And Then I Saw It...

Doug: Venture with me to those days of yesteryear, when the men were men and the boys (and girls) got all wide-eyed and giddy when they entered the aisle at the supermarket with the magazine rack. Yep -- I'm talking about the Bronze Age, baby, with no Internet, no Diamond Previews, nothing at all to tell a poor soul what magnificent four-color love was about to enter my life. I have three distinct memories (among others) to share.

Doug: The first breath-taking moment I'll relate occurred at the Thrif-t-Mart on Broadway in Bradley, IL in the summer of 1977. Eleven-year old Doug was along with Mom on the weekly grocery run. As was my habit, I'd make my way over to the magazines and paperbacks. I felt all grown up looking at Parade, Creem, and their ilk. I was most enraptured by anything I could find that featured KISS. And then I saw it, right there on the bottom shelf just begging to be picked up: Marvel Super Special #1, starring KISS. Wowza. I grabbed it, leafed through it quickly, and then made a mad dash to the meat counter where I found my Mom. You may not think $1.50 is a lot of money, but back in those days that was "begging and pleading" money. But as she usually did, she said to put it in the cart. Yes!!!

Doug: Chronologically, my next moment came just a short while later, and it was a "twofer", so even better yet. I was at Belscot, a discount department store (sort of like a Wal-Mart or K-Mart) in Kankakee, IL. Not sure why that particular trip was being made, but you guess it -- I stole away to the magazines. And that store had a huuuuuuge magazine rack full of all sorts of goodies. On that particular day the pot o' gold happened to be Justice League of America #s 147 and 148! Not a regular JLA reader at the time, I had been however digging the Legion of Super-Heroes as well as the Justice Society revival in the pages of All-Star Comics. So to see all three teams in a throwdown, and against Mordru, was 10 tons of awesome right there. And again, the combined $1.20 price tag didn't seem to faze Mom and I walked out with all that comic book goodness.

Doug: Lastly, and this was also at Belscot but a few years later, I vividly remember having my senses shattered from a distance when Marvel Treasury Edition #21 met my eyeballs. We mentioned this one a few days ago -- the twice-up (that's original art talk to you) presentation of Fantastic Four #s 120-123 is spectacular. The John Buscema/Joe Sinnott art is worthy of the size, and what a grabber the cover is! And talk about pushing my luck... at $2.00 I'm sure I had to pledge to do some extra work around the house. But I exited the premises with that tome in my clutches -- you know I did!

Doug: I could go on, about the time I saw the Spider-Man novel, the first in that series, or the paperback that reprinted the first few issues of Amazing Spider-Man in color, or the similar offerings from DC that presented early tales of the Legion of Super-Heroes. But that's what you're here for -- to share those memories etched in your childhood's memories. I'm looking forward to it.

Who's the Worst... Pop Culture Television Special?

Who's the Best... Scooby-Doo Guest-Stars?

 

Great Performances

Doug:  We've all been to a concert or four in our lives.  We've probably all watched television programs like The Midnight Special or Top of the Pops -- shoot, some among us may remember with clarity the days of the Ed Sullivan Show.  Today we want to reminisce on great musical performances, from any venue.

Doug:  I was in high school and college in the heyday of MTV, back when it was truly Music Television.  I recall being spellbound by most of the videos, but some of my favorites were the faux concert videos (such as Van Halen's "Panama") or the actual concert videos like Def Leppard's "Pour Some Sugar on Me".  Prior to MTV, many of us saw musical performances on shows like the aforementioned Midnight Special, American Bandstand, Soul Train, or even Saturday Night Live.  Of course, in the Internet age some classic performances have truly come to the masses with artists' own websites and repositories like YouTube, etc.

Doug:  One of the things I guess I didn't realize as a kid (just me being unobservant) was that Dick Clark did not allow artists to perform live on American Bandstand.  Contrast this with the many wonderful live performances on the Ed Sullivan Show.  Below you'll find a couple of samples from the latter program.  So what are some great performances you've either seen or enjoyed live?  Who gave a great concert (that would be KISS, back in 1977 touring in support of the Love Gun album, which I saw at the Chicago Stadium), who was a tireless performer that really gave the audience their money's worth, and who are the artists that let their music speak for itself?  What were some favorite videos of yours in the 1980's?  Lastly, are there any great concert films you've loved?  In advance, our thanks!

