Mostrando entradas con la etiqueta Nikos Skalkottas. Mostrar todas las entradas
Mostrando entradas con la etiqueta Nikos Skalkottas. Mostrar todas las entradas
lunes, 9 de noviembre de 2020
miércoles, 5 de agosto de 2020
viernes, 14 de junio de 2019
Lorenda Ramou FROM BERLIN TO ATHENS
The choice of works on this amply filled disc, as well as the
performances are the result of Lorenda Ramou’s research into the
artistic environment of Nikos Skalkottas, in Berlin (1921–33) and in
Athens (1933–49). The programme is organized as a triptych, focusing on
three distinctive compositional styles. First, all surviving Berlin
works for piano solo are presented in chronological order, showing how
the young composer was reacting to the new and exciting jazz/dance
music, but also to the people around him and to events in the musical
world of Berlin in the 1920s. This is followed by Suites Nos 2, 3 and 4,
a group of mature works composed at the beginning of World War II
(1940–41). Closing the disc, finally, is the dance suite The Gnomes,
probably composed in 1939 and one of a group of piano scores for ballets
with Greek subjects. Lorenda Ramou has previously released ‘The Land and the Sea of Greece’ – a disc of precisely such scores by Skalkottas –
which earned her praise from the reviewer in Gramophone: ‘Her playing
is full of verve and alive to the delicacy of Skalkottas’s writing.’
martes, 30 de enero de 2018
Thomas Zehetmair / Ruth Killius MANTO AND MADRIGALS
Violinist Thomas Zehetmair and violist Ruth
Killius have shared many years as musical collaborators in the
Zehetmair quartet. The couple’s spectacular duo performance at last
autumn’s ECM festival in Mannheim raised the expectactions for their new
programme, a carefully composed anthology of contemporary pieces for
violin and viola. Next to Bohuslav Martinů’s virtuosic and accessible
“Madrigals”, written in 1946 in American exile, the central piece here
is “Drei Skizzen” by Heinz Holliger, a triptychon with the instruments
tuned in the scordatura of Mozart’s fomous “Sinfonia concertante” for
violin, viola and orchestra. It was commissioned by the duo as an encore
piece for their frequent renderings of Mozart’s masterworks on the
concert platform. Its first movement “Pirouetts harmoniques” is entirely
based on shimmering harmonics, whereas the second one is an exuberant
perpetuum mobile. The cycle concludes with a six-part chorale that
requires both string players to hum an extra voice. This idea, which is
realised by the duo to a most stunning effect effect, was itself
inspired by Giancinto Scelsi’s solo piece “Manto” for a “singing viola
player”. The programme is complemented by compositions by Nikos
Skalkottas, Béla Bartók and short pieces by Rainer Killius and Johannes
Nied. (ECM Records)
sábado, 8 de julio de 2017
Jonian Ilias Kadesha / Nicholas Rimmer ENESCU - RAVEL - SKALKOTTAS
I'm very excited about the release of this CD with my trio colleague Jonian Ilias Kadesha. He chose amazing pieces for his debut CD - all united by the influence of folk music. If you don't yet know Enescu's 3rd sonata you must hear it - for me it's without question one of the greatest violin sonatas of the 20th century.
Nikos Skalkottas is a composer I was completely unfamiliar with, but he's a fascinating figure. He studied with Schoenberg in Berlin and then returned to his native Greece where he was unfortunately never recognised and he died in relative poverty and obscurity. The two Suites we recorded here are full of energy and grittiness, despite their brevity, they pack quite a punch!
And to complete the CD we play Ravel's wonderful Sonata (which was in fact premiered by Enescu) and Tzigane. (Nicholas Rimmer)
Nikos Skalkottas is a composer I was completely unfamiliar with, but he's a fascinating figure. He studied with Schoenberg in Berlin and then returned to his native Greece where he was unfortunately never recognised and he died in relative poverty and obscurity. The two Suites we recorded here are full of energy and grittiness, despite their brevity, they pack quite a punch!
And to complete the CD we play Ravel's wonderful Sonata (which was in fact premiered by Enescu) and Tzigane. (Nicholas Rimmer)
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