Doug's First "Rubber Mask" - Captain America 179

Captain America #179 (November 1974)(cover by Ron Wilson and Frank Giacoia)
"Slings and Arrows"
Steve Englehart-Sal Buscema/Vince Colletta

Doug: I didn't own this comic as a youngster, but a close friend of mine did. We were great pals, spending all our summer days reading comics, drawing, and playing Megos in his basement. Along the way we listened to AM radio and sang along with Wings, Elton John, and whatever one-hit wonders came our way (I'm looking at you, Carl Douglas, and your Kung fu Fighting). I'd missed the whole of the "Secret Empire" arc, but having the Cap Mego and having enjoyed some of the animated Tales of Suspense adventures on reruns of the Marvel Super-Heroes show, I was all-in to read this issue. Then, and especially now with my adult fixation with rubber mask reveals, it didn't disappoint.

Ah, the rubber mask. What is it about that corny comic convention that appeals to me? How about HOW INCREDIBLY STUPID IT IS?? Really... any "master of disguise" schtick is going to require a large helping of suspension of disbelief. But when some shmoe does it and gets away with it? No way. See this Man-Bat story if you don't believe me. How in the world does one obtain or create such a lifelike mask, only to later reveal something like an iron mask or a furry face, or even humongous bat-ears lurking beneath? The mind boggles. And that, I suppose, is why I like it -- for sheer lunacy. Zanier than our boy Bob Haney, that's for sure.

Sink your teeth into a 100-Word Review: 

Just three issues removed from the fall-out of the Secret Empire adventure, Cap and Falc have split ways. Cap has stuck to his word of hanging up the shield, and he’s settling into a civilian life alongside his love, Sharon Carter (SHIELD’s Agent-13). But a new menace has attacked – the Golden Archer. A sun-hued relic seemingly from the age of Robin Hood, he attacks Cap multiple times. Subplots involve Falc trying to beat the Harlem mob, Cap telling Peggy Carter that they’re through, and more would-be fill-in Caps across the country. Cap finally bests the Archer, who turns out to really be…

The Good: Usually I begin by lauding the art team. I'll get to that in a moment or three. But what struck me as I read this was the pacing of the story, and its organization. Many authors are masters of the subplot (John Byrne comes to mind specifically). Here Steve Englehart gives us a whirlwind of topical points between the comic's 18 story pages. We see our main arc for four pages, then a Falcon vignette, back to Steve Rogers for one page, then to a biker gang whose leader wants to become the new Captain America. A page later we're back to Steve for five pages, then one page to see how it turned out for our wannabe shield-slinger. The book concludes with a five page climactic battle between Steve and the Golden Archer. It's nicely laid out, with each interlude serving to heighten suspense for what was really a pretty basic plot in the main tale.

Englehart chose some sort of old English form (which is certainly debatable, I'm sure) of speech for the Golden Archer. The "real" Golden Archer had actually appeared in Avengers #85 as part of the Squadron Supreme. His costume was different from what we see here; the next time we'll see the Archer, he will be in this same outfit. I liked the Archer's depiction here -- very much a swashbuckler, and the fact that he was stalking Cap and could turn up at any time was fun. In fact, the Archer seemed to know some of Steve Roger's habits, patterns of movement...

I was not enough of a regular Cap reader to make too much of a judgement on the Steve/Sharon/Peggy love triangle, but I will say that from a distance the Steve and Sharon pairing made more sense than the Steve and Peggy relationship. That being said, Steve seemed to sort of take advantage of his fountain of youth, trading in for a younger model. His prerogative of course, but the ditching of Peggy in this issue seemed cruel. Come to think of it, why is that in the "good" category? I guess because the relationship, any relationship, humanizes Cap -- he of the "duty first" devotion.

Although the Falcon's solo adventures were on hold for 90% of this issue, I really liked in this era that he got to be featured as his own guy. A solo series would have been an easy sell to me in the Bronze Age; I enjoyed his one-off in Marvel Premiere.

