New Musik's debut album, From A to B, is one of the best (and
most influential) electronic LPs of the '80s. Its keyboards may sound dated,
but there's a freshness to these charming, unpretentious songs that hasn't been
spoiled by technological advances in computerized instrumentation. Many new
wave revivalists have attempted to capture the nerdy vocals and quirky
synthesized bleeps of From A to B and failed. This record is a product of its
time, recorded when keyboards were viewed as eventually replacing guitar and
bass as rock & roll tools. While many synth pop groups became mired in existential
woe to show that they had emotions underneath the layers of Casio hiccups, New
Musik is having a blast on From A to B. "With robot precision/We're gonna
be doin' just fine," sings Tony Mansfield (guitars, keyboards, vocals)
with geek sincerity on the exhilarating "Straight Lines." Like
Kraftwerk, New Musik uses keyboards to create moods and not just to make feet
move. However, From A to B is more accessible than any Kraftwerk album. The
tracks on the LP are structured like traditional pop songs with choruses catchy
enough for the Beatles, a band whom New Musik would cover later on 1982's
disappointing Warp. There are no love ditties, but tracks like the soaring
"On Islands" generate warmth and the group often utilizes acoustic
strumming to prevent everything from seeming too mechanical.
"Science" is nerdy sci-fi dance music years before Thomas Dolby.
Somehow, the archaic synthesizers aren't embarrassing; instead, the years have
preserved their coolness.