Showing posts with label The Indie Scene. Show all posts
Showing posts with label The Indie Scene. Show all posts

Thursday, 1 November 2018

The Indie Scene


Pinch, Punch, first of the month. Well that was unexpected, loads of people enjoyed last month’s series of compilations so much so, that I’ve made an executive decision (well, it is only me), to continue with them into a second month. So hold on to your hats ladies and gentlemen because this time around we’re really getting the BIG GUNS out. Namaste 

The Connoisseur Collection's ten-volume Indie Scene: The Story of British Independent Music series maps the shift from punk to post-punk and new wave in the U.K. from 1977 to 1986. Focusing on artists who were on fledgling independent labels and thus digging up plenty of otherwise forgotten chips from the late-'70s/early-'80s fireball, each volume contains plenty enough for voracious neophytes to sink their teeth into. And if you were a scenester back then (a hipster today) and need to relive the glory of all those singles your mum threw out while you were at your umpteenth punk festival, these compilations should plug some gaps. The Indie Scene 1977 begins with the Flamin' Groovies' title track from 1976's Shake Some Action, but after that the disc more or less sticks to the younger and snottier generation that carried the torch for proto-punk bands like the Flamin' Groovies themselves. As with the other instalments in the series, the inclusions are mostly from U.K. bands, with the odd exception figuring into the scheme -- the Dead Boys ("I Don't Care"), the Ramones ("Sheena Is a Punk Rocker"), and the Heartbreakers ("Born to Lose") represent the U.S. bands that had an effect (and/or a major influence) on their English counterparts. It makes perfect sense that Buzzcocks' "Boredom" appears, as it was part of one of the first self-financed and self-released records, the legendary Spiral Scratch EP. Other highlights include the Stranglers' brutish "(Get A) Grip (On Yourself)," Tubeway Army's (pre-Gary Numan solo) roaring "That's Too Bad," the Adverts' "One Chord Wonders" (they were!), Wreckless Eric's "Whole Wide World," and Johnny & the Self Abusers' (pre-Simple Minds) "Saints and Sinners."