"In the Conversation for Greatest of All Time"

Doug: I have an anecdote I've been wanting to share for the better part of a month, and various real-life tasks and events (well, and writing comic book reviews) have conspired to keep me from bringing this to you. It's Friday evening as I write this, and I will alternate my attention between this post and the Olympics coverage.

Back in mid-July, as I've done for the past six summers, I helped with the facilitation of two national teacher conferences at the United States Holocaust Memorial Museum. During one of the sessions at the English/language arts conference, teachers from around North America were discussing whether or not they'd use Art Spiegelman's Maus with middle school/junior high-aged students. Several voiced concern that the material was a bit too mature for that audience. One of the young teachers in the room raised her hand and remarked that her husband was an artist, and his grandfather had written a graphic novel that fit the bill. I was in the back of the room observing the session, but you know my ears perked up -- face it, it's not just anyone who can say their grandfather wrote a graphic novel. She went on to say that the graphic novel that she has successfully taught from was called Yossel. The author? Joe Kubert. I about fell off my chair.

When the session ended I approached the young teacher who'd offered the suggestion to her fellows. I just wanted to express to her, and to her husband, how much joy their grandfather had given me, really since the time I was six or seven years old. She was very grateful, and said that she had never actually met Kubert but had heard so many things about him. She added that her father-in-law, Joe's son-in-law, would be at the conference on the next day and would I like to meet him. I agreed, and later was able to express many of my same sentiments. It was a wonderful conversation, and everything I'd ever heard about Joe Kubert as a human being was confirmed by his son-in-law.

Yesterday marked four years since Joe Kubert's passing (it is the same date, in some crazy comic cosmic twist of fate that Mark Gruenwald and Mike Wieringo passed as well). One of the things I wanted to say to Joe Kubert's family was that Joe was a treasure; the man is in the conversation of the greatest artists of all time in the comics industry. They appreciated that so much.

http://comicsalliance.com/joe-kubert-rip-passes-away-hawkman-sgt-rock-legendary-artist-age-85/

When I returned home from Washington, DC, and I've mentioned this, the Jack Kirby's Thor Artist Edition was waiting for me. On the first day I was able to look through the book with some degree of detail, I was also telling my wife the Kubert story. But when I got to the last pages of the Kirby book I had to add on. Near the end of the last text piece in the book was the date Jack Kirby died: February 6, 1994. I shrugged, and said aloud that I remember exactly where I was when I heard that he'd died. There aren't many figures in comics history who would merit mention on a national radio newscast, but Kirby did. I was about to get out of the car with our oldest son, then 2 1/2 years old, to leave him at childcare before I headed to school. It's one of those types of dates that gets burned into the human mind. I told her that the artist of the book I had was one of the greatest creators ever.

http://www.hqfan.com.br/2015/06/top-criadores-de-quadrinhos-que-foram.html

I sat at the desktop computer in our living room some 14 years ago when I found out that John Buscema -- my all-time favorite penciler -- had died. Place, time, setting -- I'll never forget.

So that brings us to this weekend's conversation, and it's multi-faceted. First off, maybe the important question is "how does a creator make your list of all-time greats?" Is it pretty objective? For example, I don't have a tremendous amount of experience with the work of Alex Toth, but I'll accept the opinions of those who say he's in the conversation. Same with Frank Frazetta. For both men, a large chunk of their important output was before my fandom. Or, is your all-time list populated by your personal favorites?

For me, I would have to say that people like Kirby, Kubert, Toth, Jack Davis, Frazetta, John Severin, and others are pretty much pillars of the industry. But can I add Buscema, Neal Adams, Wally Wood, and even John Romita to the mix?

What about you?

If I Had A Buck... Deja Vu Again!

Martinex1: Did you ever have the feeling that you've seen a comic cover before?   Some call it an homage.  Some call it a swipe.  Some call it a tribute. Whatever you call it, there has been a long tradition of honoring classic covers with a retake or reimagining.  Today's $1 Challenge explores this artistic tendency.

Recently we looked at the "Pieta Cover" and the myriad versions of that memorable pose.  Comic covers like the iconic Fantastic Four #1 have been recreated too many times to collect them all here. If you search the web you might find dozens of examples.  Here we will look at archetypal covers as well as the oddball and obscure.  A number of artists have handled the pencils, but John Byrne seems to enjoy the process as many of the examples below are his.  Sometimes he even paid homage to his own earlier work.  Other covers are from the likes of Mike Zeck, Ron Frenz, Pat Broderick and John Buscema. 


Modern comics have started to recreate the classics regularly; I've tried to stick to comics from the 20th century (but there may be an exception or three because I particularly liked the styling).  To make it challenging, sometimes I have included the original inspiration and for others I have only included the inspired.   Do you recognize these?  A couple even reference images from sources other than comics!

There are more than 40 opportunities today, choose your favorite 4 and get the conversation rolling. And please try not to repeat your comments!