Showing posts with label Nick Cardy. Show all posts
Showing posts with label Nick Cardy. Show all posts

Friday, April 22, 2016

Guest Post - Who's the Best... Bronze Age Batman Artist?


Doug: Thomas F. has a way with connecting the Friday's to the Monday's at the BAB. Today he's asking you about a topic near and dear to all our hearts: artists. And Batman -- we like that, too. Monday I'll be reviewing the Batman one-shot "Mad Love" featuring the animated versions of the Joker and Harley Quinn. Enjoy today's conversation -- I'm looking forward to it.


Thomas F.: Presented here in all their glory are ten Batman covers illustrated by ten different Batman artists from—yep, you guessed it—the Bronze Age. (Regret is expressed for any fan favorites I’ve missed). Of these virtuosos, which do you think is best, and why? Which are your favorites?

COVERS SELECTED: 
Batman #234 (Neal Adams)
The Brave and the Bold #124 (Jim Aparo)
Detective Comics #432 (Nick Cardy)
Detective Comics #461 (Ernie Chan)
Detective Comics #510 (Gene Colan)
Batman #321 (José Luis Garcia-López)
Detective Comics #457 (Dick Giordano)
Detective Comics #526 (Don Newton)
Detective Comics #475 (Marshall Rogers)
Batman #366 (Walt Simonson)

These Seventies artists built upon the creations of the legends who preceded them and paved the way—Bob Kane, Dick Sprang, Jerry Robinson, Irv Novack, Carmine Infantino, et al. Granted, some of these Seventies Batman artists had their start in the Silver Age or even the Golden Age, and some are still producing artwork even today. Nevertheless, the selections of artwork I chose are all from Bronze Age; i.e. 1970 to 1983. (Some feel the Bronze Age extends to 1984 or even 1985, and I will not dispute this).

The legion of talented pencilers who came afterward—Alan Davis, David Mazzucchelli, Mike Mignola, Norm Breyfogle, Jim Lee, Brian Bolland, Kelley Jones, Tim Sale, Frank Quitely, Greg Capullo, and Paul Pope, just to list a handful—were undoubtedly inspired by many of these Bronze Age Michaelangelos.










Thursday, March 10, 2016

If I Had a Buck... Nick Cardy Covers


Doug: Here's your guy, Martinex1, back again to lead us on another shopping spree.

Mike S.: I have to give DC their due. I never followed the Distinguished Competition’s line of comics as closely as Marvel’s. I was so enamored with Spidey and his ilk that I would have joined the Merry Marvel Marching Society in its heyday if I was old enough. I only owned a smattering of DC books, but I was thoroughly intrigued by the Phantom Stranger and Metamorpho and the Spectre. All of those characters’ books were intermittently included in comics my cousin shared with me as a youngster. They were odd and dark and creepy. Combine that with a few issues of Unexpected and The Witching Hour and my taste of DC had a horror flavor.  


I had read a few issues of the iconic characters here and there, but most of my knowledge of DC’s core super-heroes came from Hollywood with Batman on afternoon repeat cycles, Wonder Woman on CBS, Superman in the theatre, and Super-Friends, Shazam, and even Bat-Mite on Saturday mornings. That part of their universe didn’t catch fire with me; it seemed too quaint.


However, one DC book that had been particularly etched in my young mind was “Unexpected” #119.  I was probably a little too young and easily spooked to be reading that one when I did as it surely cost me some sleep even with a nightlight on. But I read it again and again anyway. It had a handful of creepy stories about a mirror that records evil deeds, a woman created out of swamp muck, and a tree that captures lost spirits, amongst others. All of that was bad enough, but there was a cover that really captured my imagination. In a single panel it tells the tale of a blind man who promised marriage to a witch in exchange for his sight. Oh, what horror will he see when he finally turns around? The cover is not gory or gross; it is neither bloody nor gruesome. It just perfectly captures the moment of a sickening realization. It uses light and shadow and an impeccably rendered facial expression to create the instant when suspense turns to terror. 


And that leads me all these years later to today’s $1 Challenge of “If I Had A Buck”. You see, that cover of Unexpected #119 was lost all of those years ago to the ravages of childhood disarray. As I grew older, I sought out to recreate the collection my cousin had shared with me and that particular book was one of many that I needed to find. But not only did I need to get a copy, I wanted to know who penciled that cover, that wonderful cover. It turns out that the artist was Nick Cardy.


