Lawrence Power / BBC Philharmonic / Martyn Brabbins JAMES MacMILLAN Symphony No. 4 - Viola Concerto

SYMPHONY No, 4 - VIOLA CONCERTO

National Youth Choir of Scotland / Royal Scottish National Orchestra / Christopher Bell CANTOS SAGRADOS

CANTOS SAGRADOS

Choir of Clare College, Cambridge / The Dmitri Ensemble / Graham Ross ARVO PÄRT Stabat

                                                                          STABAT

Orchestra and Chorus of Welsh National Opera / Anthony Negus MacMILLAN The Sacrifice

Chandos offers the world premiere recording of this theatrically and musically devastating opera commissioned and performed by Welsh National Opera. This is released on CD only, and not available to download. The Sacrifice, described by The Scotsman as ‘a powerful and evocative piece of music’, is a compelling and timeless story of a ruler’s ultimate sacrifice to safeguard the future of his war-torn, faction-ridden country; a story of love, revenge and reconciliation, inspired by the heightened mythical world of the Welsh folk-tales collected in The Mabinogion. With hints of Tippett, Berg, Richard Strauss and the film music of Bernard Herrmann this opera evokes the late-romantic idiom, with a twenty-first-century twist.

The powerful cast of The Sacrifice reunites a number of artists who have received great acclaim for their recent roles with Welsh National Opera – and internationally: Sarah Tynan (who sang the role of Iphis in Jephtha), Christopher Purves, Peter Hoare, Leigh Melrose and Lisa Milne.

Further praise came from Western Mail: ‘There is no mistaking James MacMillan has a popular hit on his hands, with the cries of bravo as the curtain fell on the world premiere of his new opera… MacMillan also creates music of great beauty and the act two love duet between Siân and Evan is mesmerising as are the songs given to Megan, Siân’s childlike sister, sung exquisitely by Sarah Tynan… big, bold and audience pleasing.’

“Invest in this bold set and you’ll be rewarded with singing of unflagging stamina from a strong cast (notably Lisa Milne as Sian and Christopher Purves as the General, as well as red-blooded, hugely committed contributions from the WNO Chorus and Orchestra. The audibly spellbound Cardiff audience laps it up – as, indeed, will the composer’s may admirers. Enthusiastically recommended.” (Andrew Achenbach / Gramophone)

ORA REFUGE FROM THE FLAMES

Following the stunning success of their best-selling debut, Suzi Digby’s crack vocal ensemble ORA presents their new album: ‘Refuge from the Flames’. Dedicated to the legacy of Girolamo Savonarola, 15th century Dominican and religious reformer, this new CD further showcases ORA's commitment to bringing together Renaissance choral masterpieces and commissioned reflections from contemporary composers. ORA bring a wealth of experience that gilds these pieces, both new and old, into the lustrous works of art they truly are.

“We begin and end this second ORA album with two contrasting settings of the Miserere mei (Psalm 50, Vulgate). Over the centuries this text has inspired reflections by many Christian writers, none more influential than those by Girolamo Savonarola, and we have devoted much of this album to his extraordinary legacy. Central to the recording is Savonarola’s meditation on the psalm, 'Infelix Ego', written shortly before his execution. We present it here in William Byrd’s justly famous setting, and in a newly commissioned masterpiece by the Latvian composer Eriks Ešenvalds.” (Suzi Digby OBE, artistic director & conductor)

Alison Balsom ARUTIUNIAN - MacMILLAN - ZIMMERMANN Trumpet Concertos

British trumpet player Alison Balsom has established herself as one of the leading performers on her instrument in the early 21st century. This 2012 album features three modern and contemporary concertos for trumpet. Balsom is phenomenally secure in her technique and in the musicality she brings to each of the pieces. The BBC Scottish Symphony Orchestra, conducted by Lawrence Renes, and the Scottish Ensemble, led by Jonathan Morton, provide colorful and energetic accompaniment. Bernd Alois Zimmermann's 1954 Trumpet Concerto is the standout work on the album. It is certainly one of the most distinguished, substantial, and immediately appealing trumpet concertos of the 20th century. It is subtitled "Nobody knows de troubles I see," and uses the melody of the spiritual as the basis for its sophisticated musical development. Like many of Zimmermann's works, its themes are political and he changed the title from "seen" to "see" to highlight the ongoing struggle for racial equality throughout the world, with pointed reference to the lingering racist attitudes of National Socialism in post-war Germany. It's an intensely dramatic and inventive piece; Zimmermann interweaves the original spiritual with jazz influences and modernist techniques in a way that's emotionally direct and thoroughly engrossing. Balsom negotiates its extreme demands with complete assurance. The Trumpet Concerto in A flat by Armenian composer Alexander Arutiunian, written in 1950, bears the stamp of the Soviet demand that music be immediately entertaining for the proletariat. The concerto is tuneful and uses folk material and for the most part sounds like it could be the soundtrack for an "exotic" adventure film. What it lacks in musical sophistication it makes up for in the opportunities it gives the soloist to really shine melodically. James MacMillan's 2010 concerto Seraph, which Balsom premiered, is an inoffensive but not especially profound work, characterized by pleasant, lyrical note-spinning. EMI's sound is pristine, balanced, and nicely ambient. (Stephen Eddins)