The Glove's Blue Sunshine is a one-off collaboration
between The Cure's Robert Smith and Siouxsie And The Banshees' Steven Severin which
resulted in an eccentric, and at times incompatible, mix of psychedelic sounds
wrapped around alternative '80s pop. Writers Smith and Severin's more eccentric
tendencies are as likely to evoke pictures of a carnival as a funereal march,
but the backbone rests largely on tightly constructed tunes with occasional
forays into the experimental. Jeanette Landray sings the majority of the
tracks, while Smith takes the lead twice amongst a smattering of instrumentals.
Standout tracks include the Middle Eastern-twinged "Orgy" and the
more conventional "Mouth to Mouth." Smith's distinctive warbling on
the first-class "Perfect Murder" takes the album directly into Cure
territory, as do the instrumentals which could equally find a home on Seventeen
Seconds. While musically diverse, the album's lyrics rarely stray from the dual
themes of death and sex, furthering the Gothic undertones so often heard in
Smith and Severin's previous work. Blue Sunshine's eclecticism makes this an
interesting side note for long-time fans of the Cure and Siouxsie And the
Banshees, but a somewhat more inaccessible listen for others.