Some of you lovely people
may, or may not, remember when I posted Cactus World News debut album Urban
Beaches (if you don’t already have it, get it, Now!). It is, and always will
be, a stone cold classic album that seemed to fall through the usual cracks.
Having sold a credible 250K copies, toured as special guests of The Cult on
1985’s Love Tour, continued air-play on college radio of the single The Bridge that
their future was, rosy. Unfortunately,
not. With a three year wait for new material, CWN became the forgotten, lost,
Irish jewel. By 1989 a second, more pop-oriented album was shelved by MCA after
two singles failed to draw any further attention. CWN eventually called it a
day in 1991. Finally, after being leaked on the internet, No Shelter was released
in 2004 by Red Coral; the waiting had ended, but was it was worth the wait? No
Shelter is a bit more polished, a bit more over produced and the rawness of the
debut is at times, missing in action. But now, today, after almost 33 years it
sounds fresh, bright and shiny shiny. Don’t get me wrong, it is no Urban
Beaches, but it definitely deserves a shot across your boughs. Just for fun,
play No Shelter‘s “Falling Sun” for that annoying collector who claims to own
every rare U2 track.
Showing posts with label Cactus World News. Show all posts
Showing posts with label Cactus World News. Show all posts
Thursday, 10 March 2022
Cactus World News - No Shelter
Wednesday, 6 May 2020
Urban Beaches
Cactus World News wastes no time in making a first
impression on its debut album Urban Beaches. The opening track "Worlds
Apart" explodes from the speakers with screeching, reverberating guitars,
tumbling drums, and fervent vocals. The anthemic chorus and breath-taking
energy of "Worlds Apart" will remind listeners of U2's "I Will
Follow" in its feel and execution. However, despite similarities to the
music of fellow Irish band U2, Urban Beaches is a smart, hypnotically melodic
album bristling with youthful exuberance and sparkling musicianship. The
impassioned singing of Eoin McEvoy on "Worlds Apart," "In a
Whirlpool," "The Promise," and "The Bridge" is
contagious; after hearing him bellow "Worlds apart, worlds apart/Closer
than I've ever been/To you" a few times, listeners will find themselves
mouthing the words or perhaps singing it in the shower. Frank Kearns' driving,
electrifying riffs magnify the urgency in McEvoy's voice; nearly every track
has thrilling, dramatic guitar playing. Urban Beaches should've been a hit in
the U.S.; instead, it became a buried treasure in the cut out bins.
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