Discuss: KISS

5 Records to Love

Doug: I'd like to trot out some records (huh?) I really liked when I was a kid -- played 'em to death! Scratched them, had to try to press down on the needle to re-groove the vinyl, the jackets were worn and even dog-eared. Great stuff! In no particular order:

Foreigner: 4

Here's the track list for the original version of this album (there have been a couple of REALLY good unplugged versions of Jukebox Hero and Waiting For a Girl Like You added to the remastered compact disc):

"Night Life"
"Juke Box Hero"
"Break It Up"
"Waiting for a Girl Like You"
"Luanne"
"Urgent"
"I'm Gonna Win"
"Woman in Black"
"Girl on the Moon"
"Don't Let Go"

I was a sophomore in high school in 1981 when this album was big. I had a couple of friends who saw Foreigner in Chicago on the tour that supported this record -- they just raved at how cool the show was. I vividly remember one guy telling me that during the sax solo on Urgent that the sax player's pants changed colors while he walked down a set of stairs! That would have been a pretty cool special effect for those days!

Of course the three hits on the album are what everyone remembers, and they have earned a spot in the annals of classic rock, no doubt. But upon researching for this post, I was surprised at how much I still liked some of the other tracks -- notably the opening Night Life and the next-to-last track Girl on the Moon. Lou Gramm's vocals are solid throughout the album, and he weaves a consistency across the platter.

I wanted to note the placement of Urgent seemingly right in the middle of the record. Younger readers might wonder how something buried in between a bunch of other songs could find its way out to become the major hit of the record. That's just it, o' wet-behind-the-ears: it was a two-sided disc, and Urgent led off the B side -- a common marketing strategy back in the day.

Loverboy: Get Lucky

These Canadians were fun! Of course Working for the Weekend was an anthem back in those days, but so was the band's look -- MTV really helped to make bandanas (worn on any part of the body) fashionable in the early 1980's. Lead singer Mike Reno was definitely an 80's icon for a few years. Have you seen the "I Love the '80's" series on VH-1 Classic? Reno has a great line in the intro, commenting on an archival clip of the band -- he says, "I still wear the same size pants -- 32x36; except now it's 36x32." Don't I relate to that...

Here's the song order for this 1981 release:

"Working for the Weekend"
"When It's Over"
"Jump"
"Gangs in the Street"
"Emotional"
"Lucky Ones"
"It's Your Life"
"Watch Out"
"Take Me to the Top"

I have a BUNCH of these on my iPod (in fact, I'm listening to them right now)!! Of course Working for the Weekend, but also When It's Over, Emotional, Lucky Ones, and Take Me to the Top. For my money, this could have been the band's greatest hits album. Listening to the entire album again after some time I found (as I did with the Foreigner album) that I really liked all of the songs. And I'd add the same comment here about Reno -- his vocals really tie the album together. It is unmistakenly Loverboy through and through.

Loverboy would have more hits, and of course Reno would go on to dwell in sappy lovesong heaven (he and Peter Cetera were the monarchs of that kingdom in the mid-80's). They eventually faded away, but man, were they cool while they lasted!

REO Speedwagon: Live -- You Get What You Play For

I don't recall why I bought this album, originally released in 1977. I had a few other live albums, but for the most part I've preferred studio albums to live recordings. I am thinking now, as I delve through the memory banks, I wonder if it was a way to get the song 157 Riverside Avenue? At the time I got this, REO's greatest hits album, A Decade of Rock 'n' Roll had just come out (1980) and there was a live recording of 157 on that disc. As I had the material on Decade that had been on the You Can Tune a Piano But You Can't Tuna Fish and Nine Lives albums, I figure that's why I chose this.

Here's the track list:

"Like You Do"
"Lay Me Down"
"Any Kind of Love"
"Being Kind (Can Hurt Someone Sometimes)"
"Keep Pushin'"
"(Only A) Summer Love"
"Son of a Poor Man"
"(I Believe) Our Time Is Gonna Come"
"Flying Turkey Trot"
"Gary's Guitar Solo"
"157 Riverside Avenue"
"Ridin' the Storm Out"
"Music Man"
"Little Queenie"
"Golden Country"

My favorite songs on the album include the aforementioned 157 Riverside Avenue (I laughed the first time I listened to it and Kevin Cronin swore), Keep Pushin', (Only A) Summer Love, and Golden Country. I have to tell you, too, that it was not until Who Wants to Be a Millionaire was on television that I got the joke during 157's bass solo. Bassist Greg Philbin is referred to as "Regis" -- I had no clue -- missed the whole Joey Bishop/Regis Philbin deal completely!

