Showing posts with label AC/DC. Show all posts
Showing posts with label AC/DC. Show all posts

Friday, January 24, 2014

BAB Classic: 5 Perfect Albums to Love

NOTE:  This post was originally published on 27 January 2010.

Karen:  In the days of vinyl, and even when CDs were the newest format for music recordings, the concept of the album meant much more than it does today. Now music can be bought and sold ala carte; songs can be purchased and downloaded separately. You can make playlists that conveniently omit songs that are less worthy. But there was a time when you really had to take a chance and plop down your hard-earned bucks on a whole album. Oh sure, you might be able to buy a single off the album, but in general you were stuck buying the whole thing, mostly sight unseen. If you were lucky, you might have heard two, maybe even three, songs off of said album. Hopefully they were representative of the entire work. But often, this would not be the case. I don’t know how many times I got burned by purchasing an album after only hearing one or two tracks. I’d get home only to discover that those were the only songs I liked off the whole thing! Most of the time, an album might have three really good songs, then maybe another 3 that were ok, and the rest would be filler or stinkers. I would estimate that the vast majority of albums I have bought have had about 33% junk.
But then every once in awhile, the stars align, and you get that rarest of things: the perfect album. This is an album with no filler, no garbage – an album that hangs together and is worth playing all the way through. Sure, some songs are better than others, but even your least favorite ones are still very listenable. I’d like to share below five of my favorite perfect albums.

1. Lust for Life by Iggy Pop. Like a strange, scary butterfly bursting from his mouldering cocoon, Iggy re-invents himself on this album and creates a classic. Many will point to the involvement of David Bowie on the album and claim that this is the reason for such a brilliant work, but let’s give the Ig some credit too. Although I am annoyed with the cruise line commercials that utilize the title song (how come they never play the part that talks about “of course I’ve had it in the ear before” ?), this album is as fresh as ever, alive and vibrant. Songs like Lust for Life, The Passenger, Some Weird Sin, and Neighborhood Threat all have an aura of genuineness. Iggy’s emotional ups and downs are spread for all to see. The band features the Sales brothers as the rhythm section (who would go on to work again with Bowie as Tin Machine) and the sound is full and bouncy. Iggy’s lyrics are probably the most inspired of his career.

      2. Back in Black by AC/DC. Of course, anyone with any rock acumen knows that this was the first AC/DC album produced after the death of original frontman Bon Scott. Thank god the boys did not decide to pack it in with his death! Back in Black is a monster of an album, all meat, no filler. Brian Johnson stepped into the "singer" role -hey, so he can't sing, who cares, neither could Scott - and the band created some of their best songs, including Back In Black, You Shook Me All Night Long, Have A Drink on Me, and Rock and Roll Ain't Noise Pollution. After many years this album is like that really comfortable pair of old worn jeans that you love to pull out of the closet and put on. It may not look pretty but damn it feels good.

3. Girlfriend by Matthew Sweet. "Who?" you are probably asking. I'll admit that Matthew Sweet is a more obscure artist, but that doesn't diminish his gift for crafting perfect power-pop songs. Girlfriend, with its Tuesday Weld album cover, was his big break back in 1991. It was also helped by an early anime video on MTV. But the music on this album is what's important, and every song on this album is just perfect. From rockers like Girlfriend to melancholy beauties like Winona, there's just not a wrong step on this album. The musicians, particularly guitarists Robert Quine and Richard Lloyd, are superb. Sweet's voice is, well, sweet - haunting, angry, mournful - a very expressive instrument. I can't recommend this album enough.


4. Appetite for Destruction by Guns N' Roses. I don't think I'm the only person who thought, upon first hearing this album, that these guys were the next great rock and roll band. I still think they could have been, if drugs and personalities hadn't gotten in the way. This is just a tour de force album; it grabs you by the throat with the opening track, Welcome to the Jungle, and never lets go. Personally, I always liked that track, as well as Mr. Brownstone and It's So Easy, best of all. Because of the massive airplay of both Paradise City and Sweet Child O' Mine, I was sick of them for a number of years, but have recently begun to enjoy them again. I just still shake my head in disbelief over how the band disintegrated -and how ugly it was- whenever I hear their music. But this album just sounds better and better as time goes on, and makes one wonder, "what if?"


