Showing posts with label Vince Colletta. Show all posts
Showing posts with label Vince Colletta. Show all posts

Thursday, May 24, 2018

Super Blog Team-Up: Time, Clock of the Heart




All-New Collector's Edition C-55, Superboy and the Legion of Super-Heroes (1978)
"The Millennium Massacre"
Paul Levitz-Mike Grell/Vince Colletta

Doug: I'm penning my part to today's post in mid-April. The last time I did something like this was right around a year ago when I contributed a guest review for our buds over at Back in the Bronze Age. So I'd lie if I said I wasn't just a wee bit a) rusty and b) nervous about getting this right. Not only am I back on tour with my longtime (like, for 11 years if you're new in these parts) partner Karen, but we are part of a much larger event today. Super Blog Team-Up is an occasional get-together of blogs from across the Geekosphere, and we've always maintained a sense of honor for being asked to participate. I suppose at the worst, we can make everyone else look great. Hopefully we compete a little better than that today! You'll find links to our three partners at the conclusion of today's post. We'll also be tweeting links to our past SBTU posts throughout the day.

Karen: 11 years? That just took me by surprise. It has been something of a journey, one I am truly glad to have gone on with Doug. Little did we know back when we met on the old Avengers Assemble message board that we'd find out we were so simpatico, and enjoy writing and working together. And despite the BAB morphing into more of a Twitter presence, we stay in touch. So when he told me we had the chance to participate in another Super-Blog Team-Up, it just seemed right. So yeah, we'll give it our best!


Doug: You can find the official title of today's comic of choice in our nuts and bolts section, just above. To me, this was always "the 2nd Legion treasury". Yeah, I know that's heresy to our hardcore DC readers, but it's how I rolled when I was 12 years old. According to Mike's Amazing World of Comics, this lovely would have been on sale just ahead of Christmas, 1977. I don't recall receiving it as a gift, but rather plucking it off a magazine rack at the Belscot discount store in Kankakee, Illinois. Funny how after all this time we can often picture the when/where of key comics purchases! And this one is a key, as it features not only all of the Legionnaires of the latter Bronze Age, but also the wedding of two of the founding members - Lightning Lad and Saturn Girl!

**For those wanting to read this on their own but not in possession of the original oversized comic, this book was recently reprinted in Superboy and the Legion of Super-Heroes, volume one. And an additional programming note - all images in today's post are photographs from Doug's copy of this super-tabloid. Apologies up front if some of the images aren't square.**

Karen: I have to admit, your memory is better than mine, but I recall that these treasury size books could be particularly hard to track down at times. I don't recall exactly where I got my copy of this Legion one (which I no longer have) but it's entirely possible I might have had to go to three or four stores before I located it. For our review today I am using the  hardcover book you mentioned. 

Doug: I cannot recall that I ever knew of a Treasury Edition (or Limited Collectors' Edition) before it hit the newsstands. These things had a somewhat magical quality of just showing up - and then the begging of my mom for $2.00 commenced... 


Doug: We open with a great two-page splash of Superboy streaking into the timestream while imagining how cool it's going to be to witness the nuptials of his longtime friends. As a point of information for newer readers, the Teen of Steel reminds us that, like Bouncing Boy and Duo Damsel before them, our young heroes will have to resign from the Legion once hitched. As Superboy exits the timestream in 2978 he is shocked to see Metropolis transformed into a city rife with military presence. He's almost immediately accosted by some Science Police who don't exactly have "polite" on their day's agenda. Superboy's chastised for not knowing a password they think he should know, and the police brutality commences. Wrong guy to try to rough up... Soon after, a team of Legionnaires comes by. Sun Boy, Cosmic Boy, and Ultra Boy are all equally brusque and it's pretty obvious that something's not as it should be.

Karen: One of the conceits of the Legion was that Superboy was able to travel through time unaided, and he did it simply by flying really fast, I suppose, and the effect was that  of a multi-colored tube (a rainbow tunnel?) with the years, the actual numerals, flashing by. The whole thing is completely silly when you say it out loud, but as a kid, I just accepted it and loved the idea. The switch to the altered future is not exactly subtle, with the Science Police having skull insignias on their helmets!

Doug: For some reason, I've always felt that Dr. Doom got it right with his time platform. Why, I don't know, but that looked cool. The rainbow tunnel (love it!) was effective as a visual, but I agree with you - for all of the science DC writers at times took the pains to explain, Superboy's journeys were left completely to our imaginations.

