Showing posts with label Charlton Heston. Show all posts
Showing posts with label Charlton Heston. Show all posts

Monday, January 5, 2015

BAB Firsts (Doug's 1st 5X to Love Post): 5 Films to Love

This post was originally published on July 27 2009

I'd like to start a revolving series of posts where Karen and I shoot your way our opinions of multi-media pop culture. Today I'll start with five movies I really, really like -- they won't necessarily be my "top 5 of all time" or anything like that. But these are movies I'll stop and watch when I see them on the telly, or even fire up the DVD player with them on occasion. So, in no particular order...



1. Planet of the Apes, 1968.
I've previously discussed not only this film, but the entire franchise (though not in exhaustive detail -- you can see my musings here: http://bronzeagebabies.blogspot.com/2009/06/get-your-hands-off-me-you-damned-dirty.html). As I commented at the end of the aforementioned post, I caught a few of these films last weekend on the Fox Movie Channel; I also spied the Tim Burton remake on FX just last evening. I started to watch it, and while there is much to love about it (time has been kind in regard to special effects, make-up, etc.), the general story and execution just doesn't do it for me. I think, although grossly different from Pierre Boulle's novel, that the folks at 20th Century Fox created a classic, a masterpiece, back in '68. Heston's melodramatics, Roddy McDowell's coolness, and the emotional acting of Kim Hunter really carry the story -- a morality play in a time when apocalypse in one form or another was (or maybe should have been) on the movie-going public's minds. As I said earlier, Planet of the Apes had a tremendous sense of adventure and even scariness for me as a child that is still there, but to which has been added a sense of appreciation for the larger stereotypes, social mores, and general ecological warnings that have jumped to meet my adult mind.


2. Logan's Run, 1976.
I think I first saw this on network television in the late '70's, although it could have been a bit earlier on HBO. I've only seen the film all the way through once, but have often caught bits and pieces on the various cable movie channels. What I remember is that sense of futuristic wonder at the cityscape and the terror of the premise that everyone had to die at the age of 30. When I first saw the movie, that didn't seem so bad; at the ripe old age of 43, however...
I recall that Michael York as Logan-5 was just studly enough to carry his part, and his range of emotions was strong. Jenny Agutter was of course beautiful as the VERY scantily-clad Jessica-6, as was Farrah Fawcett (lord, how I loved Charlie's Angels!!) as Holly. The scenes in Washington DC evoked the ending of Planet of the Apes, and further cemented in my mind that we all could be going to hell sooner than later.


3. Jaws, 1975
Wow. I don't even care to swim all that much and this movie scared me to death. Perhaps my lasting memory of the movie comes from a trip to Florida when I was 12; trust me, I didn't venture too far out into the ocean! As the film was huge that summer of '75, the various companies that bring book orders into the schools filled it up with books about sharks, shark attacks, ocean adventures, etc. I bought a book called Sharks: Attacks on Man. I read it until the pages came out. I recall that there were some photos in that book, mostly of chewed-up surfboards and people with mouth-shaped stitches on their sides and appendages -- ugh...
Steven Spielberg just did a fantastic job with this film. The characterization is wonderful, and the suspense created by the score is virtually without peer. Think how long it is until you see the shark -- but you know, you just know that it is a beast to be reckoned with. Spielberg got more out of a few notes on a piano... The film also has its memorable one-liners, and my favorite is Martin Brody's subtle announcement that, "You're gonna need a bigger boat."

4. The Empire Strikes Back, 1980.
A few weeks ago Karen wrote of her love of Star Trek. For whatever reason, and I don't have a good excuse to offer, I never got into Star Trek. I can't figure out why -- it was syndicated on television when I was a kid, and while I loved reruns of Batman, Wild Wild West, and the various Japanese imports like Ultra Man and Space Giants, I never watched too much Star Trek. However, when Star Wars Episode Four: A New Hope came out I was hooked!!
The Empire Strikes Back is my favorite in the 6-film Star Wars franchise. From the opening scene with the AT-AT Walkers to the ending scenes on the Cloud City, the film is just a whirlwind of amazing sets, new machines and characters, and growing characterization. George Lucas really made the Star Wars Universe with this film. He showed that his story was an incredibly dense tale that really did occupy a galaxy far, far away. The film ended with a feeling of darkness that left this young viewer yearning for the next installment. Three years would be a long time to wait!
Just as a last note -- I am one who really didn't care for the additional footage that Lucas added to his first trilogy of films when they first were pressed onto DVDs. I felt in some way that it was unfair to those who'd seen the movies at the theater, and although they were released theatrically in their updated versions, it still just smacked of money-grubbing. They should have left it alone -- it certainly wasn't broke!
5. Butch Cassidy and the Sundance Kid, 1969.
Butch Cassidy and the Sundance Kid is one of the "funnest" films I've ever seen! The chemistry between Paul Newman and Robert Redford is out of sight -- the banter, the physical acting, their facial expressions are just perfect. I know I've heard, as you perhaps have as well, that other actors at one time considered included Steve McQueen and Jack Lemmon. I think they made the right choices.
I think my favorite scene in the film is the battle to see who will become leader of the Hole in the Wall Gang -- just classic Newman! Of course the last scene is great, too -- that on-screen chemistry lasted 'til the end.
So that's five for now -- and I haven't even gotten to Rollerball, Animal House, or Caddyshack!

