Showing posts with label Stiff Little Fingers. Show all posts
Showing posts with label Stiff Little Fingers. Show all posts

Friday, 17 March 2023

Stiff Little Fingers - Gotta Gettaway 12''EP

Ripped from the war torn back streets of Belfast, SLF made an instant impact on the Punk scene with their trio of singles released through Rough Trade. This is a French compilation of those very three singles for you to bounce around in your bedroom on this very Irish St.Paddy’s day.

Sunday, 24 May 2020

Nobody's Heroes


It's easy to see why Stiff Little Fingers' Rough Trade debut remains so highly rated, but for the discerning fan of second generation punk, Nobody's Heroes is every bit as special. For a start, new drummer Jim Reilly was an improvement on Brian Faloon (who gets a heart-warming tribute on "Wait and See"). Secondly, Jake Burns' song writing collaborations with journalist Gordon Ogilvie are really beginning to pay off. The cornerstones of the LP are "Gotta Gettaway," "At the Edge," and "Tin Soldiers" -- three songs which, in different ways, brilliantly articulate the frustrated ambitions of young men in search of expression and identity, trapped in nowhere jobs or situations. Though "Suspect Device" and "Alternative Ulster" had long since ensured they would always be tagged with the label of "political punk," in truth SLF were always more interested in their immediate environment, and finding a way out of it. A couple of plausible stabs at reggae are more than an interesting aside.

Friday, 13 March 2020

Inflammable Material (Rebooted)


Originally released in 1979, Stiff Little Fingers were Ireland's answer to both the Clash and the Sex Pistols. They had the personal and political stance of the former, and the noisy, pissed off, slash-and-burn musical aesthetic as the latter. Fronted by guitarist and songwriter Jake Burns (he collaborated with journalist Gordon Ogilvie), SLF took off with their two singles "Alternative Ulster," and, for that time, the utterly out of control screaming that was "Suspect Device." These two singles make the purchase price of the album a priority. They represent barely contained youthful anger at social and political mores as righteous, utterly devoid of posturing or falsity and raging to break out. "Alternative Ulster" decries the Irish political sides in the Northern Ireland controversy (the Royal Ulster Constabulary and the Irish Republican Army) holding them both accountable for bloodshed and social and economic stasis furthering nothing but their own interests. "Suspect Device" which opens the set, screams at the heart of the conflict, that neither side can be believed as both reduce freedom to a buzzword while wielding guns. Both tracks are calls to arms, but of a different sort; the arms of dialogue and intelligence in the midst of idiocy and murder. Punk rock never sounded so brutal or positive in one band. There are other fine cuts here as well, such as the Bob Marley cover "Johnny Was," reinvented for the times in Northern Ireland; "Wasted Life," another paean to drop out of a society that breeds death and acquiescence for its own sake, and the scathing indictment of the record company that released the album, "Rough Trade." The bonus material includes the single mix of "Suspect Device," the B-side "78 RPM".