Doug: The team finally makes it to their headquarters after fighting off a warship of the Lunarites. Apparently this has become commonplace, these attacks, and it's Princess Projectra who is charged with bringing Superboy up to speed while the rest of our friends scuttle away to ready for the wedding. I found it interesting that the ceremony is near the beginning of the story rather than climactic near the end. The narrative Projectra tells is depressing, but oh-so-awesome in the oversized format. (I also have a copy of the aforementioned Superboy/Legion hardcover and it's not nearly as spectacular in the standard 7"x10" size.) Superboy doesn't like what he's hearing and is convinced that there are nefarious forces at work. He defers to the wedding, yet his uneasiness will need to be rectified at some  point - and soon. The wedding is a bit ho-hum, as we get just a 2-page splash with the bridal party and guests. Notably absent is Supergirl, but the rest of the gang to this point is here. Oh, and Paul Levitz and Mike Grell were also invited, apparently, in a bit of an artistic conceit.

Karen: I would agree with you that the wedding is ho-hum; but I'd go further and say that the overall look of the issue seems uninspired, which is disappointing since it's Mike Grell drawing it. There just seems to be lost opportunities. We're in an alternate future -but everyone's costume is exactly the same as always (except for the occasional weapon holster). And the wedding is notably under-attended. Think of all the guests Dave Cockrum crammed into the wedding of Bouncing Boy and Duo Damsel. Of course, who knows who might have been there that Colletta could have erased.


Doug: As long as we're on the subject of the creators, it would be worth mentioning a couple of nuggets. First off, Paul Levitz was very new to the book at this time. I know many'a Bronze Age Baby thinks of Levitz first when they recall the team's scribes. But when All-New Collectors' Edition C-55 saw the light of day Levitz had only been on the monthly for a few issues, supplanting Jim Shooter. Grell, on the other hand, had been the Legion's regular artist for a few years before switching to covers-only duty in the months leading up to this book. I wanted to bring up the fact that Grell's tenure on the Legion to this point was basically split between two inkers - himself, and Bob Wiacek (almost equally). Only once in the monthly were his pencils subject to the will of one Vincent Colletta; I would say overall that the quality of the art in today's book is uneven at best. At times we get vintage Grell, but at others we definitely feel the influence of Colletta's feathery inks. Perhaps Wiacek would have brought a boldness to the story that is sorely lacking at times.

Karen: I've really come to feel that with the exception of those early Kirby Thors, Colletta really does no one any favors.

Doug: Yeah, and regarding our complaints about Grell's job on this book, maybe he was just so fully invested in his Warlord mag by this time that the Legion had become second banana?

Doug: Right after the wedding, the cake frosting barely wiped off our teens' faces, Garth's and Imra's honeymoon cruiser is attacked by Lunarite fighters. Mon-el (man, I love that dude - my favorite Legionnaire!) orders the team into battle, but it's quickly determined that the Lunarites were ready for the counter-attack. While the Legion begins to regroup, Superboy breaks rank and says he refuses to join any rescue mission for Lightning Lad and Saturn Girl. Team leader Wildfire loses his cool (as usual), but Superboy insists that his uneasy feeling about the overall state of affairs is the true problem. Shadow Lass agrees, and the team splits into factions - one group taking off to save their teammates, the other heading back into the timestream. And it should not go unnoticed that a trio was left home to guard the HQ: Dream Girl, Star Boy, and Tyroc. Paul Levitz is on record as stating a strong dislike for Tyroc. And the character gets virtually no screen time in this entire tale!

Karen: Wildfire has always been a favorite of mine (along with Brainiac 5) but he should never have been a Legion leader. It was only because they let readers vote for leaders that they got stuck with an erratic, emotional hot-head as their boss for a while. Must have been fun for the writer! Sure it was. In any case, this plot development follows the typical DC-split the team into groups pattern. Heck, I guess Marvel does it too. I want to note too that great panel of the Legion flying up into the heavens which you first spotted and posted on the BAB twitter feed, which sure seems like inspiration for the famous Alex Ross illustration of the entire Legion flying up as a one into space. 

