Mostrando entradas con la etiqueta Jules Massenet. Mostrar todas las entradas
Mostrando entradas con la etiqueta Jules Massenet. Mostrar todas las entradas

domingo, 12 de abril de 2020

sábado, 9 de noviembre de 2019

Benjamin Bernheim / PKF - Prague Philharmonia / Emmanuel Villaume BENJAMIN BERNHEIM

“Working in partnership with Deutsche Grammophon, a label with such a long and illustrious history, is both an enormous honour and a huge responsibility,” says Bernheim, for whom the world’s most prestigious opera houses are already homes from home. “It’s given me an even greater incentive to perform at the very highest level.” Born in Paris in 1985, Bernheim studied in Lausanne then became a member of Zurich Opera’s renowned International Opera Studio. Before long he was one of the most sought-after lyric tenors worldwide, and he is now regularly invited to appear at La Scala, Milan, the Berlin Staatsoper, the Royal Opera House, Covent Garden, the Vienna Staatsoper and the Salzburg Festival, among many others. Wherever he goes, he captivates audiences with his mesmerising vocal and dramatic interpretations.
Accompanied by the Prague Philharmonia under the baton of Emmanuel Villaume, on his debut DG album Bernheim presents a varied programme drawn from the Italian, Russian and French operatic repertoire. His vocal and expressive versatility can be heard, for example, in Lensky’s aria from Tchaikovsky’s Eugene Onegin, an opera in which he enjoyed huge success at the Deutsche Oper in Berlin, and in Edgardo’s “Tombe degli avi miei” from Donizetti’s Lucia di Lammermoor. Another of the characters featured here is Puccini’s Rodolfo (La bohème), a role he sees as “steeped in tradition”, and therefore one for which he needed to find his own personal interpretation – “a challenging but hugely rewarding experience”. The music of his birthplace is particularly close to his heart, and is represented on the album by arias such as “En fermant les yeux” from Massenet’s Manon, “L’Amour! Oui, son ardeur” from Gounod’s Roméo et Juliette and “Salut! demeure chaste et pure” from the same composer’s Faust. “The French repertoire requires perfect diction and the ability to convey the meaning behind the text as well”, observes Bernheim. “There is so much poetry in these pieces and there are so many details to discover in them. My aim is to bring all of this out in my performances. These are works in which I can give 150% and use every different facet of my voice.”

lunes, 29 de abril de 2019

Elsa Dreisig / Orchestre National de Montpellier Occitanie / Michael Schønwandt MIROIR(S)

Miroirs is the debut album from the young French-Danish soprano Elsa Dresig. The winner of Plácido Domingo’s Operalia singing competition in 2016, she has performed opera in Berlin, Paris, Zurich and Aix-en-Provence and sung with Sir Simon Rattle and the Berlin Philharmonic in Berlin, Salzburg, Lucerne and Paris.
Miroirs showcases her vocal and dramatic range with different ‘reflections’ on a situation or character in arias and scenes from operas by Gounod, Massenet, Rossini, Mozart, Puccini, Richard Strauss and the rarely-heard Daniel Steibelt. The album includes two world premiere recordings.

lunes, 8 de abril de 2019

Gabrysia Balcerek / Sinfonia Viva / Tomasz Radziwonowicz WIENIAWSKI - KREISLER - HUBAY - SARASATE

This release is the debut album of an extremely talented young violinist, presenting a handful of miniatures of classical music arranged by Tomasz Radziwonowicz for violin, with the accompaniment of string orchestra. Gabrysia Balcerek began learning to play the violin at the age of 7 at Krzysztof Komeda-Trzcinski Music School in Ostrów Wielkopolski under the supervision of Agata Falkiewicz, MA. Currently, she is a student of the Poznan Mieczyslaw Karlowicz General Education Secondary Music School, where she develops her talent under the direction of Karina Gidaszewska. From an early age, she has been participating in many violin competitions. In total, she is a laureate of more than forty Polish and international violin competitions.