Marvel Premiere 48: Let's Get Small -- the Conclusion

Marvel Premiere #48 (May 1979)
"The Price of a Heart"
David Michelinie-John Byrne/Bob Layton

Doug: Almost six years ago (!) I wrote a review of Marvel Premiere #47. I obtained that comic as a pack-in with the Marvel Legends Ant-Man figure. But I did not back in 1979 nor did I in the present ever have a copy of Marvel Premiere #48... until now! Last Tuesday I received my copy of the Marvel Pocketbooks The Astonishing Ant-Man: Origins, published by Panini Books. As Edo Bosnar has long sung the praises of these little tomes, I'll again echo his encouragement. They are so compact, yet contain the same number of reprints as would a regular size trade. And you cannot, cannot beat the price -- under $8.00 (free S&H) for this, which is less than a buck a book! The contents, you ask?

• Marvel Premiere #s 47-48
• Iron Man #s 131-133
• Avengers #s 195-196 and 223
• Marvel Team-Up #103

Doug: I'll get a couple of first impressions off my chest as we begin. David Michelinie tired me out real fast with his constant references to the pop culture of 1979. He mentioned the Dino diLaurentis King Kong film in this issue, but in part one he'd subjected me to Steve Martin (you know that's where I stole the title), Raquel Welch, James Whitmore, Bobby Riggs, and E.R.A. If that's what "holds up" means, then it didn't. It was just a bit much at times.  The art, on the other hand, was absolutely beautiful. Many of us have remarked through the years that as big fans of John Byrne's Bronze Age art, we're even bigger fans when he's inked by someone as polished as Terry Austin or in this case Bob Layton. It's a fantastic pairing, and one we should see more of (like on Hulk Annual #7).

Doug: So as we finished the last issue, our new Ant-Man Scott Lang was on a mission to enlist the aid of a Dr. Sondheim. She might have been the only physician on earth who could save Lang's daughter, Cassie. Cassie suffered from a heart ailment where the aorta had grown inward and created severe complications. Lang had gone to find Sondheim, but upon locating her was dismayed that she would not see him and was under the protection of armed toughs. Pressing the issue, Lang got himself slugged by some shadowy dude the size of the Hulk... but with a pink arm (?). So, having been a former burglar Lang decided he'd just trail Sondheim to wherever it was they took her. Her destination happened to be Cross Technological Enterprises, a company that made just about anything that could make its owner richer. And that owner just happened to be the body on the other end of that pink arm -- one Darren Cross, who really was as big as the Hulk!

Doug: Once inside CTE, Lang had stumbled across a closet that contained an Ant-Man suit. It seems Hank Pym had some association with CTE, so had apparently stashed a costume there. Lang stole it, took it back to his apartment and tried it on. The next thing we knew, he was superheroing. Accosting Dr. Sondheim in an operating room (after roughing up some of the goons standing guard), Lang was shocked to see Darren Cross rise from an operating table and state in no uncertain terms what was and was not going to happen. So as we pick it up in the conclusion, Cross and Ant-Man battle for a few panels before Cross knocks Ant-Man out of his senses. Using tweezers to pick up the tiny hero, Cross uses the growth gases on the front of the suit to return Ant-Man to his normal stature. Breaking the antennae on the helmet and ripping the gas canisters away, Ant-Man is tossed into a cell. Cross later comes by to visit his prisoner, and it's here we learn his origin.

Doug: Darren Cross was a successful businessman who had amassed a fortune. Driven, the tension in his life eventually caused his heart to malfunction. Seeing doctors, he was of course told to slow down, take a vacation, etc. Cross would hear none of it, and so sought a solution within his own company. He found it, in the form of an experimental device called the Nucleorganic Pacemaker. Immediately undergoing the implant, it was not long before Cross began to experience side effects. His strength and senses seemed heightened, but his complexion was turning a pink hue. Going into seclusion, Cross implored his doctors to cure him. They transplanted a heart... and another and another. Still no good, as the pacemaker was now basically eating the hearts. So Cross enlisted (involuntarily) Dr. Sondheim to help him with her knowledge of laser surgery. Ant-Man stopped Cross's monologue and asked how this would end -- if the pacemaker were to be removed, wouldn't that kill Cross immediately? Affirmative. But he'd never run out of replacement hearts, as Cross revealed a room filled with homeless men, kidnapped to be his endless supply of spare parts!