Doug: Chapter 2 of our tale takes us to the Lunarite capital, on the moon. We're told that the Chinese colonized the moon in 1985, and the Lunarites have a yellow hue to their skin. C'mon... I'd have thought stereotypes like that went out with the comics-as-propaganda of the World War II era. Guess not. Anyway, Garth and Imra are having none of this captivity thing and fight their way out until they're forced to crash land their getaway ship. But have no fear - Wildfire's cavalry shows up in the nick of time... in the capital. It's looking grim, as Garth and Imra are about to run out of oxygen in their damaged vehicle. But have no fear - in a wonderfully almost-plausible deus ex machina, Phantom Girl arrives just as Lightning Lad is about to commit a murder/suicide and stops him. Turns out Cosmic Boy could track Garth's lightning, as it is electromagnetic in property. Whatever. While the team celebrates being reunited, Wildfire exclaims that he's going to make Superboy pay for his insubordination.



Karen: You know, I just assumed the Lunarites were aliens, until it was explained they were Chinese. I try to look at things like this from the time period in which it was produced, but even then, surely this must have seemed racist. Well, it either didn't occur to any of the people at DC putting these comics together that bright yellow-skinned Chinese villains named "Khan" might possibly be seen as offensive, or they just didn't care  about the people it would offend. I have to say, it was difficult reading this stuff. I was just hoping to get past it.

Karen: Another thing I found weird was that Lightning Lad was so ready to just blast him and Imra to atoms to spare them a slow death - hey, let's not look for a way out til the last, let's just kill ourselves!

Doug: Our next installment follows Superboy, Mon-el and Shadow Lass, Karate Kid and Princess Projectra, Sun Boy, and Brainiac-5 to 1978. According to Brainy, it's the year the United Nations broke up and he's seeing some readings about the timestream that seem askew. Brainiac benches Superboy due to the "same person in the same place twice" rule. If you've been around, you get it - it's an old comic book trope (see Avengers 56). The team seemingly employs Nightcrawler's image inducer and goes incognito through the streets of New York (I will never understand why the DCU has Gotham City, Metropolis, and New York City. Dumb). After some investigation, the super-teens determine that there are three factions wanting to dissolve the UN, all united by a certain shady character. The Legionnaires track the do-badder to an abandoned building once used at a World's Fair, and engage.They face more traps than the Home Alone kid could rig, but eventually fight their way to... the Time Trapper! He defeats the Legion, and then cackles that super-villain laugh as he declares that he's making tracks - to the end of time!

Karen: The time bubble was another piece of Legion tech that I adored. Why would a time machine be a huge glass bubble? How did it work? It seemed to have a propulsion system too... these questions were never answered but I didn't care, it was fantastic. The team's investigation is pretty mundane. It's not a lot of fun seeing the Legionnaires outside of their uniforms. But the Time Trappers' lair is a kick. There must be some huge warehouse where all the bad guys buy their traps: giant mechanical arms, check; laser guns, check; spiked walls, check.

Doug: Yeah, regarding the team in civvies, it wasn't nearly as compelling a scene as when they were in Smallville hiding out from Mordru. Now that story had some tension!

Karen: I remember it fondly... how could I forget Bob Cobb??

Doug: Scene shift to 2978 at the Legion HQ as both teams of Legionnaires return. Wildfire can't wait to light into Superboy, who pushes back hard. Saturn Girl intervenes, saying both of them fully believe what they're saying, so convene a meeting of the whole team and sort it out. Rond Vidar is able to adapt his hypertime drive based on information received from Dream Girl. Tyroc draws the short straw (guess they didn't think they'd need any yelling in the far flung future?) and gets monitor duty for the second time in the story. As the team arrives at the end of time, I have to comment again that the art is pretty uneven. At times in this book I've felt like Grell did layouts only; most of the time I thought he did full pencils. For having so much time off the monthly book ahead of this, I guess I'd have expected a bangup job. The Time Trapper finishes the Legion pretty easily, but feels the need to narrate his origin story. We find out that he's a Controller - and those guys go all the way back to the early Adventure Comics days! And worse? He is in possession of the Miracle Machine (basically, it's the DC version of the Cosmic Cube, Marvelites!).

Karen: I love how Wildfire is threatening to throw Superboy out of the Legion.  Sure, that's going to happen. To pick up on your comments about the art, one thing that I became very aware of was the lack of backgrounds, which may be partly due to a rush job, but you have to wonder how much of it was due to that frequently-used eraser of Mr. Colletta's.