Friday, July 10, 2009

Get Your Stinking Paws Off Me, You Damned Dirty Ape!!


Doug: Words cannot express my wide-eyed wonder when, as a mere lad of seven years, I watched my first Planet of the Apes movie. My family had recently relocated to Milwaukee, Wisconsin, and while I was most disappointed to leave behind my beloved Channel 44 out of Chicago that showed Marvel Super-Heroes (the legendary 1966 cartoon show) or Spider-Man (the 1967 classic), I was excited to discover a few channels in my new home that would expand my love of science fiction.

Among reruns of the 1940's serials, such as Buck Rogers and Flash Gordon, and a seemingly endless string of Tarzan movies (here my love of Johnny Weismuller and Buster Crabbe began -- it wouldn't be until many years later that I would read the Edgar Rice Burroughs novels and gain an even greater appreciation for Christopher Lambert's portrayal of the jungle lord in Greystoke), there came the Apes movies and still later the CBS television show. From that point forward, I was going Ape!

I had several of the Apes Mego action figures and playsets, bubble gum cards, coloring books, etc. Wanting to soak up all things Ape at this point, I came across the original Pierre Boulle novel at the public library. It featured a cover reminiscent of scenes from the film by the same name, so I asked my mom to check it out for me. What a disappointment! Now, this was long before I knew anything about such things as "based on the novel", etc. But what I'd seen on TV was nothing like this book -- Apes driving cars? Nah...

In fact, I'd argue that the film versions of the Planet of the Apes franchise are not traditional science fiction at all. Sure, it deals with time travel, fall-out from a nuclear disaster (which I assume bred the mutations in the apes and the de-evolution of human beings), and then later genetic proselytizing by Caesar (maybe? But then that wouldn't explain how, only one generation later, all of the apes can talk and are running the world in Battle for the Planet of the Apes).
But in the first film, originally released theatrically in 1968, there is no science used to solve any of the conflicts/problems in the plot. 

Planet of the Apes
was a wonder to me. The concept of time travel wasn't so new to me, as I'd gleaned a little information about such things from an issue of Justice League of America I'd owned -- it was a JLA/JSA crossover, so inter-dimensional travel and such didn't seem strange. As Taylor (Charlton Heston) and crew made their way to the forest, I at first thought they'd ended up on a planet of primitive humans -- until the apes burst on the scene. Looking back on the first film today, it's really the score that makes it so impactful -- the weird music while Taylor and company are traversing the desert, the horn upon first view of the gorilla atop steed, the rapid-fire pace when Taylor ran throughout Ape City, ending up in the "natural history museum"...


As a kid, there were many elements of the morality play that went over my head. It wasn't until viewing all five films in the franchise day-after-day on an after-school "Apes Week" movie festival that I picked up on the "see no evil, hear no evil, speak no evil" gag during Taylor's trial and of the impact of the nuclear war.
The Statue of Liberty scene was of course impactful to anyone who's ever seen it; but the devastation wrought and the time required to bury her waist-deep in earth didn't settle in until many years after. Perhaps Heston's best performance in the film is that last scene. 

Strangely, it was many years later that I saw the third film, Escape From the Planet of the Apes. I'm not sure how I missed it, but I do recall looking through magazines in the grocery store (precursors to Starlog or Fangoria or some such things) and seeing lots of still photos.
I didn't really grasp the story -- hey, it was the grocery store, not school... you think I was going to read the magazine?? -- but I did think that Cornelius and Zira looked absolutely ridiculous in regular human clothing. The next exposure to this episode was through the Power Records comic/45 rpm that a friend owned. But despite the wait, I was glad to have finally seen the film, and consider it perhaps my second favorite of the original five.

So if I have to rank 'em, I would say my re-viewing at any time would go in this order:
  1. Planet of the Apes
  2. Escape From the Planet of the Apes
  3. Conquest of the Planet of the Apes
  4. Beneath the Planet of the Apes
  5. Battle For the Planet of the Apes
My main dislike for Beneath is the telepathic powers of the cult members. I suppose, though, that if I could accept such a mutation in Jean Grey over in the X-Men, then I should be able to accept it generations after a nuclear disaster. I also disliked the scenes when Brent was forced to attack Nova -- just didn't care for that type of violence. And by the way, Linda Harrison looked much nicer in the second film... And the antithesis to her carnal beauty was the scarred visages of the monks who lived underground -- totally scared the bejeebers out of me as a child!

So to finish (and I could probably ramble on about all of this for quite some time), I still make time for the Apes movies. About a year ago when AMC (was it that channel??) ran an Apes marathon, including the television series, I was along for most of it. I've read a few articles about the black & white Planet of the Apes magazines that Marvel Comics published in the 1970's and have wondered about picking some of them up (could an Essentials volume be in the offing -- please?). I'm just still, all these years later, into the concept and the franchise.

But don't get me going on the Tim Burton re-make...








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