Mostrando entradas con la etiqueta Sophie Pacini. Mostrar todas las entradas
Mostrando entradas con la etiqueta Sophie Pacini. Mostrar todas las entradas
jueves, 24 de septiembre de 2020
jueves, 14 de febrero de 2019
Julie Fuchs / Orchestre National d’ile de France / Enrique Mazzola MADEMOISELLE
In the 2018/19 season, Julie will appear in two new productions; as Fiorilla Il turco in Italia at Opernhaus Zürich and as Eurydice Orphée aux enfers at the Opéra Grand Avignon. She will also make her role debut as Eva in the rarely performed opera La morte d’Abel by Caldara at Salzburg Whitsun Festival.
Other concert highlights include solo recitals at the Philharmonie de Paris, Théâtre de l’Athénée in Paris, the Aix-en-Provence Festival, Opéra de Versailles, Opéra du Rhin, and Opéra national de Bordeaux, as well as Carmina Burana with the Orchestre national de Bordeaux Aquitaine and a gala concert at Salzburg Whitsun Festival.
Julie’s discography includes a recording of early songs by Mahler and Debussy with Alphonse Cemin, and a disc of Songs for Piano and Voice by Poulenc (Atma Classique).
In 2014 Julie signed an exclusive contract with Deutsche Grammophon, with her first solo album Yes! released in 2015.
Deutsche Grammophon has announced the release of Julie Fuchs’ second album.
The new album, set for release on Feb. 15, 2019, will be titled “Mademoiselle” and will feature of a collection of Bel canto arias personally chosen by the soprano. Enrique Mazzola conducts the Orchestre National d’ile de France.
The soprano’s first album for the company was entitled “Yes!” and featured a collection of French works. She also released a Debussy album and an album with Poulenc’s complete songs for soprano.
Fuchs is one of today’s rising stars in France, performing in high profile engagements. She is scheduled to appear this season at the Opéra de Bordeaux, Opernahus Zurich, and Salzburg Whitsun Festival. She will also perform a concert at the Aix-en-Provence with music by Rossini and Donizetti.
lunes, 14 de mayo de 2018
Sophie Pacini IN BETWEEN
When Sophie Pacini made her Warner Classics debut in 2016 with a
programme of Beethoven and Liszt, Gramophone described the young
German-Italian, a protégée of Martha Argerich, as “a prodigious
pianist”. On her new album, called In Between, she performs works by
four composers as she explores their personal and musical relationships:
between Robert Schumann and Felix Mendelssohn; between Schumann and his
wife Clara, and between Mendelssohn and his sister Fanny. Their
contemporary Franz Liszt also features on the album, as the transcriber
for piano of one of Schumann’s most glorious songs, Widmung
(Dedication), which was inspired by Clara.
Schumann and Mendelssohn are, of course, firmly established in the
musical pantheon, but Clara Schumann (celebrated as a concert pianist)
and Fanny Mendelssohn were notable composers too. For too long, their
creativity and their compositions were underestimated, but in recent
years their talents and influence have become more widely recognised.
sábado, 17 de septiembre de 2016
Sophie Pacini BEETHOVEN - LISZT Solo Piano
Sophie Pacini is a protégée of Martha Argerich and it shows…There’s a
similar air of in-the-moment rhapsodising and no fear of giving the
performance a boot up the backside.” - Gramophone
Born in
Munich in 1991, Pacini began her studies at the age of ten as a pupil of
Karl-Heinz Kämmerling at the Salzburg Mozarteum, where she was accepted
two years later by the newly founded Institute for Highly Gifted
Students. From 2007 she continued her studies in master classes given by
Pavel Gililov, completing her diploma in 2011 with honours. In 2010 she
became acquainted with Martha Argerich, who invited her the following
year to give a recital as part of the Martha Argerich Project in Lugano,
and who has since become an important figure in the young pianist’s
career.
“Our first project combines works by Beethoven and Liszt,
two composers who have influenced me a great deal musically. They
embody what has fascinated and captivated me about the piano from the
beginning: the ability to transpose an entire orchestra onto the
keyboard and trace the complexity of a score in fine detail, as well as
the idea of the instrument as a powerhouse of musical evolution." – Sophie Pacini
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