Mostrando entradas con la etiqueta Sarah Wegener. Mostrar todas las entradas
Mostrando entradas con la etiqueta Sarah Wegener. Mostrar todas las entradas
martes, 9 de junio de 2020
Orchestre Symphonique de Montréal / Kent Nagano PENDERECKI St. Luke Passion
viernes, 24 de mayo de 2019
HEINZ HOLLIGER - GYÖRGY KURTÁG Zwiegespräche
Zwiegespräche
is a meeting of spirits. “We compose the same way,” said György Kurtág
to Heinz Holliger on hearing this recording, which emphasises works for
oboe by these two major composers. Both of them reference the entire
history of music in their pieces, both incorporate dedications and
messages to friends and colleagues in the fabric of their work, and both
draw upon literature as an inspirational source. Both, moreover, love
the miniature as an expressive form; short pieces by Kurtág and Holliger
are interwoven. Holliger’s sequence Airs (2015/6) is inspired by seven texts by Swiss poet Philippe Jaccottet, whose voice is heard here. The release of Zwiegespräche
is timely. Heinz Holliger turns 80 on May 21, his creativity as
composer and his resourcefulness as instrumentalist undimmed. The album
concludes with Holliger’s Sonate für Oboe solo, composed in 1956, and still played by its author with absolute authority.
lunes, 19 de febrero de 2018
Frieder Bernius / Kammerchor Stuttgart / Hofkapelle Stuttgart WOLFGANG AMADEUS MOZART Missa in c KV 427
There can be no doubt – the Missa in C minor KV 427 by W. A. Mozart is a
fascinating work. Simply calling it a “mass” is inaccurate; indeed,
there is hardly more than a musical torso full of enigmas and problems –
and brimming with magnificent music. What has survived is a fragment,
in more ways than one. Mozart left the work unfinished; moreover parts
of the autograph have been lost. Carus has now produced a new edition
which is not only based upon a profound knowledge of Mozart’s music and
the church music practice of that time,
but also meets with the current demands of performance practice.
Frieder Bernius is the co-editor of the sheet music edition; he and his
Stuttgart Chamber Choir recorded this version on CD. The recording
impresses not only by the outstanding musical quality, but also by the particularly noble equipment in a hardcover booklet. In addition to the new version of the mass, the CD also contains a bonustrack with the Credo fragment without completed instrumental parts. A true discovery!
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