Mostrando entradas con la etiqueta Albrecht Mayer. Mostrar todas las entradas
Mostrando entradas con la etiqueta Albrecht Mayer. Mostrar todas las entradas
viernes, 9 de julio de 2021
sábado, 10 de abril de 2021
lunes, 20 de mayo de 2019
Albrecht Mayer / Bamberger Symphoniker / Jakub Hrůša LONGING FOR PARADISE
Albrecht Mayer’s first encounter with music was as a member of the
Cathedral Choir in his home city of Bamberg, an early experience which
is perhaps partly responsible for the warm, singing quality of his
oboe-playing. His artistry invites superlatives: people talk of a
“divine spark” and how he has elevated the “miraculous oboe” to become
an “instrument of seduction”.
"Longing
for Paradise" Inspired by the many composers who lived and wrote during
wartime, Albrecht Mayer releases Longing for Paradise, featuring
Richard Strauss' notoriously difficult Oboe Concerto, written by the
octogenarian composer at the end of WWII, with lesser-known masterworks
by Elgar and Goosens and a new arrangement for oboe and orchestra of
Ravel's yearning Le Tombeau de Couperin.
viernes, 24 de noviembre de 2017
Albrecht Mayer / I Musici di Roma TESORI D'ITALIA
This release by Albrecht Mayer lives up to its title: the program items are truly Italian treasures, none common except for the Vivaldi
Concerto for oboe, strings, and continuo, RV 450, at the beginning.
There are a couple of world recorded premieres, from library
manuscripts, making this a more or less essential purchase for libraries
and good late Baroque collections. Those two pieces, an oboe concerto
by the elusive Domenico Elmi, and the Concerto in C major for oboe, strings, and continuo, Op. 8, No. 4, of Giuseppe Sammartini,
are both attractive, but among the other works, hardly better known,
are some real gems (or tesori). Sample the Concerto in G minor for oboe,
strings, and continuo, Op. 8, No. 5 with its unusual movement
structure: two slow outer movements and a tripartite central movement
that itself has a central slow section, all logically coordinated with
the solo oboe part. Mayer has a clean, energetic style, but the backing by the venerable Musici di Roma
lacks a bit of the contemporary crispness, and the sound from the Sala
Accademica del Pontificio Istituto di Musica Sacra is vague.
Nevertheless, a fine release of excellent music you almost certainly
have never heard. (James Manheim)
martes, 8 de noviembre de 2016
Albrecht Mayer VOCALISE
The artist personally selected this collection ranging widely from Baroque arias of great virtuosity to the charm of the French chanson
Even as a boy soprano with the Bamberg Cathedral Choir, Albrecht
Mayer was already fascinated by the human voice, and although he later
decided against pursuing a career as a singer and chose instead to
become an oboist, he is unquestionably a magician who as soon as he
breathes life into his instrument casts his spell on his listeners’
hearts and minds with the beauty of his playing, transforming the oboe
into an irresistible Vox Humana.
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