Mostrando entradas con la etiqueta Luigi Piovano. Mostrar todas las entradas
Mostrando entradas con la etiqueta Luigi Piovano. Mostrar todas las entradas
viernes, 11 de diciembre de 2020
lunes, 11 de noviembre de 2019
Luka Šulić / Archi dell'Accademia di Santa Cecilia / Luigi Piovano ANTONIO VIVALDI The Four Seasons
"I've loved Vivaldi's Four Seasons since I was a child,"
says Luka Šulić of his newest project, adding, "I've always wanted to
play the piece on the cello and love taking on new challenges."
Even in a Baroque masterpiece, Luka Šulić is ready to defy
expectations and shatter boundaries. Though hundreds of traditional
recordings exist of The Four Seasons with a violin soloist, Luka
Šulić's recording will be the first complete version – his own
painstaking work – that reimagines all four concertos of The Four Seasons for a cello soloist.
"Four Seasons is a very demanding piece for violin,
let alone cello, so it was a long and difficult process for me," says
Luka Šulić. "I spent two years preparing the arrangement, little by
little, piece by piece. In the end, I hope listeners will feel the same
excitement I did while making this album and bringing Vivaldi's iconic
work to the cello for the first time."
Joining Luka Šulić for the recording is the Archi dell'Accademia di Santa Cecilia, conducted by Maestro Luigi Piovano, himself a cellist and musical director of the chamber ensemble and Rome's renowned Orchestra dell'Accademia Nazionale di Santa Cecilia. Luigi Piovano
commends Luka Šulić's ambitious undertaking, remarking, "If Vivaldi was
alive, he would probably say, 'Wow, that's a great idea!'"
"Throughout
my career, I'm always trying to introduce new audiences to the music I
love and grew up with, selecting pieces I connect with on an emotional
level," says Luka Šulić. "Vivaldi's Four Seasons is an
instantly recognizable piece, making it a perfect entry point to
classical music. I truly think it can make anyone fall in love with
classical music and I look forward to releasing the album and performing
it for audiences around the world."
miércoles, 22 de mayo de 2019
Archi di Santa Cecilia / Luigi Piovano TCHAIKOVSKY - DVORÁK Serenades
Following the huge success of the 2017 release, “Cinema per archi”,
featuring the music of Rota, Morricone and Piovani, the Arcana label is
back with another recording by the Archidi Santa Cecilia conducted by
Luigi Piovano, the eminent cellist whose duo performances with Antonio
Pappano have met with widespread acclaim among chamber music
aficionados. Composed of players from the excellent Orchestra Sinfonica
Nazionale di Santa Cecilia, the ensemble here interprets two of the best
loved works of the entire string repertoire: the Serenata in C major
op. 48 by Tchaikovsky, and the Serenata in E major op. 22 by Dvorák.
Both of these works have been special attractions in concert programs at
the Auditorium Parco della Musica in Rome and in other prominent
concert venues throughout Italy (Ravello Festival, Naples, Ravenna,
Reggio Emilia, L’Aquila, Piacenza). The Ensemble’s enormously successful
first recording of music by Schubert, including Mahler’s arrangement of
Death and the Maiden, was described by Ralph Moore on “MusicWeb International”as «mesmerising, Intense, thrilling and liberated in away
too few recordings are these days» and elicited David Vernier to declare
in “Classics Today” that «the concluding fourth movement Presto is an
impressive display of ensemble virtuosity».
viernes, 19 de octubre de 2018
Anastasiya Petryshak / Archi dell'Orchestra dell’Accademia Nazionale di Santa Cecilia / Luigi Piovano VIVALDI Amato Bene
Anastasiya is a young, talented violinist. Born in Ukraine in 1994, she
has been performing since the age of 8. Having just recently graduated
at the ZHdk Academy in Zurich, this is her first album. In this
recording, she plays the "Toscano", which is one of the best Stradivari
violins. Luigi Piovano conducts the strings of the Orchestra
dell'Accademia Nazionale di Santa Cecilia. Her interpretation of
Vivaldi's Four Season is a unique combination of the Italian cantabile,
the Slavic ardor and the Nordic limpidity.
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