The funny thing about live albums, when that is the version of a song that you've heard first, is that the studio version sometimes doesn't measure up. How many of you have heard the original studio version of KISS's Rock 'n' Roll All Night? I'm sure most people identify with the live recording from the KISS Alive! album. At any rate, this REO album is a fine recording of a series of concerts from back in 1976. Check it out if you're a fan!

KISS: Rock and Roll Over

Hmmm... What could possess a mom to let a 10-year old kid listen to this record? Take the opening lines to the second track, Take Me:

Put your hand in my pocketGrab onto my rocket

Yep -- not really any innuendo there. I can recall playing this album on our big honkin' console stereo and lying beside it with my ear next to the speaker. I know my mom heard this as she moved about the house!

Here's the playlist:

"I Want You"
"Take Me"
"Calling Dr. Love"
"Ladies Room"
"Baby Driver"
"Love 'Em and Leave 'Em"
"Mr. Speed"
"See You in Your Dreams"
"Hard Luck Woman"
"Makin' Love"

If you recall 1976, then you remember that the hits off the album were Hard Luck Woman, sung by Peter Criss (ironically, it was Criss, who rarely sang lead vocals, who sang on the band's two highest charting hits [Beth was the other]), and Calling Dr. Love, which has one of the greatest cowbell intros of all time. There's not a bad track on the album; each tune is catchy and the lyrics are for the most part pretty baudy, which is a naughty sort of fun.

I don't so much care for Calling Dr. Love, but Gene Simmons' other songs on the album tend to be more to my liking. See You in Your Dreams, Love 'em and Leave 'em, and Ladies Room are good. But the best rocker on the record is the disc's final cut -- Makin' Love. Great, fast-paced song!

Rush: Permanent Waves

This is thinking-man's rock music, plain and simple. When I got this album in 1980, I bought it for The Spirit of Radio, and on the recommendation of a friend who was into Rush. I had no idea at that age that rock music was so cerebral. Neal Peart's lyrics were very heady, from the vocabulary he used to the topics the songs discussed.

The album has only six songs, so it's almost like an EP rather than an LP. Here's the track list:

"The Spirit of Radio"
"Freewill"
"Jacob's Ladder"
"Entre Nous"
"Different Strings"
"Natural Science" ["Tide Pools", "Hyperspace", "Permanent Waves"]

The first two songs have of course garnered the most radio airplay through the years, but I'd argue that Entre Nous is every bit as strong a track as its two more popular brothers. Natural Science is a tour de force, with the three parts coming together to weave one near-10 minute epic story.

I am continually impressed, even to this day when I catch the Rush in Rio concert on VH-1 Classic, that three guys can make so much music. And to see Geddy Lee play a synthesizer and his bass at the same time is awesome. Neal Peart's drum kit is mammoth -- I cannot imagine how strong he has to be to endure an entire concert with the speed with which he plays.

And by the way, the album cover was another attraction for this hormonally-active then-13-year old...

Welcome!

You've come across a blog that we hope will be a lot of fun.

Your hosts are Doug, a high school social science teacher based in the Midwest, and Karen, a research scientist based in the Southwest. We're about the same age, and despite our lack of geographic proximity, had some similar interests and experiences growing up throughout the 1970's-1980's. Lyndon Johnson was president when we were born, and Ronald Reagan was about to leave the White House when we were wrapping up college.

You'll see discussions of all things pop-culture. One week we might take a look at a film of the era (like Planet of the Apes or Logan's Run), another week it might be a review of a comic book story (Amazing Spider-Man #'s 121-122 -- the deaths of Gwen Stacy and of the original Green Goblin).

We'll tell you what music we were listening to at a given period of our childhood, and what toys we were playing with.

So stop by from time-to-time, and be sure to leave a comment or reminiscence of your own.

Doug and Karen