Jakub Hrůša / Jiří Bělohlávek / Czech Philharmonic DVORÁK Requiem

                                                                      REQUIEM

Joyce DiDonato / The Dallas Opera Orchestra and Chorus / Patrick Summers JAKE HEGGIE Great Scott

Great Scott is the first full-length opera by composer Jake Heggie and librettist Terrence McNally since Dead Man Walking in 2000. It was commissioned by The Dallas Opera and is co-produced with San Diego Opera.

The world premiere was Oct 30, 2015 at the Winspear Opera House with a starry cast that included Joyce DiDonato, Ailyn Pérez, Frederica von Stade, Nathan Gunn, Anthony Roth Costanzo, Kevin Burdette, Michael Mayes and Rodell Rosel.

It was conducted by Patrick Summers and directed by Jack O’Brien with sets and costumes by Bob Crowley, lighting by Brian MacDevitt and projections by Elaine J. McCarthy.

Based on an original story by McNally, Great Scott is set in a large American city that has a respected but struggling opera company and a thriving professional football team. International opera star Arden Scott has returned to her hometown to save American Opera, the company that launched her career, but the opening night performance of the long-lost opera she discovered (Rosa Dolorosa, Figlia di Pompei) falls on the same night as the home football team’s first national championship (Go Grizzlies!). The fate of the company hangs in the balance as Arden is forced to consider the sacrifices she has made and discovers that true greatness is a matter of heart.

Ailyn Pérez / Stephen Costello LOVE DUETS

The U.S. duo of soprano Ailyn Pérez and tenor Stephen Costello has garnered considerable publicity in its home country, and now with this new collaboration with the venerable BBC Philharmonic Orchestra, they seem poised to gain a round of admirers across the Atlantic as well. Opera cognoscenti may conclude that their success is due in large part to having the field to themselves right now: opera companies and symphonic programmers, like those in the folk field who roll over and put their hands in the air for the Swell Season and the Civil Wars, can't resist the spectacle of a husband-and-wife team who seem to be experiencing the emotions they sing about. Pérez's voice for many will have a rather plummy quality, while Costello's tenor at times plows ahead with little regard to pitch. But the duo is canny in picking their music, and it's easy to see the appeal in spite of such objections. The album is dedicated to the memory of Richard Tucker, and the duo exploits the musical mix characteristic of that great American crowd-pleaser, combining verismo and semipopular material with musicals standing in for Tucker's beloved operetta. The whole thing seems to work, in spite of individual moments that don't stand up to scrutiny, and the BBC Philharmonic under Patrick Summers takes this kind of basic emotional appeal on its own terms. It's worth watching Pérez and Costello to see where they go next. (James Manheim)