Lastly, the big reveal at the end of Hawkeye as the Golden Archer, rubber mask and all, was excellent. What a dopey scene. Sure enough -- ol' Hawk's mask popped right up into form, no mashing or flattening at all. It's just silly -- silly as a Silver Age DC -- but I love it. And I loved how Hawkeye threw some shade at Thor's Asgardian-speak.

The Bad: Wait, you say -- you didn't talk about the art. You are correct. I saved it for this space. Oh it isn't bad bad. In fact, it's really pretty consistent from what we'd seen throughout the "Secret Empire" arc. But for whatever reason, in this issue I am seeing Sal Buscema and I am seeing Vince Colletta. Not a conglomeration of the two, as in previous issues. Instead, I just see Sal's forms and Vinnie's feathery inks. There's no blending here. It's tough to put my finger on, and I don't know if you'll get the same vibe from the art samples provided (perhaps my best example is the full page scan at the top of the post). But if you use the link just above and check out some of the books from a few months prior, I think you'll see that Vinnie's inks were a little heavier in general. I just see all the featheriness that many of his detractors cry out about. So it's not awful. But I noticed. In my opinion, I shouldn't notice. I should see the combination, the sum of the parts, and it should be pleasing to me as an art gestalt. Tell me if I'm off base.

The Ugly: Nuthin'. Unless you thought Steve was a HUGE jerk to Peggy. Then you might be mad.

Overall this was another fun one. I have come to really enjoy most of the solo adventures of my favorite Avengers -- Cap, Iron Man, and Thor. There were some solid creators on those books in the Bronze Age. Sure, sometimes there was a little hit-and-miss, but more often than not one could certainly get their quarter's worth of fun. Makes me want to be a kid again and feel that as I stand in front of the drug stores shelves.

Happy Labor Day to our Stateside friends. Enjoy the holiday!

If There's an Original Art Heaven, This Must Be It - A BAB Book Review

 

Doug: Wow. Just WOW! If you've been around here for the past week, you know I've discussed my sales of original art and the income said sales netted. You'll also recall that I decided to treat myself to a couple of purchases that ordinarily would fall waaaaaaaayyyy outside my budget. But hey -- when a guy comes into $6000, what's he to do? That's right: scoop up a couple of IDW's Artist Editions, that's what! And I did. Last Saturday I remarked during our conversation about all of the cool John Buscema art with which I've recently parted company that my order from InStock Trades arrived that very afternoon. I was like a kid on Christmas morning! And today I want to tell you and show you (to the best of my ability) what I bought. I'll be using straight photography from my iPhone today, as I did not want to incur a hernia trying to lift these tomes onto a scanner.

Doug: We briefly batted around some ideas about shipping in last weekend's conversation. Let me tell you -- the boys in Memphis who packed my books left no doubt that those babies would get here safe and snug. I've included several photos of the packaging, just because I was so overwhelmed at the care. That photo above to the right is the bottom quarter of the Gil Kane box, and I'd say there was a good 4" of static-free packing peanuts between it and the top of the box. The John Buscema box, resting just below the Kane box, itself sat on an inch of packing peanuts. Soft landings, to be sure!

Doug: Even the interior boxes are reinforced, as you can see a cushion around three sides of each volume. The design guys at IDW just did a fantastic job here. Obviously the labels on the outside tell the warehouse folks what to pull, but it's not an unattractive box to use henceforth for storage. And I am pretty sure that will be necessary, as these books are massive and heavy! Each book's tale of the tape goes like this:

Gil Kane's Amazing Spider-Man (216 pages) - 12.5" x 17.25" x 1.25" (it is seriously a thick book!)
John Buscema's Silver Surfer (144 pages) - 12.5" x 17.25" x 7/8" (looks like a 98 lb. weakling next to the Kane volume!)

Doug: The art directors at IDW really made each of these books seem top-shelf with the outer color schemes on the covers that carry over into the frontispiece and table of contents pages. I've included a couple of looks below:

Doug: Here are the contents of each book:

Gil Kane: Amazing Spider-Man 96, 97, 98, 99, 100, 101, 102, 121 (all complete), and pages from 89 (10 pages of Spidey vs. Doc Ock), 92, 103, 104; 96, 101, 131, 149 (covers), John Romita's covers to 121 and 122 are included because of their significance to this compilation, and 122 (pages 1 and 23).

