Rising pianist Ekaterina Litvintseva writes of this release in which she
performs Brahms’ Piano Concerto No. 1 in D minor Op. 15: “From a
technical and musical perspective, it is one of the hardest concertos
ever written! What clearly distinguishes it from other concertos is its
symbiosis of orchestra and pianist. What I mean is that the orchestra
and pianist are very closely interlinked so as to give the concerto a
thoroughly symphonic complexion. It is known that Brahms originally
conceived the work as a symphony. It stands to reason, therefore, that
this work should sound symphonic. The task set before the pianist when
tackling this work is a very tall order, namely the challenge of playing
a 50-minute concerto and, throughout every minute, immersing oneself in
the music without losing sight of the overall picture. A useful analogy
might be to imagine a mountainous landscape and, whilst enjoying the
harmony and unity of the mountains, also to observe their slightest
elevations and hollows. I believe that nature abounds in this work, as
if I were to breathe in the fresh mountain air, feel its vigor and
visualize scenic colors. I have put so much time and energy into this
concerto. By giving so many concerts, I was able to thoroughly immerse
myself in the music and experiment with it 13 times. So I think I’m
justified in saying that it has become my concerto.“
Mostrando entradas con la etiqueta Heribert Beissel. Mostrar todas las entradas
Mostrando entradas con la etiqueta Heribert Beissel. Mostrar todas las entradas
martes, 9 de octubre de 2018
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