Nick Cardy (Oct. 20, 1920 – Nov. 3, 2013) was a comic book artist who was particularly loyal to DC for decades. He is best known for his interior work on Aquaman and Teen Titans, but he touched all of the DC icons and handled a wide array of genres. He was just as comfortable with cowboys and romance and gladiators and creatures as he was with long-johns and capes. He became the go-to cover artist for DC in the early Bronze Age. He was flexible in his layouts and always a masterful storyteller. In my opinion, his cover art was ground breaking in the way he played with logos, angles, dimensions, and light. All the while, his figures were perfect and the expressions were flawless.  Looking over his huge body of artwork, I have become convinced that I missed out on some great comics from the late 1960’s and early 1970’s. As I said, DC deserves its credit as does Nick Cardy.   


In 2005, he was inducted into the Will Eisner Comic Book Hall of Fame after about 60 years of work in comics and commercial art including movie advertisements. All of this was done after receiving two Purple Hearts for wounds suffered in WWII.   


So you know the drill. You have a single dollar to spend on the Nick Cardy comics below; he handled the cover art on each. Share your selections and share your thoughts about the man, the art, the company, and the characters.  

Aquaman #42 (Nov 1968; $0.12)
Bat Lash #5 (June 1969; $0.12)
Brave and the Bold #98 (Oct 1971; $0.25)
Flash #225 (Jan 1974; $0.20)
Girls’ Love Stories #156 (Jan 1971; $0.15)
Jimmy Olson #159 (Aug 1973; $0.20)
Spectre #8 (Jan 1969; $0.12)
Strange Adventures #239 (Nov 1972; $0.20)
Superboy and the Legion of Superheroes #200 (Jan 1974; $0.20)
Teen Titans #16 (July 1968; $0.12)
Unexpected #119 (June 1970; $0.15)
Weird Worlds #9 (Jan 1974; $0.20)
Witching Hour #21 (June 1972; $0.25)
Wonder Woman #206 (July 1973; $0.20)






Thursday, June 6, 2013

Face-Off: The Fashion of Donna Troy

Today it's a Face-Off and a Dressed for Success/Fashion Disaster, as you debate the merits of the Silver Age and Bronze Age togs on Wonder Girl.




Friday, May 17, 2013

That Zany Bob Haney: Teen Titans 4


Teen Titans #4 (August 1966)
"The Secret Olympic Heroes"
Bob Haney-Nick Cardy

Doug:  We've seen numerous times how zany Bob Haney was in the Bronze Age; today let's trip back to the Silver Age and check him out.  I picked this issue for the following reasons -- it has a cool Nick Cardy cover, as well as interior art, and given that its cover date is August of 1966 it is highly likely that this would have been on the stands the month I was born (June).  I will be using the Silver Age Teen Titans Archives volume 1 as my resource.  Let's go!

Doug  For those who make note of such things, this is Speedy's first appearance in the Teen Titans.  As Haney puts it on the splash page, the mail clamoring for the Boy Bowman reached up to DC's 7th floor offices, so they gave in.  I'm sure that's just a bit hyperbolic, but I have no doubt there was excitement to add young Roy Harper to the fold.  This is an "untold tale" of the Titans -- which is indeed problematic as Speedy had no prior history with the team (hey, we're living on Earth-Haney) -- and actually takes place two years earlier during the 1964 Olympic Trials and Olympic Games.  We pick it up at the Trials, where Davey Bradley wins his heat in what must apparently be the 400 meter dash; or would it have been 440 yards back then?  But instead of claiming his gold medal, Bradley runs right out of the stadium (which looks an awful lot like a track at a small rural high school rather than a major-college track & field venue.  Anyway, Davey's dad calls after him, but it's to no avail.  The next day the Teen Titans read about it in the paper.  Of course Wonder Girl says something stupid:  "Ooh!  He's darling-looking!  I hope he runs my way!"  Thank goodness the writing of female characters improved in the Bronze Age.