John Buscema: Silver Surfer 5, 6, and 8 (all complete -- issues 5 and 6 were double-sized at 39 pages apiece), and pages from 1 (3 pages, including the transformation sequence from Norrin Radd to the Silver Surfer), 7 (1 page), 9 (3 pages with the Ghost and Mephisto), 12 (1 page), 13 (3 pages), 14 (10 pages with Spider-Man), 15 (5 pages with the FF), and 16 (splash); 1, 2, 2 (unpublished), 9, and 10 (covers).

Doug: You may be asking yourself "How did they get all of this original art, and what happened if they couldn't?" In the Gil Kane book there are a few pages that are photocopied from some other source -- it's clearly noted at the bottom of the page that the original art was unavailable so a scan was used. That thought occurred to me as well, just based on the Avengers page I sold a couple of weeks ago. No one would have had that to photograph. So speaking of photographs, that's what these books are chock full of -- high quality photos of the original art, shot in full color. The blue line shoes up, light pencil lines are there, as are margin notes. Residue from tape is present, and White-Out is, too. The first page I want you to look at (and clicking on it will give you a larger view) is this Spidey page. Check out all the White-Out in Gwen's hair, as well as on her nose:

Doug: I've heard some collectors quibble about such blemishes on the art page, but I LOVE IT!! For me, the attraction of the original page was seeing the process of creation -- erased pencil lines, White-Out, blue line pencil, paste-ups when just a panel needed editing, etc. My excitement level went through the roof whenever I received a page I'd purchased and some of those sorts of "issues" were present. It's still a work of art -- I perceived it to be more dynamic when I could get into the minds of those whose hands had crafted it.

Doug: The choice for paper is perfect. It's a reasonably heavy stock, but with a matte finish. You can tell from my photographs, which were shot with only natural light on a mostly cloudy day that there is no glare. It was a perfect choice for really exposing the nuances of the original pages.

Doug: As to choices for content, I can't think of a better package than what made it into the Gil Kane book. That we get to look at two of the best storylines of the early Bronze Age in the Green Goblin drug issues and the six-armed Spidey/intro. of Morbius is just awesome. And that they went that extra mile and included Amazing Spider-Man #121 is a bonus beyond my ability to express gratitude. I paid the MSRP of $125 for the Kane book and I'm not at all going to quibble about it.

Doug: I'd lie if I didn't say the Silver Surfer book would have reached the stratosphere had it included the original art for issues 1 and 4, that fourth installment being among my very favorite comic books. But again, I understand that the major factor in production is accessibility to the art in the first place. So the inclusion of issues 5 and 6 is a fine decision -- I'm not going to scoff at the opportunity to indulge myself with 78 pages of Big John originals. I think the fact that the editors could include the two-page transformation scene from the inaugural issue is some nice icing on this cake.

Doug: So what's next for me? Depending on how my sales continue, I definitely still have my eyes set on the Joe Kubert Tarzan Artist Edition. As of my recent order from InStock Trades, the Tarzan book was still discounted nicely. Also of major interest is the volume that reprints several Marvel covers from the Bronze Age and beyond. Having watched a YouTube review of the book, it's really representative of Marvel's great stable of artists -- Arthur Adams, John Buscema, John Byrne, Gene Colan, Jack Kirby, Frank Miller, George Perez, both Romitas, George Tuska, Mike Zeck, and many more. Take a few minutes to watch that video -- the reviewer does a nice job of showing samples of all of that luscious artwork. NOTE (2/17/15 9:30 PM CST): Well, I had a guy who owed me quite a bit of money pay up -- now I can ship his art out! And I will confess that I gave into the temptations I just discussed. Yep -- the Tarzan and Marvel Covers books will be coming my way very soon.

Doug: Lastly, here's a listing of all of the Artist Editions from IDW. It's a great cross-section of the talent that has brought so much joy to all of us. I know several of our regular readers will see artists on that list whose work you've especially enjoyed. As I've said a few times today, these books aren't for everyone price-wise, but if you have that love of original art as I do, and if resources present themselves such that you can treat yourself, I highly recommend these volumes for your collection/library. I think once you open that outer box, you'll join me in feeling live you've gone to Original Art Heaven.