Karen: I know I must have read the Sun-Eater story that introduced the Controllers but re-reading this story, I couldn't remember a thing about them. So the recap in the story was helpful. I did recall the Miracle Machine -and I suppose it's just my Marvel Zombie prejudice showing that I think the Cosmic Cube looks a lot sleeker and neater than this contraption!

Doug: I totally agree on those old Adventure Comics tales and trying to remember them. I know I've read that but also could not come up with any plot points.

Doug: A meeting of the minds, or I should say a battle of the minds begins as the Time Trapper starts his final play. Superboy orders his teammates to combine their thoughts, focusing on the Miracle Machine in an effort to "turn that damn thing back!" Yes, that's right -- Superboy swears. It's about as bad to me as watching him snap Zod's neck -- totally out of character. And in a story that was long but seemed to end all-too-quickly, the Time Trapper is defeated by good thinking, the timestream is restored, and all those not involved in the adventure forget what was going on in the first place. It's almost anti-climactic.

Karen: Good thinking, but not clean thinking, is that what you're getting at? Again, I have to agree, Superboy's cussing seems incongruous (and unnecessary). It's certainly not the most exciting ending: you have the whole Legion of Super-Heroes facing a villain, and do we get to see them exhibiting their amazing powers? Nope. Instead, we get treated to a staring match. Perhaps not the best use of these characters. It does wrap up way too quickly.

Doug: My reservations about the art and ending aside, this book still holds a special place in my heart and in my memory. Few things hearken back to my peak buying years like the treasury-sized books. Megos, too, but for comics the treasuries are such a part of the 1970s. I cannot dislike this book; the story, maybe. But the wraparound cover, the sheer size of the tome, and the extras included after the main tale make this a special keepsake. And although I have a shiny new reprint in the Superboy hardcover, I'm glad I've held on to the original edition. It feels right.

Karen: All of my treasury editions were tossed in the trash (!) when I was a teen as they had become infested by some sort of critters. No lie. They had been on a shelf in the garage and the little buggers had eaten chunks out of the books, so away they went, with a tear or two shed. So it was a pleasure to be able to get this story in this hardcover edition, even if it was in a smaller size. The story may not live up to the memory, but it's got a lot of nostalgia value. And to be honest, I think I enjoyed the 8-page extras feature illustrated by James Sherman, covering all of the Legion members, the Subs, and their HQ and equipment, more than the story! If I could get a poster with those features, I'd jump for joy!

Doug: As a public service to our readers, you can check out those very bios right below this text. Thanks to all for stopping by today, and as was our hope in the past, please leave us a comment about this issue or our review.




Wait! You're not done yet! Be sure to patronize our three partners today -

I'm the Gun
Chasing Amazing
Back in the Bronze Age

You won't be sorry you did!

Monday, October 17, 2016

Clap for the... Man-Wolf - Creatures on the Loose 30


Creatures on the Loose #30 (July 1974)
"Full Moon, Dark Fear!"
Doug Moench-George Tuska/Vince Colletta

Doug: We're about to let October sneak away without much Monster Mayhem. Pretty uncharacteristic on the BAB, huh? I'll do my part today with a review of the first solo outing of John Jameson, the Man-Wolf. You may recall that the character debuted in Amazing Spider-Man #124 (September 1973), and the story finished an issue later. He next menaced our favorite Web-Spinner in Giant-Size Super-Heroes #1 (June 1974), and then won this ongoing series the very next month. Again, it's strange to see a so-called "super villain" as a headliner, but with all of Marvel's other monster-type mags at the time, this seemed fitting. Fitting, particularly if Spider-Man might cameo for marketing purposes. He did, of course, but the series was more notable for the George Perez art that came our way after a few issues of George Tuska.

Short plot summary, you said? Sure! Here -- have a 100-Word Review:

Our tale opens with a raging Man-Wolf crashing through an upper floor window. Immediately we flash back to a time when John Jameson and his father, Daily Bugle publisher J. Jonah Jameson discussed John’s situation concerning the moonstone that had become grafted to his neck. We’re told that John becomes a werewolf when the moon is full, and sure enough… Back in the present, the NYPD hires former CIA agent Simon Stroud to solve the “werewolf problem”. With clues garnered by the police, Stroud confronts JJJ, and begins to track the younger Jameson. Their encounter ends atop the Statue of Liberty!




