Arriving in an era dominated by some of my favourite synth
pop and gloomy post-punk albums, the Smiths' eponymous debut was the bracing
beginning of a new era. On the surface, the Smiths' sound wasn't radically
different from traditional British guitar pop (Johnny Marr's ringing, layered
guitars were catchy and melodic) but it was actually an astonishing subversion
of the form, turning the structure inside out. Very few of the songs followed
conventional verse-chorus structure, yet they were quite melodic within their
own right. Marr's inventive song writing was made all the more original and innovative
by Morrissey's crooning and lyrics. Writing about unconventional topics, from
homosexuality ("Hand in Glove") to child molestation and murder,
Morrissey had a distinctively ironic, witty, and literate viewpoint whose
strangeness was accentuated by his off-kilter voice, which would move from a
croon to a yelp in a matter of seconds. While the production of The Smiths is a
little pristine, the songs are vital and alive, developing a new, unique voice
within pop music. Though the Smiths continued to improve over the course of
their career, their debut remains to me startling and exciting.