Doug:  The Titans mull the situation, when suddenly the special television frequency used for emergencies comes alive.  It's Davey's dad, imploring the Titans to find his son; he also implies that the kid must compete in the Olympics.  But before the Titans can agree to take the case, their intruder alarm goes off.  Man, some morning!  The young heroes mobilize, and Robin's effort to lasso their bad guy is met only with a green arrow shot through his batarang -- fired by Speedy!  With his typical bravado, Speedy greets the team and then tells them his real reason for infiltrating their HQ.  It seems Speedy has been requested to perform a trick shot at the opening ceremonies of the Olympics (by the way, if you didn't know, the '64 Games were held in Tokyo).  However, while training out in the middle of nowhere (literally), Speedy spies a shady character swiping arrows out of his quiver.  Turning to face the guy, Speedy's knocked down.  Once up, he notices that an arrow tipped with TNT had been substituted for the trick arrow he was to have used.  And, the crook left a clue -- a dropped ring with a red letter "D" on it -- the mark of Diablo, the criminal organization dedicated to hate and distrust.  What the??  Oh wait -- Earth-Haney.

Doug:  Of course the Titans want to deal with this cadre of weirdos, but finding Davey Bradley is their first priority -- thick plot here:  missing person and a secret society!  "Wonder Chick" takes to the air while the boys search the ground (Aqualad -- useless again).  Wonder Girl sees a track suit on a clothesline and swoops down to investigate.  The lady of the house is outside.  When questioned on the uniform, she says she doesn't know how it got there, but that some of her own son's clothes are missing!  Back to the skies, Wonder Girl sees a bright red shirt (the color of a shirt missing from that clothesline) and flies lower to check it out.  Yep -- it's Davey alright, about to meet his maker at the hands of some toughs in a "hobo jungle".  I don't make this stuff up, kids; Bob Haney does.  Wonder Girl dispenses the feet of justice, so to speak.  Later, at an abandoned farm house, Mr. Bradley comes quickly at Robin's call.  But Robin doesn't tell him where Davey is.  Frustrated, Mr. Bradley says again that they must find the boy, that he has to compete in the Olympics.  Robin says that maybe Davey doesn't want to compete, and Mr. Bradley goes nuts.  Turns out that he was in line to compete in the Games as a younger man, but a car accident ruined his chance; Davey has to carry on!  But Robin knows why Davey has to compete -- so the old man can live his own dreams through the kid!  Mr. Bradley storms away, and Robin steps inside the house, where Davey was of course hiding.  Later, the Titans fly a commercial airliner, in costume no less, to Tokyo.  Davey is along, too, in disguise.

Doug:  As the Titans exit the plane they are besieged for autographs by Japanese teenagers.  Stopping to sign, Robin suddenly flings a notebook high into the sky and orders Speedy to shoot it -- it explodes high above the crowd.  Robin says he felt the book begin to heat up once he's committed pen to paper.  It can only be the work of... Diablo!  At the Olympic Village, which looks somewhat like a POW camp, the Titans (and Davey) are practically knocked over by Kravik, a runner who Davey says would have been his greatest rival.  As the kids move around the camp, they come to a barrack -- oops, apartment complex -- where someone has written "Cheaters Live Here" on the roof.  As the two teams assigned to the building begin to tussle, the Titans intervene.  Wonder Girl again takes to the air, and as she flies above the boys, Speedy utters, "Shivering shafts!"  I'll bet...  She flies a short distance and then bursts through the wall of another dormitory to find some Diablo agents with a projector -- they'd been shining the "Cheaters" message onto that other roof.  WG captures the nasties, and Robin remarks that if these guys are going to infiltrate the village disguised as athletes, stopping them isn't going to be easy.

Doug:  Later, Davey steals away from the Titans and begins to run around the track.  Kid Flash catches up to him and cruises alongside while Davey (still in disguise) runs a lap in what would be an Olympic record.  For whatever reason, Davey's dad is on the track -- apparently he went to Tokyo even though the athlete he was coaching did not? -- and calls after the runner.  But due to Davey's disguise, one Clark Kent himself would have been proud to have worn, Mr. Bradley apologizes for the confusion and says he thought the guy was his son -- the quitter.  Sheesh -- I'll tell you, I am going to do you a favor as a blogging professional by finishing this review.  Speedy suggests that Davey could train if he wants, in the Olympic stadium after hours while Speedy practices his trick shots.  Davey agrees.  Elsewhere, Aqualad decides to check out the pool, because you know he hasn't had anything else to do.  Of course you could see this coming -- three Diablo agents are sabotaging the pool.  Aqualad moves in and smokes the first two, but because he's Aqualad and somewhat lame, he gets dusted by the third saboteur.  We learn that the goon Kravik is in league with Diablo, and that they are quite an organization -- Kid Flash and Wonder Girl put the kibosh on a team trying to mess with the Olympic flame.  Robin is attacked, too, while timing Davey's training.  Soon the four main Titans are trussed to the Olympic rings in the stadium.

