Following tours with The Cult, New Order, and appearances
at the Montreux Rock Festival as drummer with various bands and artists
including Factory Records band Lavolta Lakota, Mike Simii left to form BFG in
Summer 1985 with long term counterpart Keith Lambert. The bands direction was
set when Pete Hook, Joy Division’s and
New Order bassist, lent the fledgling B.F. G. the original Oberheim DBX drum
machine responsible for probably one of the most recognisable kick drums intros
of all time…….Blue Monday. It was at that point the bands manifesto, became
clear. Merge electronic dance beats,
driving bass lines, and heavy staccato
guitar, a combination and sound that
would eventually find mainstream success
via the output of Chicago label ‘Wax Trax’ and Nine Inch Nails under the
guise of ‘Industrial Music’. The final addition to the original BFG sound was
vocalist B.J. Williams. Upon hearing the early demo of Paris / Amelia, Pete
Hook invited B. F. G. to support New Order on tour, bringing the band
immediately to a wider audience.
Showing posts with label B.F.G.. Show all posts
Showing posts with label B.F.G.. Show all posts
Monday, 20 July 2020
B.F.G. – The Complete
Monday, 17 February 2020
B.F.G. – Fathoms
Following tours with The Cult, New Order, and appearances
at the Montreux Rock Festival as drummer with various bands and artists
including Factory Records band Lavolta Lakota, Mike Simii left the drum stool
behind to form B.F.G. in Summer 1985 with long term counterpart Keith Lambert.
The bands direction was set when Pete Hook, Joy Division’s and New Order
bassist, lent the fledgling B.F.G. the original Oberheim DBX drum machine
responsible for probably one of the most recognisable kick drums intros of all
time……. Blue Monday.
It was at that point the bands manifesto became
clear. Merge electronic dance beats,
driving bass lines and heavy staccato guitar, a combination and sound that
would eventually find mainstream success via the output of Chicago label ‘Wax
Trax’ and Nine Inch Nails under the guise of ‘Industrial Music’. The final
addition to the original B.F.G. sound was vocalist B.J. Williams. Upon hearing
the early demo of Paris / Amelia, Pete Hook invited B.F.G. to support New Order
on tour, bringing the band immediately to a wider audience.
After the release of Paris and early gigs, Mike moved
back to drums and Steve Craig replaced B.J. Williams on vocals with Paul
Batheram joining on guitar and Joe Cassidy on bass. The new line-up’s first
recording was ‘Western Sky’, the last track to be written by the original BFG
with lyrics written by Steve. The B.F.G. sound had dramatically altered and was
now moving in a much more melodic ‘dark wave’ direction which resulted in the
band’s debut album ‘Fathoms’. Numerous European tours followed including
appearances in front of 15,000 at the Lorely Stadium alongside Bjork and the
Pogues and at the WDR Festival with New Model Army, Dinosaur Jnr. and Wire.
Interpol, The Editors, White Lies and even the
Killers, all give Fathoms a tip of the titfa.
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