A little after thought, as it happens, I also have a lovely FLAC rip of Stephen’s debut 12” single. Go On, spoil yourselves.
Showing posts with label Stephen Mallinder. Show all posts
Showing posts with label Stephen Mallinder. Show all posts
Wednesday, 16 March 2022
Stephen Mallinder - Pow Wow Plus
Former Cabaret Voltaire
bassist and mouthpiece Mallinder wanted his day in the solo sun as much as
partner Richard Kirk. He got just that with Pow Pow Plus, his one (and thus far
only) independent release. Do you think Mallinder's contributions to Cabaret Voltaire
were largely on the lyrical side? Wrong. If anything, his individual exploits
are just as rough-edged, rough-hewn, and rough-housed as Kirk's.
Released in the early '80s, Pow Wow Plus comprises both the Pow Wow album and an EP and is not quite as esoteric as Kirk's electronic mantras of the same period. It is, rather, a much more organic-based and fluid recording, largely eschewing the harsh and dissonant soundscapes of Cabaret Voltaire for a more user-friendly approach. Though still possessive of salty flavours and an aroma of synth-grunge, Mallinder manages to integrate shimmering curtains of ambient electronics and the metronomic pulse of straightforward drumbeats among his whispery vocals and fat basslines. More song-oriented in feel (if you can call these tracks "songs") but still resplendent in its experimental zeal, Mallinder's work sans Cabaret Voltaire pulls a number of surprising rabbits out of the proverbial sonic hat.
Released in the early '80s, Pow Wow Plus comprises both the Pow Wow album and an EP and is not quite as esoteric as Kirk's electronic mantras of the same period. It is, rather, a much more organic-based and fluid recording, largely eschewing the harsh and dissonant soundscapes of Cabaret Voltaire for a more user-friendly approach. Though still possessive of salty flavours and an aroma of synth-grunge, Mallinder manages to integrate shimmering curtains of ambient electronics and the metronomic pulse of straightforward drumbeats among his whispery vocals and fat basslines. More song-oriented in feel (if you can call these tracks "songs") but still resplendent in its experimental zeal, Mallinder's work sans Cabaret Voltaire pulls a number of surprising rabbits out of the proverbial sonic hat.
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