Doug: Cross left Ant-Man alone after telling all the dark secrets -- after all, that's what super-powered and over-confident knuckleheads do. Lang was nothing if not resourceful. He'd stashed a couple of spare antennae in his boot, just in case (Deus. Ex. Machina.). Getting the cybernetic helmet back up and running allowed him to call for troops. The ants came quickly, helping to also get the gas canisters back. Lang immediately went into attack mode, knowing that he had to a) stop Cross, and b) get Dr. Sondheim out so she could operate on Lang's daughter. The action over the next several pages is outstanding -- extremely well-delineated, choreographed, and paced. One of the treasured shots from Marvel Premiere #47 was a growing-and-punching Ant-Man -- Byrne and Layton repeat that here a couple of times, to great effect. As the fisticuffs continue to rise in intensity, Cross suddenly seizes up, then collapses. Dead. Ant-Man whirls toward Dr. Sondheim, incredulous. She says that it wasn't anything Ant-Man did (which was actually the answer Lang was looking for), but something she had done to Cross earlier. You see, she knew of Cross's "source" for the constant heart transplants. And so when Ant-Man had interrupted her surgery, she had just finished leaving Cross's old heart inside him, rather than giving him a new one. She told Ant-Man that she knew her oath, but she also knew the horrible truth about Cross. Do no harm, indeed.

Doug: But wait, there's more! The creators don't leave us hanging in regard to Cassie's surgery, which was good since this is a try-out book filled generally with one-shots. Dr. Sondheim was able to get Cassie's heart back in functional order. But as Lang was breaking his conversation with her, a voice from behind him made an address. It was none other than Yellowjacket -- the very inventor of the Ant-Man technology. Lang stuck both his hands out in front of him as if waiting for cuffs, assuming the Avenger had come to reclaim what was his and to take Lang back to prison for the burglary of CTE. But no -- Hank Pym had sought out Scott Lang only to give his blessing. Pym explained that he'd actually watched, through surveillance cameras, Lang steal the suit. Keeping an eye on Lang, YJ had followed him into CTE on the quest to find Dr. Sondheim. However, the more experienced hero had been knocked out while trying to move about in stealth mode and was not able to give Lang any back-up. Since Lang had won the day on his own, it only made sense to Pym to welcome Lang into the fraternity. And thus, as they say, was born a hero!

Doug: Shame on me perhaps, because the entire time I was watching Ant-Man this past July I made no connection to the Darren Cross in the film with the big pink guy here in Scott Lang's origin story. But I'm going to give myself a pass on it, since as I remarked at the top I had never seen today's issue until just a few days ago. So the meat-and-potatoes of the comic book version of Cross were largely unknown to me. But I was surprised at how much of this two-issue introduction formed the backbone of the Ant-Man film. That Pym saw Lang steal the suit, that Pym and Cross were connected, that Pym gave Lang his blessing -- all of that made the final cut. So really, if you think "comic accurate", the writers and creators of the film really honored the source material. It's refreshing to now know that. This was a really fun two-parter, and to those of you who got to read both sides of this tale back in the day, I'm envious. This would have hit the spinner racks only several months before I took my high school hiatus from collecting. My loss, as I'd have liked to have been able to spend some more time with our new hero, Scott Lang.

PS: The Ant-Man costume is a classic design, isn't it?

Discuss: Ant-Man! And, Spoil It All You Want!

Karen: OK, the movie has been out for nearly a week -go ahead and discuss it freely (that includes SPOILERS)!