Doug:  Speedy, meanwhile, is in the middle of the stadium and apparently totally oblivious to all the action.  He's got his bow and arrows, and is blindfolding himself to practice shooting a flaming arrow through the rings, alighting the first one and subsequently the other four.  Well, with the blindfold on his ears are also covered (you'd better thank me when I'm done with this), he doesn't hear his teammate shouting at him.  He fires the arrow and it's looking like barbecued Titans for dinner!  Davey, also completely clueless, is still running around the track.  Kravik tries to run him down, but Davey outraces him to get to Speedy.  Unmasked, the archer realizes what he almost did.  But Diablo now attacks en masse, hurling shots, a discus, hammers, etc. at our youthful heroes.  Speedy of course has an arrow to stop each projectile, and does.  Davey metes out some justice as well.  So the Titans get down, the baddies are suppressed, the Games open, Davey ends up competing and wins a bronze medal.  And Davey's dad -- actually acts like a human being at the end of the story.  All's well that ends well -- no matter how zany!

Doug:  Of course I didn't think this was nearly as entertaining as the Brave & the Bold stories we've looked at.  This one was just dopey, and Haney's dialogue is painful throughout.  I'd also add that comic book writers don't generally "do" sports very well (Mr. Claremont?).  The solution?  If you don't know something, ask someone who does.  Pretty simple.  Instead we get painfully off words and pictures.  Part of this conundrum may have been the relative newness of the Teen Titans, but I'm thinking that it was more likely due to editorial's attitude about its readers.  If the average Silver Age DC was written for a 10-year old fan, then who would this mag have been written for -- an 8-year old?  I mean really -- this was on the newsstands the same month as Amazing Spider-Man #39 and Fantastic Four #53.  And this is what DC was competing with?  Now that is zany.  I'll close with a note on Nick Cardy's art.  I'm usually a big fan, but here the interiors are very uneven.  There is no inker credited, and if Cardy inked himself he did himself no favors.  Some of the embellishment is quite heavy, with no hint that it appears that way as shading.  I've seen better work from Mr. Cardy.

Friday, March 23, 2012

Pre-Bronze Teen Titans: The Whole Neal Adams Enchilada!





With Today's Reflections, the Bronze Age Babies Surpass 300 Comic Books Reviewed!

Teen Titans
#'s 20-22 (March-August 1969)

"Titans Fit the Battle of Jericho!"
"Citadel of Fear!"
"Halfway to Holocaust"
Neal Adams/Dick Giordano-Adams/Nick Cardy (covers by Cardy)

Doug: Last Friday we had a pretty in-depth discussion on comic book art -- what works, what doesn't, who our faves and foes are, etc. In the midst of the conversation some Neal Adams detractors arose! Gasp! The thought of it -- that it would be heresy to hold such a position as a commenter on this blog was set forth by one of our visitors. Well, today's a day we hope will generate a lot of discussion as well, as we're going to throw the whole Neal Adams hog atcha -- writer, artist, colorist, general tinkerer -- you name it! Using the hardcover DC Universe Illustrated by Neal Adams, let's have a peek at a 3-parter he created using an inter-dimensional gang of invaders as his antagonists.

Doug: Since this is a 3-issue review, I think I'm going to use a different format than Karen and I usually toss your way. I'll be very honest with you right up front: if you like Silver Age DC's, then you'll like this long tale. If you, like us here at the BAB, prefer your comics from the Silver- and Bronze Age House of Ideas, then you're going to find this yarn lacking. A lot. In fact, as I said last Friday, this is a prime example of a dumb story that still leaves me with pretty pictures. Since Adams wrote and drew this, he has no one to blame but himself for a script that leaves the reader wanting more (more sense, more detail, a better conclusion, some advancements in characterization, etc.). But at the end of the day, at least for my money, Neal Adams' art is still Neal Adams' art and that's OK. So rather than bore you with a long plot summary for a bad story, I think what I'll do is provide several 2-page scans that will allow you to pick this apart yourself. Maybe this will be somewhat of a do-it-yourself critique, with me playing host. What I (we) want is for you to tell us what is good and bad about Adams' storytelling from an artistic point of view. And I guess if you really think you like his script, then you can be an apologist for that.

