Chantal Santon-Jeffery / Purcell Choir / Orfeo Orchestra / György Vashegyi BRILLEZ, ASTRES NOUVEAUX!

                                                   BRILLEZ, ASTRES NOUVEAUX!

Les Arts Florissants / William Christie LE JARDIN DE MONSIEUR RAMEAU

This ebullient release makes an ideal introduction to the French music of the middle 18th century, which is very easy to kill off with stodgy performances. The title Le Jardin de Monsieur Rameau has several connotations. It refers to the musical surroundings of the preeminent composer of the day, Jean-Philippe Rameau, and to Le Jardin des Voix, an ensemble of young singers connected with the French Baroque specialist ensemble Les Arts Florissants and its American-French director, William Christie. Yet again the title alludes to a garden where the present program was performed live, and which is the subject of a booklet-length prose piece, included, by French fiction writer Adrien Goetz. The live performance was partially staged, but it transfers quite well to the recorded medium, with its various sound effects intact and the enthusiasm of the young singers admirably putting the music across. Devotees of this music will be interested to hear the new generations of performers coming down the pike. Those with some familiarity will enjoy the presence of some little-known music by the likes of Antoine Dauvergne and Nicolas Racot de Grandval along with Rameau and Gluck. And nearly all listeners will enjoy the coherent scenes that allow the development of the characters, who are in several memorable cases comic ones. Hear Grandval's satirical portrayal of an overambitious performer (track 6). The live sound is unusually good, and the whole production testifies to the continuing creativity of one of the legendary Baroque historical-performance groups. Highly recommended. (James Manheim)

Olivier Baumont / Julien Chauvin À MADAME Divertissement pour Adélaïde

At the court of Versailles, the daughters of Louis XV (referred to as ‘Mesdames’), and in particular Adélaïde, devoted themselves to a regular practice of music and, apparently, demonstrated talent. Numerous composers (Simon, Rameau, Balbastre, Cardonne, Guignon) played for them, worked with them, and dedicated several works to them. ‘À Madame’, Divertissement pour Adélaïde, is an anthology, subjectively put together, of compositions that resounded in their drawing room.
All the works on this programme are world premieres. These lovely, rare nuggets are mixed with a few unusual sonorities of marvellous carillons of the Marc-Antoine Le Nepveu clock (currently in the Cabinet de la Méridienne, located at the heart of the palace, on the first floor).
The recording, made in the Grand Cabinet de Madame Victoire at Versailles and featuring two precious historical instruments from the palace’s collections, faithfully reproduces the forgotten beauties of the Age of Enlightenment.
An original invitation to travel back in time, as testimony to a musical afternoon at Versailles in the company of Mesdames. (Aparté Music)