Doug: We'll start, as we have in the past with some banter lifted over to this site from some email exchanges we've shared in the past few days. Obviously then you follow (for those of you who have seen the flick) with agreements and disagreements of your own. Again, if you've not seen the film and don't want to know about it, then get the heck out of here now!

Doug: Going to see Ant-Man at 1:30 on Monday (7/20/15). My oldest son saw it today (7/18/15). He liked it; says it has a good sense of humor. Said the two end of credits scenes were big.

Karen: We saw Ant-Man yesterday (7/18/15) and I enjoyed it. I wasn’t expecting much nor was I that excited about it but it was a fun film. I’d probably give it a solid B. They managed to make shrinking look cool. I agree with your boy, the two credit scenes were really good!

Doug: I just saw it and loved it! It's not better than either of the Avengers or either of the Cap films, but I think I enjoyed it more than Iron Man 3. Shoot -- if you melded the two Thor films together you'd get one great Thor film. So I'd rank this right in the thick of the Marvel Studios pictures.

Doug: Loved the humor in the film. I think Marvel is onto something with Guardians of the Galaxy and Ant-Man. Not that I'm saying all of their films should be borderline comedies, but it's a refreshing sort of humor -- not fall-flat humor like they attempt with the annoying lab asst. in the Thor movies.

Karen: I really enjoyed it as well. I liked that it was light and fun, that it didn't take itself seriously yet didn't spoof the material. It walked a fine line, knowing how to work the humor of the premise and yet not turn the whole thing into a joke. One of the trailers we got with it was for "Batman v. Superman" and I kept returning to the contrast between the two. Frankly, I like some humor in my super-hero films. They're people in costumes with super-powers running around doing fantastic things -there should be some light moments!

Doug: The Special effects were good, and I just loved the final battle in the play room. It really evoked some of the Dick Sprang Batman comics. I thought the effects folks did a nice job of giving off the idea that Scott Lang was really shrinking and growing, rather than disappearing and reappearing.

Karen: One thing they did very well was convince me how neat shrinking powers are. I never thought I would say that. The rapid-fire shrinking and growing were brilliantly executed, and the scenes from the ant-sized perspective were fantastic. I nearly came out of my seat during the trip to "sub-atomica" or however you want to call it. That was extremely well done, just like something out of the comics. In fact, I wonder if they didn't look at some Kirby or Ditko books to get that right!

Doug: I loved the scene with the Wasp, and am already looking forward to the new Wasp. Easily Stan Lee's best cameo. Hilarious. And hey -- did I spy Garrett Morris? I sure think I did! Did you have the one cop as Julius from "Remember the Titans"?

 Karen: The flashback to the scene with the original Ant-Man and Wasp was just wonderful, even if we only got to see them briefly. I love the idea of these heroes existing prior to Iron Man and the others. And we do have the promise of a Wasp in the future...

Garrett Morris' cameo was inspired! I started laughing loudly, and I guess I was the only person in the theater who remembered that SNL sketch! "Hey Hulk, this guy's got the strength of a human!" 

Doug: I would have sworn at some point either Pym or Rudd would have used the blue ring to become Giant-Man. Not totally disappointed, but definitely see it coming in the future.

And do you suppose Sebastian Stan's 10 seconds on screen counts for his 9-picture contract?

Karen: The throwdown with the Falcon was a real thrill. I felt so bad for Sam...but it was great to see the two go at it. And the whole set up -"You idiots, that's not a warehouse!" -classic. I really like how this film integrated other elements of the Marvel universe in a way that didn't seem forced, but natural. It also didn't feel like it had to shape itself to support future films, which is something I think has hurt some of the other movies.

That last clip in the credits was a nice glimpse at Civil War -I heard it was an actual scene from the movie.  I was glad to see the Winter Soldier though; we were hearing so much about it being Cap vs Iron Man that it seemed like they'd forgotten about him, and I felt like Cap 3 needed to carry over his arc from the second Cap film.

Breaking Ant-Man Movie News

Doug:  Bleeding Cool News has important casting information on the 2015 Ant-Man film.  How does Michael Douglas sound to you as Hank Pym?