Arc of Triumph? Nova 12 and Amazing Spider-Man 171

Doug: We've obviously discussed Spider-Man a bazillion times around here, but I don't think we've ever reviewed an issue of The Man Called Nova. Today, hopefully our readers are going to take care of that! What's the collective memory of this 2-parter featuring Marv Wolfman's pet creation and ol' Webhead? Decent yarn, or merely a hopeful cross-pollination?

Doug: Just in -- Idris Elba and Tom Hiddleston will reprise their roles as Heimdall and Loki (respectively) in Avengers 2: Age of Ultron. Now isn't that good news!

Giant-Size July: Fantastic Four Annual 5

Fantastic Four Annual #5 (Nov. 1967)

"Divide--and Conquer!"

Writer: Stan Lee

Artist: Jack Kirby

Inker: Credited to Joe Sinnott; actual inker was Frank Giacoia

Karen: The cover to this one says it all -this annual is jam-packed with heroes and villains! We've got the FF (of course!), plus all of the Inhumans, and the Black Panther, squaring off against the groovy-looking Psycho-Man in his first appearance. Using Mike's Newstand as my gauge, this annual would have been out at the same time as FF #68. That issue featured the Mad Thinker carrying out a plan to mess with the Thing's mind to turn him against the rest of the team (sound familiar?). The events of this annual were not mentioned until issue 70. In my opinion, this is the beginning of the decline for the Lee-Kirby team. There were still some potent stories to come, like the Surfer in the microverse, but we were definitely on the waning edge of the duo's magnificent run. This is reflected in the main story of this annual, which we review here. It's not terrible by any means -in fact, it's a fun romp, appropriate for summer as it reminds me of a typical summer blockbuster, 'popcorn' movie, full of bombast but a little light on the details. The villain, the Psycho-Man himself, is a spectacular Kirby design, who would have fit in well with the Celestials or perhaps the New Gods. But there are a string of coincidences and contrivances to get all the characters in the same place that scream of minimum effort by the creators that is somewhat disappointing. Also, your eyes do not deceive you -despite Joe Sinnott being credited as inker, he definitely did not ink this issue. As soon as I started reading the book, I could tell it was not Sinnott inks -this was particularly evident when looking at the Thing, who has a much craggier appearance than the usual smooth Sinnott style. I did some research and found that this issue is generally credited to Frank Giacoia, and that makes a lot more sense to me.

Doug: I agree with you -- right from the splash page it's evident that Joltin' Joe is not manning the brush in this tale. I felt Giacoia's inks actually contributed to your comment about this not being a great story. With some of the missteps along the plotting, and Stan's dialogue not always matching Jack's pictures, the lack of polish on the art seemed to step this one down. And since Giacoia inked the rest of the magazine, I think we're pretty safe in assuming he's in the chair here in the main story. And as you said, this may very well mark the beginning of the decline of the FF as Marvel's most innovative and interesting book.

Karen: We start in the middle of things, with the FF in a flutter after Sue Richards, the Invisible Girl, has fainted at the FF's Baxter Building HQ. Everyone's upset as Reed carries Sue to bed but she assures them she's fine, it was just the heat. Ben feels a bit awkward and takes off on his sky-cycle. Not far away, the wildly-garbed Psycho-Man whips out his magic box, or should I say his psycho ray, with its three enormous, Senior-sized buttons labeled 'Fear,' 'Doubt,' and 'Hate,' and terrorizes a hapless minion who failed to deliver the mysterious "Component Five" to the proper address. By pressing the 'Fear' button, he causes the poor man to imagine some horrible thing coming after him. He jumps out a window. You would think this would be his end, but we are told that that he landed on a ledge below. Yeah...right. The Psycho-Ray seems like it could be a precursor, in appearance anyway, to a Mother Box. The Psycho-Man turns and faces his other minions. Here is where I felt this issue really fell short: instead of some wildly imaginative characters, we instead got three boring stooges who would have fit in better as members of the Green Goblin's Enforcers or the Circus of Crime, not as agents of the high-tech, alien-like Psycho-Man. There's Livewire, who looks like a cowboy; Ivan, a bald guy with a gun; and Shell-Shock, a hairy guy with a gun. It's like Kirby ran out of gas here. These three cretins decide to mouth off to the obviously superior Psycho-Man and he fires up the psycho-ray again, this time giving them a dose of Doubt. They come crawling back to him, literally. He tells them if they want to stay in his good graces, find Component Five. It seems it was delivered to a blind girl. Hmmm...

