The amount of hype that
greeted this album upon release was notable even by U.K. press terms, leading
to quite an unexpected amount of overall attention upon the band's second
release. Justified? Not quite -- it's important to approach this CD on its own
terms, and on that level it's a good album, but not a great one. Claimed goals
at being inspired by Primal Scream's Screamadelica aside, Contino doesn't
achieve anything near the same sense of reach and sweep as that album did, not
to releases like My Bloody Valentine's Loveless and other cited role models.
The Richard Fearless/Tim Holmes combination here seems to restrict itself to
production and arrangement, commissioning a variety of players, notably a key
duo of guitarist Ian Button and bassist Mat Flint, to interpret their songs
under their overall guidance. Button and Flint are quite good at what they do
-- the two get to shine right at the start on the crawling build and freakout
of "Dirge" -- but sometimes an overall mood is set without much being
added to it. Slow, steady beats and breaks flesh out things reasonably enough.
The band's ace in the hole lies with the series of guest vocalists, starting
(perhaps unsurprisingly) with Primal Scream's Bobby Gillespie. Jesus and Mary
Chain singer Jim Reid, Scottish singer Dot Allison, and punk legend Iggy Pop
also take a bow, the latter guesting on the album's undoubted highlight, the
aggressive, energetic "Aisha." Perhaps the most interesting move,
though, is on "Aladdin's Story," with the London Community Gospel
Choir taking a bow in the same way they did with Spiritualized. At base,
Contino is a reasonably entertaining and sometimes quite compelling combination
of slower dance aesthetics translated into rock & roll terms and sounds. It
just isn't the end of the world, that's all.
Review by Ned Raggett