For prolific British progressive rocker Steven Wilson,
the two-CD set Grace for Drowning is his second official solo album, following
2008's Insurgentes. Recording under his own name, Wilson tends to fall
somewhere between his popular Porcupine Tree group project and his ambient
recordings as Bass Communion. Grace for Drowning's two discs are divided into
one called Deform to Form a Star and another called Like Dust I Have Cleared
from My Eye, both named after tracks on them. In the relatively sparse lyrics
that Wilson sings with a calm, British-accented tenor, he seems melancholy at
first, apparently suffering from the aftermath of a romantic breakup.
"There's nothing left for me to say or do," he declares in
"Postcard." By the second disc, he has become angrier about the
situation, but the closing title track finds him reaching resolution and moving
on. The words are spread out over music that builds and ebbs in a manner that
allows for different styles and soloing by Wilson and a few musical guests. He
is not abashed about evoking his prog predecessors. The obvious antecedent is
Pink Floyd, particularly recalled in the space rock of "No Part of
Me." The 23-minute "Raider II," coming toward the end, allows
room for a flute-and-piano section that could have been excerpted from a
Traffic album as well as guitar-bass-drum sections in rapid 6/4 time suggestive
of Yes. By the end, Wilson has subsided into an ambient coda on "Like Dust
I Have Cleared from My Eye," as if readying himself for the next Bass
Communion album. Grace for Drowning has a particular conception in terms of its
emotional journey from sadness through anger to acceptance, but it is also just
another in a lengthy discography of albums by Wilson under various names in
relatively similar styles.