Doug: In regard to Livewire, I kept seeing Kid Colt whenever he was on-page, but as you remarked he also bore a resemblance to Montana from the Enforcers. And despite my agreement as to Kirby's less-than-inspired creation of those three "toughs", I will say that Jack never shortchanged the reader on the designs of his main bad guys. We've heard through the years how many artists would complain about being assigned to team books such as the Avengers or the Legion of Super-Heroes. I'd argue that being assigned to a book with Galactus, or the Psycho-Man, would drive an artist nuts. Look at the detail in those designs!

Karen: The Thing is at his girlfriend Alicia Masters' apartment (who happens to be blind... you see where this is going...) and she tells him that she got an unexpected delivery. He examines it -it appears to be a large golden cube. As he tries to figure out how to open it, he hears a voice and is startled to see a monster. He's not sure why, after all he's seen and done, but he's overcome with fear. But he goes ahead and battles the creature anyway. But it is far more powerful than he is. Desperate to protect Alicia, trying to rally himself, he yells his battle cry, "It's clobberin' time!" The monster disappears, as if it was never there -but the Thing is so overcome with exhaustion, he passes out. Towering over him is the Psycho-Man, who admires his perseverance. Ben had been fighting his own fear of losing control of his strength and hurting others. Few victims of the psycho-ray even fight back. With the Thing out of the way, the Psycho-Man and his goons grab Component Five and take off, but not before the villain blabs that it's the final thing he needs to complete a gigantic version of his psycho-ray that will allow him to control the emotions of everyone on Earth! Once they take it to his base on a Caribbean island and install it, he'll be master of the world! Hoo boy.

Doug: Odd to have one's base of operations in the Caribbean, but then I suppose no one enjoys 24-hour do-badding; the locale would certainly be advantageous for those off hours. It cracked me up how Psycho-Man's three lackeys were all gung ho to overthrow him, yet now -- after being subjected to one of his emotional rays -- are all about doing whatever bidding needs done. Did you think a monster was the best way to depict Ben's fear of hurting others? Why wouldn't that have manifested itself in a fear of touching anything? We could have seen Alicia want to hold Ben's hand or ask him to kiss her and him drop to the floor quaking in distress. A monster seemed too easy a vehicle and didn't really convey what I thought was going on.

Karen: I agree, that's just one of the 'shortcuts' the story takes, rather than really fleshing certain ideas out. The Caribbean is a popular spot it seems. The Black Panther has purchased an island there and named it, somewhat immodestly, Panther Island. He is running along the beach with his men, using equipment to detect some intruders who just landed there. He dismisses his men and travels on alone, intent on finding out who the strangers are. Suddenly his feet are grabbed by long red strands of hair! He is pulled into a clearing to face Medusa and Karnak of the Inhumans. Karnak immediately attacks the Panther, while Medusa tries to calm her cousin down. But before things get too far, a powerful figure appears -it is Blackbolt, ruler of the Inhumans. Blackbolt signals for peace, and intrigued, the Panther stops and takes it all in. Then the slient king flies off towards a small rock outcropping in the water. He uses his mastery over molecules to "harden" the water into a bridge the other three can cross. Medusa says that Blackbolt senses danger. She wishes that their cousins Gorgon and Triton were with them as well. Karnak reminds her that Gorgon is on an errand and will return soon, but Triton is with Crystal in New York, staying with the FF and her boyfriend, Johnny Storm. At this the Panther perks up. "The Torch? Then, we share a friend in common!" He declares that whatever the danger is, they'll face it together. Karnak uses his power to detect weakness and strikes the rock perfectly, shattering the reef into a million pieces. I'm not really clear why the Inhumans are here -it seems they knew about Psycho-Man somehow, but if there was an explanation in here, I missed it. 

