Mostrando entradas con la etiqueta André Jolivet. Mostrar todas las entradas
Mostrando entradas con la etiqueta André Jolivet. Mostrar todas las entradas
viernes, 3 de julio de 2020
lunes, 21 de octubre de 2019
Les Vents Français MODERNISTE
‘Modern: Designating the most innovative forms of art in a given period,
particularly those of the 20th century.’ This definition from the
French Larousse dictionary explains the performers’ choice of title –
Modernistes – for this new anthology of music for wind instruments: what
draws the attention in these works – in different ways at different
times and in different fields – are their innovative, progressive and
adventurous qualities. Four of the composers featured on this album can
legitimately be associated with what is very broadly known as Modernism,
referring to the general proliferation of new ideas and new musical
aesthetics at the turn of the 20th century and beyond. As for the two
works by Philippe Hersant and Thierry Escaich, they call on us to
reflect on what modernity means to us today. And, while it is easy to
set Modernism in opposition to traditionalism, it is also interesting to
distinguish between a composer’s personality and his or her approach to
composing.
viernes, 16 de noviembre de 2018
Håkan Hardenberger / Colin Currie THE SCENE OF THE CRIME
The duo with Håkan Hardenberger is my musical safe space for maximum risk-taking. From my earliest point of connection with this most regal of musicians, what entranced me was the fearless audacity of the endeavour. Envelopes pushed, or simply reinvented, boundaries moved and canvasses recast. Rehearsals are intense; not many words spoken, a glance here or there, a certain type of breath taken, whilst the concerts are zones of feverish intensity, many-coloured and highly emotional. Too many now to pick out - San Fransisco, Seoul, Verbier, London, the Hanover concert with three World Premieres - I want to thank him for his encouragement, daring, humour and above all, friendship. (Colin Currie)
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