Their Most Defiant Album Yet — The New Blasphemy Out Now on All Platforms!

Released June 27, 2025 — Stream or Purchase Now on Spotify, Apple Music, Bandcamp, and More

https://distrokid.com/hyperfollow/killfrenzy/the-new-blasphemy

South African metal misfits Kill-Frenzy have ignited the scene with the release of their most ferocious and unapologetic album to date, The New Blasphemy — out now everywhere as of June 27, 2025 .

Forged in pain and sharpened by adversity, The New Blasphemy is not just an album—it’s a war cry. With explosive riffs, gut-wrenching vocals, and brutally honest lyrics tackling themes like mental health, disillusionment, and defiance against conformity, Kill-Frenzy delivers a bold middle finger to societal expectations.

“This record is the amalgamation of years of struggles and perseverance,” says frontman Carl. “Suffering created our art, and the disillusionment of our dreams was the catalyst for us to say ‘F@ck it’ and stand bare without any filters. It’s about rage, helplessness, and reaching the point where you simply can’t take it anymore.”

Standout tracks like “Anthem of Defiance” tear through the noise with controversial lines such as “F@ck your inclusion, this is not a revolution” —a no-holds-barred critique of identity politics culture. Other tracks like “Hope This Finds You Well (Go Fuck Yourself)” and “Digging Our Own Graves” reinforce the album’s unapologetic tone and emotional depth.

Listen Now on: Spotify, Apple Music, YouTube, Bandcamp, Deezer, Tidal, Amazon Music:

https://distrokid.com/hyperfollow/killfrenzy/the-new-blasphemy

For Fans Of: Gojira, Slipknot, Architects, Slaughter to Prevail

The New Blasphemy is more than just music—it’s a movement for the unheard and unappreciated. It’s proof that heavy music can still be dangerous, cathartic, and brutally honest.

Check out this video and subscribe! 

https://youtu.be/YukO6k99Rho

Follow them at these links:

https://linktr.ee/Kill_Frenzy

JAWFANE RELEASE "ME AND ALL MY DEMONS"

 

PRESS RELEASE:

JAWFANE Unleashes Debut EP “Me And All My Demons” via Exitus Stratagem Records

Out Now! Watch the “Time Hunts Us All” Video + Stream the Full EP

Rising metalcore/post-hardcore juggernaut Jawfane has officially dropped their debut EP Me And All My Demons via Exitus Stratagem Records , marking a bold new chapter in heavy music that fuses raw emotion, experimental songwriting, and unrelenting energy. The five-track release is now streaming everywhere.

Listen to the full EP: https://hypeddit.com/jawfane/meandallmydemons

Watch “Time Hunts Us All” video: 

https://youtu.be/yZMBwY7eRfo

Watch “Cataclysm (Nightmare)” video:

https://youtu.be/HNBtGIHT7f0

“A Testament to DIY Spirit and Emotional Honesty”

After years of grinding in the underground, Me And All My Demons represents the culmination of Jawfane’s intense DIY ethic, unfiltered storytelling, and genre-bending sound. Originally self-produced, the EP was re-recorded and finalized in partnership with Exitus Stratagem Records, bringing the band’s vision to life with new power and clarity.

“We are absolutely beyond words for how excited we are to bring our first collection of songs into the world with and through Exitus Stratagem Records,” shares the band. “This record is a personal journey. Sonically, we brought the hammer. Lyrically, we brought a bigger hammer—and we intend to beat out a place in the world for us and our brand of metalcore.”

New Single & Video: “Time Hunts Us All”

Jawfane’s newest single “Time Hunts Us All” is the band’s fastest, most intense track to date—layered with intricate vocal harmonies and crushing rhythms. Thematically, it envisions time as a villain, a reaper chasing down all of us with relentless purpose.

“We pushed ourselves musically,” the band explains. “‘Time Hunts Us All’ is the fastest Jawfane song by a mile, contains the most vocals, and is in a key we don’t use often. It actually started as part of Austin’s audition—he didn’t write the lyrics, but he owns every word of his part. It really shows how collaborative our process is.”

The music video captures Jawfane’s signature blend of chaos and catharsis, delivering a hard-hitting message for anyone who’s ever felt invalidated, unseen, or unheard .

EP Track Listing:

1.Damaged Goods – 3:48

2.Cataclysm (Nightmare) – 2:42

3.Me and All My Demons – 3:46

4.Friends and Enemies – 3:20

5.Time Hunts Us All – 4:01

Total Length: 17:39

About Jawfane

Formed from friendship and forged in fire, Jawfane —Cory Pack (guitar), Jesse Marquez (keyboard), Austin Heipp (vocals), AJ Chacon (drums), and Chase Schumann (bass)—have created a unique musical voice. Their songs pull from real-life experiences, personal battles, and emotional breakthroughs.

Rejecting strict genre boundaries, Jawfane’s sound blends elements of metalcore, post-hardcore, and mathcore with an ever-evolving approach that always stays true to the band’s identity.

  “All of our songs are based in reality—whether it’s something one of us went through, someone we know, or things we needed to say but couldn’t any other way. Me And All My Demons is a reflection of those moments—pain, struggle, catharsis, and ultimately, growth.”

Jawfane’s collaborative writing process frequently blurs traditional roles—bassists write guitar lines, drummers contribute melodies—resulting in music that’s both sonically rich and emotionally authentic.

For Fans Of:

King 810 , Wage War , The Ghost Inside , Norma Jean , Cane Hill

Coming Soon:

Jawfane will be hitting the road this summer to support Me And All My Demons . Tour dates to be announced shortly.

Label: Exitus Stratagem Records

Follow the band at these links:

https://www.instagram.com/jawfane

https://www.facebook.com/Jawfane

https://www.instagram.com/exsrmusic

https://www.facebook.com/ExSRecords

https://www.exsrmusic.com/