What a development the oboe has endured since it was largely responsible for
creating pastoral moods or laments! At Genuin Classics, Juri Vallentin captures
the entire timbre of a modern instrument on this recording. The prizewinner
of the 2017 German Music Competition and other major competitions demonstrates
the oboe's rich tone in interaction with wonderful chamber music partners. A
real bridge over the centuries: sparkling baroque music of Pez and Couperin
meets the exciting sounds of Hosokawa and Erkoreka. An exquisite programme and
a world-class performance!
Mostrando entradas con la etiqueta Patrick Sepec. Mostrar todas las entradas
Mostrando entradas con la etiqueta Patrick Sepec. Mostrar todas las entradas
martes, 9 de octubre de 2018
sábado, 30 de mayo de 2015
Avi Avital VIVALDI
If Avi Avital’s intention is to do for the mandolin what Andrés
Segovia did for the classical guitar, he’s already well on the way.
Appropriate then that this, his third and possibly best release to date,
should feature three Vivaldi concertos popular with guitarists. This
homage to Venice’s favourite musical son in many ways picks up where
Avital’s terrific debut recording of JS Bach concertos left off. This
time, the mandolin’s on home turf, not only returning to its Italian
roots but in one case rejoicing in a concerto actually written for it.
Avital and the superb Venice Baroque Orchestra make the C major Mandolin Concerto, RV425, their own, the pizzicato
strings and organ continuo the rich clay into which Avital carves his
crisp, fluid lines. But even better is the utterly thrilling account of ‘Summer’ from The Four Seasons. Here, as throughout, Avital’s astonishingly smooth legato playing is broken up by rapid détaché
passages and propulsive strums that sweep through the music like
electrical storms, perfectly complementing the orchestra’s crisp, light
string-playing and spooky sul ponticello effects in the slow movement.
As a respite from the concertos’ high drama, there’s an exquisite
account of the C major Trio Sonata, originally for violin and lute with
continuo. Avital again takes the violin’s part, while harpsichord duties
fall to the brilliant Mahan Esfahani, recently signed to DG. The gentle
final track, where Avital and friends accompany tenor Juan Diego Flórez
in the charming gondolier’s song ‘La biondina in gondoleta’, feels just
right. (Gramophone)
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