5. IV by Led Zeppelin. I refuse to call this 'Zoso'! This fourth album by what I personally consider the greatest rock band of all time only has eight songs, but what an amazing set of songs they are. The song I would consider the weakest, The Battle of Evermore, is still a fine tune, if a bit airy-fairy for me. But this is the album that gave us such monsters as Stairway to Heaven, Rock and Roll, Misty Mountain Hop - I used to play this disc over and over. And all these years later, I still love it. It's Zeppelin showcasing all their skills; they can rock with the best of them (Rock and Roll, Black Dog), get bluesy (When the Levee Breaks), and do sweet ballads (Going to California) all on one album, and do them better than anyone else. Zeppelin at the peak of their powers -nuff said.


Friday, May 13, 2011

Face-Off: Bon Scott or Brian Johnson?



Karen: Here's another musical choice for you: AC/DC with Bon Scott on vocals, or with Brian Johnson?

Scott was the original singer, who unfortunately died far too young in 1980. The band considered breaking up, but eventually brought in Brian Johnson, and rebounded with the huge Back in Black.

I'm really torn on this one. I think the Bon Scott years were filled with more youthful enthusiasm (and some very funny lyrics). Johnson's arrival seemed to bring about a bigger sound. I really like both singers and it's hard to choose one over the other. But I bet so
me of you can. So who ya got?

Thursday, April 22, 2010

Iron Man -- Because Everyone Dirty Dances...

Back again with another quick-hitter -- saw this today on http://www.marvelousnews.com/news.php and had a good laugh. Since pre-release publicity for Iron Man 2 is reaching a fever pitch, and also since Dirty Dancing was out right after the Bronze Age, I figured this was a good place to post this. Enjoy the soundtrack, too!


Wednesday, February 24, 2010

5 Turn-it-Up! Songs to Love

Today we discuss five songs that, when they come on the radio or my iTouch, I turn 'em up loud enough that no one can tell I can't carry a tune. But when you're at the heart of your rock-star-wannabe glory, who cares?


Immigrant Song by Led Zeppelin


What's better here? The head banging intro., Robert Plant's vocals (gotta love that Tarzan-like yell), or just the general gutteral growl of Jimmy Page and John Paul Jones? How about all of the above? Shoot, I don't even know the words here -- I just move, man. People must think I'm an idiot...







Roll With the Changes by REO Speedwagon


One of the best bridges ever. Ever. Neal Doughty's organ followed by Gary Richrath's guitar. And don't forget Doughty on piano, either. I loved this one the first time I ever heard it, as the lead track on the album at right, You Can Tune a Piano but You Can't Tuna Fish. And if that isn't one of the best names for an album, ever, I don't know what is.

So if you're tired of the same old story,Turn some pages.

Yeah!






Just the Same Way by Journey


Ah, yes, back in the days before Steve Perry had completely taken over lead vocals -- and don't get me wrong -- he has a phenomenal voice and to me embodies Journey. But Gregg Rolie is featured here, as he was on two of the band's other hits, Feelin' That Way and Anytime. What works for me here is the mixture of their vocals -- different pitch, style, but sounding great together. Sort of like the Reese's of '70's rock!

I like Jonathan Cain on keyboards, but Rolie's vocals gave Journey an additional resource.


Shoot to Thrill by AC/DC

Just when you think it's about over, it gets better. Fast, then slow, then fast again. A rocker worthy of stadium play, and in fact, I do play it when doing the PA at my sons' high school baseball games. Hey, I'm not interested in their music; folks on the fence have to listen to my music! Brian Johnson's vocals are great on this track.










Rosalita by Bruce Springsteen and the E Street Band




Doesn't the Boss just paint you a picture with a lot of his songs? None more so than here. The scenery, the characters, the situations... Clarence Clemons is great on that sax as usual, and the rest of the band meshes well, also as usual. Another tune that reaches a stopping point, but heads right into a crescendo that takes it home the rest of the way. Fun, fun, fun!






BONUS track --


Never Been Any Reason by Head East


The first time I heard this song I thought it was Emerson, Lake, and Palmer -- the synthesizer is reminiscent of ELP's Lucky Man. Head East hails from my native Illinois, originally forming at the University of Illinois. They never really had another hit, but this one's lasting -- sounds great everytime I turn it up!

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