Doug: As an aside, before you start your criticisms, those not "in the know" may be interested to see the backstory behind the first issue in this series, "Titans Fit the Battle of Jericho". What you are about to see is nowhere close to what was intended. You can check out this article, which originally ran in Comic Book Artist #1. It's pretty interesting, given what we'd see from Dennis O'Neil and Adams just a few short years hence in the pages of Green Lantern.

Doug: Let's lead off with our first example of two consecutive story pages. This first sample is from pages 2-3 of Teen Titans #20. The teens' HQ has been breached by a dude who, to us Bronze Age Marvelites, bears a striking resemblance to Moon Knight! The sidekicks soon learn that this invader doesn't want to be touched!



Doug: After simmering down long enough to talk, Joshua tells the Titans that he's come to enlist their aid. It seems there's a group of teenagers who've fallen under the influence of some ex-cons -- and the baddies are supplying them with guns. As one of the teens was arrested yesterday, the whole group is going to demonstrate... firearms along! Joshua leaves in some souped-up vehicle that resembles the TV Batmobile and the Titans follow (with Wally unexplainedly whipping up an updraft and carrying the other three aloft at a speed to keep up with the car ahead of them. Huh?).

Doug: Below are pages 7-8 from the same issue.



Doug: The brawling continues on the next page, and Joshua rescues the Titans one by one. Once on a rooftop, the young heroes grill their benefactor on exactly what is going down. Joshua insists on remaining mysterious, and bolts. We then cut to the kids from the gang, who are now in the presence of some organized crime-types. The leader, a fella named Fat Cat, muses to himself that the Titans may ruin Operation Jericho, and that he'd better let NG3 know. We then see a bunch of dudes discussing some gibberish and the Titans get a death sentence.



Doug: The above scene is from pages 13-14 of TT #20, and if you look at the link to the article posted above, you'll see that these scenes were at the center of the controversy and a major reason why the story as originally intended was rejected. As Robin says, it's a trap, they do indeed get ambushed, Joshua saves them again, and then the bottom falls out. The kids in the gang start spreading some green paint all over and what do you know? A monster erupts out of it! Yep. Silver Age DC. We did, however, find out that Chuck, the leader of the "bad kids", is really the brother of Joshua -- but we get no explanation of who Joshua is or how he got all of his gadgets and heightened physical prowess. Then we find that there are some aliens from another dimension whose only means of invading our planet was through the organized crime guys. Ahem.

Doug: Hawk and Dove guest-star in TT #21, and join the plot right on the splash page. Below are pages 4-5 from that issue. At this point, let's take an art break. Nick Cardy had penciled the original story that would have run in TT #20; I don't know about this issue's origins, but don't you see Cardy in some of the Titans' faces? Robin for sure. How about the inks, though -- scratchier than you'd assume Cardy would do?



Doug: Below are pages 10-11 from the same issue. I wasn't buying that Wally could create hurricane-force winds by whirling his arm in a circle. Tough on the joints, ya think?



Doug: Here's a scene seemingly ripped from the pages of Amazing Spider-Man #33. Speedy's become trapped under a giant ant-like robot. Hawk and Dove are going to help him get out of the pickle he's in. These are pages 18-19.



Doug: On to our final issue (thank goodness!). In a summary caption box at the top of the splash page, we get the plot synopsis (I'd have liked to have been in the editorial meeting with Adams, Cardy, and Dick Giordano on this one. Hoo-boy!) for the previous two issues. It reads:

"We learned that the creatures from Dimension X controlled an international crime syndicate in order to gain entry to our dimension by utilizing the syndicate's facilities and manpower. Their plans foiled by the interference of the Teen Titans, they captured Robin and Kid Flash in the hopes that they could provide the means of entry into Earth's dimension!"

Below are pages 2-3 from TT #22; this final installment is only a 16-page story.



Doug: Our last sample today comes from pages 11-12 of TT #22.



Doug: So there you have it: A complete story told over three issues, with Neal Adams as the pilot -- scribe, penciler, colorist. Hopefully the means in which we brought you the art today, with two consecutive full pages of story (as opposed to smaller panel samples), will give you enough on which to gauge your opinion. What we'd like to hear from you today are your thoughts on Adams as a visual storyteller. Some commenters on our blog have said that Adams is slick, photo-realistic, all style and no substance, a master, etc. Chime in with your take on Adams as his work would slide across an artists' continuum of effectiveness. And thanks for making the comments section our favorite part of the day!
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