Mostrando entradas con la etiqueta Elīna Garanča. Mostrar todas las entradas
Mostrando entradas con la etiqueta Elīna Garanča. Mostrar todas las entradas

sábado, 11 de mayo de 2019

Elīna Garanča SOL Y VIDA

Sol y vida is Elīna Garanča’s journey to the South, from Spain to Italy and Latin America, and is her first album focusing entirely on non core-classical repertoire.
Be ready to expect a personal album from the mezzo-soprano, whose centre of life has been Spain for many years. A selection of songs, canzone and tango pieces, both mirroring and spreading a flamboyantly emotional array of beaming happiness, passionate longing and exuberant joy. A feast of vocal colours, and a firework of passion, from the well-known Granada to the intimate world of La Llorona.
Featuring jewels of Latin American song repertoire like Piazolla’s Yo soy Maria, originally part of a tango operita and Gracias a la vida, one of the most covered Latin American songs in history both featuring guitarist Jose Maria Gallardo del Rey in new intimate arrangements. Many of the popular pieces have mainly been sung by tenors, like “Core ‘ngrato”, which was probably written for Caruso or the popular Neapolitan songs “Torna a surriento” or “Canto napoletano”.

viernes, 27 de diciembre de 2013

Elīna Garanča ELINA

Elīna Garanča’s personal choice of her greatest tracks, released to coincide with her receiving an Echo Award (6 October) & the publication of her memoirs in December
Ten years ago she made her sensational début at the Salzburg Festival, singing the role of Annio in Mozart’s Clemenza di Tito. Since then Elīna Garanča has become one of the greatest, most sought-after mezzo-sopranos in the world. As an exclusive Deutsche Grammophon artist, she has made four solo albums for the label, and collaborated on many CD and DVD releases.
Now, with the artist’s help, we have brought together favourite tracks from her discography – the Seguidilla and Habanera from Carmen, the Flower Duet from Lakmé (with Anna Netrebko), the Barcarolle from The Tales of Hoffmann and many more, including Annio’s aria from Clemenza di Tito, some of her great bel canto roles and the touching Lullaby (Nana) by de Falla.
The CD booklet includes a newly-commissioned interview with Elina, where she reflects on her career and indicates where she is headed artistically. Her complete discography is also given there.