Doug: If I was T'Challa, I'd be suing the realtor or former owners of the island for not engaging in full disclosure about the property! And above you mentioned the contrivances of this story -- seriously? The Psycho-Man is hanging out in the islands and on the same one at the same time (no less!) that T'Challa decides to open up a western branch of his Wakandan kingdom. Yeah... I was also unclear as to the goals of the Inhumans at this point. I also wondered if the intruders that T'Challa had detected were the members of the Royal Family, or Psycho-Man and his goons? I suppose we're to believe it was the Inhumans, as it's Blackbolt who detects the presence of the others. Still -- Wakandan tech was so advanced that I still think it was the Psycho-Man that T'Challa was unwittingly looking for. Question -- in terms of coloring, do you prefer the Panther as colored here with the blacks highlighted by gray, or the more common coloring of the blacks highlighted by dark blue? I am partial to the latter.

Karen: Hmmm, I am used to the dark blue, but I find myself also appreciating the grey color too. But I guess if I had to choose one it would be the blue. It seems darker and sleeker.

Karen: Back in New York, Ben and Alicia come rushing into Reed's lab, where we find the rest of the FF (and Crystal) hanging out. Ben excitedly tells Reed that they have to go after Psycho-Man, but Reed calmly says they can't go anywhere without a plan. Ben gets more agitated but Reed says there's another reason he doesn't want to rush off -Sue's pregnant. Everyone is stunned -and then delighted. Kirby draws Ben and Johnny reacting like big kids, running around carrying Reed through the HQ, while Alicia and Crystal hug and congratulate Sue. Ben's excited to be an "almost uncle" and Red and Sue tell him they'd like him to be the Godfather. It's a charming slice of Fantastic Four family life. After the excitement settles down, Ben decides that if they're going to have a kid to look after, they really do have to make sure they catch the Psycho-Man, and just because Reed and Sue can't go after him, there's no reason he and Johnny can't. "I ain't gonna let no kid of ours git born into the same world with creeps like them runnin' around loose!"

Doug: I loved the aspect of communal ownership and care for this unborn baby. You are right in that it truly set this magazine apart from the rest. Through the years it made the Fantastic Four, along with Amazing Spider-Man, two standout titles among the others. Although Avengers has always been my favorite, it never could equal some of the warm fuzzies generated by the well-rounded casts and ingrained emotions of FF and ASM.

Karen: The previously-mentioned creeps are setting up the Psycho-Man's machine on his hidden Caribbean base. Oddly enough, they are putting Component Four into place -is this the same component they took from Alicia's apartment? That was called Component Five. And the art shows only four such components. This seems like a lapse on Lee's part.  Psycho-Man tells his minions that the base has been discovered by intruders -of course, he's taking about Blackbolt and company. He tells them to get out and take care of them. Now hold on -these three grade Z guys, with their trick guns, are going to take on Blackbolt, the Panther, Medusa, and Karnak? Blackbolt alone should be able to handle all of them! Sheesh. As the three prepare to exit the underground base, Blackbolt blasts through.  Ivan whips out his solar pistol and blinds Blackbolt. Livewire uses his electric lariat to tie up Medusa, while the Panther has to dodge Shell-shock's seeker missile. He manages to evade it long enough to bring it back to his enemy, blasting him. Karnak goes after Livewire, jumping through his lariat and knocking him out. Once Blackbolt recovers his sight, he easily takes down Ivan, one punch sending him sailing. 

Doug: I also noticed the disconnect in the names of the components. In fact, I went back to that previous scene to be certain I'd read it correctly. But when the editor is also the writer, I guess missteps can fall through the cracks. 