The Good: I chose today's review strictly on its monster merits. Truthfully, I had no idea about the level of satisfaction I'd have upon completion. It was not a waste of my time. If I can open this secton with a general comment, it's that the story was all set-up for the most part. Spider-Man actually did not appear, and thus the purpose of the events in between these covers was the creation of a storyline and new supporting cast of characters. In that regard, it's a simple story with really no surprises. But as I said, that was OK.

The character of Simon Stroud seemed a bit bold for being former CIA. Let's just say that if he was a spy of any caliber, he forgot what he learned. He's brash, a real "warhawk" in terms of hunting werewolves, and he's certainly not afraid to be dangerous in public. But it's this over-the-top sort of guy who fits right into the Bronze Age, when we all agree comics might have been a bit more brash, like Stroud. I'm guessing in a "Fugitive" sort of way, Stroud made for a good antagonist. We're also reminded that John Jameson has a lady friend, his fiance' Kristine, but we only see her in a portrait smashed by the Man-Wolf.

I'm going to slot the art in this category, not because it was great, but because I got what I expected. It seemed in the mid-70s more often than not George Tuska was paired with Vinnie Colletta. Vinnie's feathery touch really didn't do Tuska any favors, as the penciler by this time perhaps needed a stronger line. I thought the art on humans and objects was pretty good, but the Man-Wolf seemed to lack something, maybe around the ears. Not bad, just not quite as the team of Gil Kane and John Romita first imagined the character.

In the spirit of Dick Sprang and those huge Silver Age Batman backdrops, the Statue of Liberty was a nice scene for the climactic battle.

The Bad: So Stroud was a good character for this story, said I, and I'll stand by that. But he's a loud guy, and by that I mean what I also alluded to above -- there doesn't appear to be any sizeable amount of stealth in this fellow. I just felt that scribe Doug Moench might have given him a different background than ex-CIA.

I wasn't sure what to make of JJJ. He was written sympathetically, and that's not the first time (or last) it would happen. But for there to be only one panel of his bravado, his megalomania... it almost seemed like I got short-changed.

The Man-Wolf presents a problem akin to Man-Thing -- a protagonist who does not speak. And similar as well to the muck monster, there's nary a thought balloon either. This is the only solo Man-Wolf adventure I've ever read, so if this changes later I'd appreciate being informed. I guess it can work. But honestly, when the Man-Wolf was on-camera here, he was just running amuck. Nothing else. That could get boring in a hurry.


The Ugly: You know I'm usually at a loss to put anything in this section. It's not often I strongly dislike any elements of the comics I read. But in the era at hand, I've come to really notice some of the cartoony faces Tuska draws. In a humor mag I'd probably laud them as caricatures. But in a horror story it's an odd mix -- terror from the fangs of the Man-Wolf, yet goofy-looking mugs on other characters.


I'd welcome any thoughts from our readers who were able to go beyond this issue, deeper into the Creatures on the Loose Man-Wolf series. Karen reviewed a couple of these stories several years ago. I'd be especially interested in thoughts on the art of a very young George Perez, and I thank you in advance.



Monday, September 5, 2016

Doug's First "Rubber Mask" - Captain America 179


Captain America #179 (November 1974)(cover by Ron Wilson and Frank Giacoia)
"Slings and Arrows"
Steve Englehart-Sal Buscema/Vince Colletta

Doug: I didn't own this comic as a youngster, but a close friend of mine did. We were great pals, spending all our summer days reading comics, drawing, and playing Megos in his basement. Along the way we listened to AM radio and sang along with Wings, Elton John, and whatever one-hit wonders came our way (I'm looking at you, Carl Douglas, and your Kung fu Fighting). I'd missed the whole of the "Secret Empire" arc, but having the Cap Mego and having enjoyed some of the animated Tales of Suspense adventures on reruns of the Marvel Super-Heroes show, I was all-in to read this issue. Then, and especially now with my adult fixation with rubber mask reveals, it didn't disappoint.

Ah, the rubber mask. What is it about that corny comic convention that appeals to me? How about HOW INCREDIBLY STUPID IT IS?? Really... any "master of disguise" schtick is going to require a large helping of suspension of disbelief. But when some shmoe does it and gets away with it? No way. See this Man-Bat story if you don't believe me. How in the world does one obtain or create such a lifelike mask, only to later reveal something like an iron mask or a furry face, or even humongous bat-ears lurking beneath? The mind boggles. And that, I suppose, is why I like it -- for sheer lunacy. Zanier than our boy Bob Haney, that's for sure.


