Mostrando entradas con la etiqueta Chouchane Siranossian. Mostrar todas las entradas
Mostrando entradas con la etiqueta Chouchane Siranossian. Mostrar todas las entradas
domingo, 24 de enero de 2021
jueves, 19 de marzo de 2020
domingo, 26 de agosto de 2018
Chouchane Siranossian / Anima Eterna Brugge / Jakob Lehmann IN TIME
Chouchane Siranossian is a rising star of the baroque and classical violin,
Jakob Lehmann a virtuoso violinist and orchestral director who frequently conducts
Anima Eterna. Together, they embody what the Bruges orchestra and its founder,
Jos van Immerseel, have decided to call the ‘Next Generation Anima Eterna’…
Today they are presenting Mendelssohn’s Violin Concerto in its original
version. “We wanted to take a look into Mendelssohn’s workshop.
He struggled with his self-diagnosed ‘revision disease’ and always
strove to work hard on himself and his creations” says Jakob Lehmann.
Chouchane Siranossian keeps on “It was a fascinating experience for me
to discover historical research and its implementation on period instruments
in collaboration with Anima Eterna Brugge. In my interpretation, I used exclusively
the fingerings, bowings and other performance markings of Ferdinand David and
Joseph Joachim, both of whom rehearsed the work with the composer.” This recording is rounded off with the Octet, also in its original version, which
is longer and has many alterations in instrumentation, harmony and articulation…
lunes, 23 de abril de 2018
Chouchane Siranossian / Jos Van Immerseel L'ANGE & LE DIABLE
Jos Van Immerseel returns to
chamber music and the accompaniment of young talents, two absolute
priorities for him. In Chouchane Siranossian he has found a worthy
partner, as gifted on the modern violin as she is on the Baroque
instrument, a pupil of Tibor Varga, then of Zakhar Bron, as well as a
disciple of Reinhard Goebel, whose first recording, on the Oehms label,
attracted great attention (winning a ‘Diapason Découverte’). Here it is
the Baroque violinist who engages in dialogue with the harpsichord of
Jos Van Immerseel in a Franco-Italian program juxtaposing the music of
the ‘Angel’ Leclair and the ‘Devil’ Locatelli, not forgetting Tartini’s
famous ‘Devil’s Trill’ Sonata . . . Indeed, all this music is
‘devilishly’ difficult to
play, but the Franco-Armenian violinist shows perfect mastery of it, combined with great inventiveness.
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