Doug: If you think that goons come in groups of three, which they often do, then consider some other groups as compared to this unnamed trio: The previously mentioned Enforcers, with no super powers at all. The mainstay on the Frightful Four, including the Wizard, the Trapster, and the Sandman. Shoot -- even the Ani-Men! I'd concur that Blackbolt by himself could take out any of those trios; this group of misfits shouldn't have been any trouble. So this was a really unsatisfying part of the story. Although antagonists, there was no real sense of antagonism.

Karen: The Psycho-Man is adjusting his device, when he realizes his minions have been overcome. Nevertheless, he finishes the job, and decides to first use his tool on his attackers. Blackbolt and crew race towards his location but are stopped by a wall. Suddenly, a glow appears in the air -it is the Inhuman dog Lockjaw, teleporting in with Triton, Johnny Storm, and the Thing. How did they know where to go? Karnak says, "Perhaps he sensed we needed them!" That's as good an explanation as we'll get, and about all we need I suppose! The good guys all line up and do that slow-motion march towards the wall, with Blackbolt up front, leading them. You can just imagine some cool soundtrack music to accompany this scene. Lee writes, "We suggest you study this illustration carefully, and perhaps even file it away in some safe repository - for it is unlikely you will soon see another such awesome aggregation of raw power as now confronts your ever lovin' eyes!"

Doug: While it's a great visual, perhaps done best in Monsters, Inc., I was underwhelmed. Among the Silver Age FF Annuals, this one ranks far behind #2, #4, and #6 on my favorites list (I don't think I've ever read #1, if anyone's wondering, and I think #3 has become so cliched that it's lost what must have been some bright luster when first published). All that being said, there is a definite sense of anticipation whenever we read a tale where the cavalry arrives to make all things right!

Karen: The wall seems to disappear and a bizarre multi-limbed creature pops up and attacks. Blackbolt, the Thing, and Triton begin wrestling with it but it is like the mythical Hydra -when they hurt it , it grows more limbs. Triton puts up a good fight but it taken down. Meanwhile, Medusa and Karnak seek out the source of a mechanical humming sound. It appears to come from behind a wall, which Karnak strikes. Rather than shattering, the wall sticks to his hand like tar. As he struggles, the Psycho-Man watches from another room, pleased with his Fear device. An alarm goes off and he becomes aware that the Panther is sneaking up on him. He uses the machine on the stealthy hero and the Panther believes he is being attacked by a catlike humanoid.

Doug: I don't know what you saw, but I saw this monster as some sort of inhuman speaker. Check 'im out: tweeters on his upper arms, woofers on his mid-arms! Perhaps the biggest thing he had going for him was an unending case of UGLY! I almost got the sense while reading this that Kirby had never left the monster books of a decade earlier. Even with the psycho ray, it's a plot device that we might have seen in Tales of Suspense, pre-Iron Man. But I suppose there's no harm in recycling an idea and putting it in a new context, in this case with our beloved FF cast of misfits. And always a fan of the metaphysical realms, Kirby did indeed borrow that Hydra element from Greek mythology. As to the fellow who attacked the Panther? At first glance, he could be Blastaar's kid brother!