Sink your teeth into a 100-Word Review
Just three issues removed from the fall-out of the Secret Empire adventure, Cap and Falc have split ways. Cap has stuck to his word of hanging up the shield, and he’s settling into a civilian life alongside his love, Sharon Carter (SHIELD’s Agent-13). But a new menace has attacked – the Golden Archer. A sun-hued relic seemingly from the age of Robin Hood, he attacks Cap multiple times. Subplots involve Falc trying to beat the Harlem mob, Cap telling Peggy Carter that they’re through, and more would-be fill-in Caps across the country. Cap finally bests the Archer, who turns out to really be…

The Good: Usually I begin by lauding the art team. I'll get to that in a moment or three. But what struck me as I read this was the pacing of the story, and its organization. Many authors are masters of the subplot (John Byrne comes to mind specifically). Here Steve Englehart gives us a whirlwind of topical points between the comic's 18 story pages. We see our main arc for four pages, then a Falcon vignette, back to Steve Rogers for one page, then to a biker gang whose leader wants to become the new Captain America. A page later we're back to Steve for five pages, then one page to see how it turned out for our wannabe shield-slinger. The book concludes with a five page climactic battle between Steve and the Golden Archer. It's nicely laid out, with each interlude serving to heighten suspense for what was really a pretty basic plot in the main tale.

Englehart chose some sort of old English form (which is certainly debatable, I'm sure) of speech for the Golden Archer. The "real" Golden Archer had actually appeared in Avengers #85 as part of the Squadron Supreme. His costume was different from what we see here; the next time we'll see the Archer, he will be in this same outfit. I liked the Archer's depiction here -- very much a swashbuckler, and the fact that he was stalking Cap and could turn up at any time was fun. In fact, the Archer seemed to know some of Steve Roger's habits, patterns of movement...

I was not enough of a regular Cap reader to make too much of a judgement on the Steve/Sharon/Peggy love triangle, but I will say that from a distance the Steve and Sharon pairing made more sense than the Steve and Peggy relationship. That being said, Steve seemed to sort of take advantage of his fountain of youth, trading in for a younger model. His prerogative of course, but the ditching of Peggy in this issue seemed cruel. Come to think of it, why is that in the "good" category? I guess because the relationship, any relationship, humanizes Cap -- he of the "duty first" devotion.

Although the Falcon's solo adventures were on hold for 90% of this issue, I really liked in this era that he got to be featured as his own guy. A solo series would have been an easy sell to me in the Bronze Age; I enjoyed his one-off in Marvel Premiere.

Lastly, the big reveal at the end of Hawkeye as the Golden Archer, rubber mask and all, was excellent. What a dopey scene. Sure enough -- ol' Hawk's mask popped right up into form, no mashing or flattening at all. It's just silly -- silly as a Silver Age DC -- but I love it. And I loved how Hawkeye threw some shade at Thor's Asgardian-speak.

The Bad: Wait, you say -- you didn't talk about the art. You are correct. I saved it for this space. Oh it isn't bad bad. In fact, it's really pretty consistent from what we'd seen throughout the "Secret Empire" arc. But for whatever reason, in this issue I am seeing Sal Buscema and I am seeing Vince Colletta. Not a conglomeration of the two, as in previous issues. Instead, I just see Sal's forms and Vinnie's feathery inks. There's no blending here. It's tough to put my finger on, and I don't know if you'll get the same vibe from the art samples provided (perhaps my best example is the full page scan at the top of the post). But if you use the link just above and check out some of the books from a few months prior, I think you'll see that Vinnie's inks were a little heavier in general. I just see all the featheriness that many of his detractors cry out about. So it's not awful. But I noticed. In my opinion, I shouldn't notice. I should see the combination, the sum of the parts, and it should be pleasing to me as an art gestalt. Tell me if I'm off base.


The Ugly: Nuthin'. Unless you thought Steve was a HUGE jerk to Peggy. Then you might be mad.

Overall this was another fun one. I have come to really enjoy most of the solo adventures of my favorite Avengers -- Cap, Iron Man, and Thor. There were some solid creators on those books in the Bronze Age. Sure, sometimes there was a little hit-and-miss, but more often than not one could certainly get their quarter's worth of fun. Makes me want to be a kid again and feel that as I stand in front of the drug stores shelves.

Happy Labor Day to our Stateside friends. Enjoy the holiday!

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