Joanna Kowalczyk / Rafał Kowalczyk SONATY NA FLET I FORTEPIAN

 

SONATY NA FLET I FORTEPIAN

Sofia de Salis / Elina Kachalova FRENCH IMPRESSIONS

Flutist of Russian origin, Sofia de Salis won various international competitions and performed as a soloist with symphony and chamber orchestras; she also gave recitals with renowned pianists and chamber musicians. Her musicality and the quality of her sound are the distinctive elements of her talent. 

Born in Moscow to a father who is well known as an artist-painter and to a singer mother, Sofia de Salis starts learning music at the age of four. After brilliant studies at the Moscow Conservatory, crowned with a concert diploma with distinction, she continued her training at the Conservatory of Basel in the class of Felix Renggli, where she obtained a concert diploma and an education diploma. She also studied in master classes or workshops with Renata Greis-Armin, Aurèle Nicolet, Ransom Wilson, Bartold Kuijken, Rachel Braun, Pierre-Yves Artaud, Andras Adorjan and Jacques Zoon. To enrich her musical experience in the field of Baroque, she followed the traverso course given by Oskar Peter at the Schola Cantorum Basiliensis. Her interest also extends to modern music and Sofia de Salis performed works by contemporary composers such as Pierre Boulez, Edison Denisov, Sofia Gubaidulina, Jost Meier, Jürg Wittenbach and Samuel Ducommun, some of whom she had the opportunity to collaborate with.

Providing a platform for young artists has always been important to the label Ars produktion, next to helping them lay the groundwork for a music career. The young flutist Sofia de Salis, who enjoyed tuition among the most distinguished teachers and has already won numerous competitions, will certainly continue to achieve great success in the future.

Hélène Devilleneuve / Rikako Murata DUTILLEUX - DESTENAY - POULENC - SANCAN - BOZZA

The French oboist Hélène Devilleneuve, famous worldwide as soloist and also First Oboe solo of the Philharmonic Orchestra of Radio France since 1995, has selected some works from the French repertoire of which a good proportion comes out of the usual. Because if one gives often enough the Sonata de Poulenc, sometimes that of Dutilleux, we strictly never hear those of Eugene Bozza, Pierre Sancan and still less - which is not to say little - the Trio for Oboe , Clarinet and piano by Edouard Destenay. Bozza, however, was crowned with a First Grand Prix of Rome, and his style happily accepts all the influences of his time, from Stravinsky to Milhaud through jazz as well as, much further, the polyphonic rigor of Bach; Pierre Sancan, it is true better known as a great pianist and pedagogue, delivers here a delicious Sonata, with touches to the Debussy and some incursions modernist perhaps factious. As for Edouard Destenay (1850-1924), one does not know much of his life as a musician, especially since he made a career in the highest ranks of the French Army. Hélène Devilleneuve is accompanied on the piano by Rikako Murata, winner of the Maria Canals Competition in Barcelona.