Karen: On the surface of the island, Gorgon returns from his errand to find the Inhumans' base empty. Alarmed, he spots the "hard water" bridge Blackbolt had created earlier and heads for the rocks, which now have smoke coming up from them. Inside Gorgon finds the Torch and Medusa battling a fire-proof monster. Gorgon stomps his hoofed feet and dispels the creature -so if it was an illusion, it was one everyone could see? But it was the Torch's fear, why could they all see it..oh, never mind. Next they group runs off and finds Karnak, who was also freed from his sticky situation by his cousin's thundering feet. But cousin Triton isn't fairing so well. He is trapped inside a clear, dry cube. Without any humidity, he'll die. Gorgon stomps again and the shock waves cause the cube to disappear. The group find Blackbolt and The Thing, whose titanic foe has also vanished. Now they are faced with that wall which bars their way. But the Thing is having none of it. He tears the wall apart, only to come face to face with the enormous muzzle of the Psycho-Man's weapon. The Psycho-Man says that a single blast will be enough to destroy all of them. Acting swiftly, Blackbolt uses his little antenna doohickey on his forehead to fire an energy beam and completely destroy Psycho-Man's ray. But the villain doesn't seem very upset. "I am Psycho-Man, soon the master of Earth!" he proclaims. "We should'a guessed -another nut!" Ben says. Psycho-Man says that despite the destruction of his big old gun, he can always build another one. In the meantime, he'll wipe them out with his Psycho-ray. He then decides to tell them his story -hey, why not, right? -he's not a human being at all, but a denizen of Sub-Atomica, the tiny worlds within worlds that exist at sub-microscopic levels. He is the greatest scientist of his world -which is faced with over population. Looking for places to expand to, he discovered the Earth. Figuring Earthlings would be defenseless against his mind-weapons, the Psycho-Man created this artificial body and began his one-man invasion, preparing the way for his people. While his speechifying goes on, the Panther has recovered from his fight and makes his way towards the chamber. Just as the Psycho-Man turns his Fear ray on the heroes, the Panther springs on him. But he comes up with a limp, lifeless suit. Confused, the Panther looks for help. Ben explains, "He can't bother us any more than any pint-sized germ floatin' around the joint!" Karnak ponders the villains' fate. "I wonder! Has he returned to the sub-atomic world from whence he came? Or is he now forever trapped within that now useless suit?" Seemingly unconcerned (where is Reed when you need him!) the heroes wrap it up, satisfied that they've ended the Psycho-Man's threat.

Doug: In addition to Kirby's fabulous costume and character designs, he was also quite adept at technology. I was happy to see Ben astride the jet cycle near the beginning of the story, and I've always liked the sleek look of the craft on which Gorgon rides. Of course, none of that tops the rocket shoes Ben wears in the poster later on in this magazine (we've featured it several times -- check it out here). Anyway, your point about Gorgon's dispelling of the monster is well-taken. If it was the Fear ray that the Psycho-Man had employed, why would each person present have seen the same thing? Certainly T'Challa was engaged with a wholly different beastie (Karnak's fear was different as well). Did the thunder of Gorgon's hoof break the concentration of those who were under the ray's control? I don't want to say there weren't well-done elements of this story -- there were -- but there was enough head-scratching going on by me that left me a bit dissatisfied. 

Doug: I did like Psycho-Man's origin, and maybe some of our readers can clue me in -- is he from the same sort of Sub-Atomica as Psyklop, or Jarella? This sort of idea, where the very atoms and molecules can be universes in their own right, should have opened up an endless array of story possibilities. 

Karen: I think you can see what I meant about this being a 'popcorn' movie annual. It's big, it's goofy, it's fun, but it doesn't stand up to a lot of scrutiny. Still, it wasn't a bad way to spend 30-40 minutes! The Psycho-Man was an interesting foe, and this makes me want to pull out the FF issues with his appearances that followed.

Doug: Yes, agreed. If I recall, the second story featuring this base villain is more interesting, and would of course feature Joe Sinnott back on the inks. Speaking of, it's no secret that Sinnott was as much a part of the success of the Silver Age FF as Terry Austin was to the Bronze Age X-Men. But I feel like I've unfairly denigrated Frank Giacoia's work throughout this post. I really don't have a problem with Giacoia overall. I just don't know that I'd ever say that he'd be my go-to guy. He's steady, not going to get in the way... but when it comes to the "look" of certain books in certain timeframes, I want the Cadillac version. And in this particular case, that would involve Joe Sinnott.


Karen: Yes, Joe Sinnott was sorely missed here. Something  I find interesting is that this annual and the next year's (number 6) are really a set when you look at the events contained in them: in this one, we get the announcement of Sue's pregnancy with Franklin, and then a year later, in number 6, we have the story of Reed, Ben, and Johnny risking everything in the Negative Zone to ensure that Franklin and Sue both survive the childbirth. The two annuals are linked in that both dealt with the pregnancy, this one more peripherally than #6. But even so, it's as if they felt the need to put these events (the announcement and then the birth) into annuals rather than regular sized issues. Although I'd say annual 6 is a far superior read!

Karen: As a summer-time bonus, we're including some  pin-ups of the 'incomparable' Inhumans that were a part of this Annual! Enjoy!