Lena Belkina / ORF Vienna Radio Symphony Orchestra / Andrea Sanguineti CLASSIC VIENNA

Mezzo-soprano Lena Belkina’s first album garnered high praise: “She sings Desdemona’s ‘Willow Song’ from Rossini’s Otello with lyrical intensity... Nacqui all’affanno e al pianto” from La Cenerentola is sharp-witted and brilliant”, opined Das Opernglas, while WAZ (Westdeutsche Allgemeine Zeitung) wrote: “The coloratura is splendidly placed whether she’s mobilizing Tudor fury (in Anna Bolena), questioning her heart in the Barber of Seville or letting the soul of ‘Tanti affetti’ (La donna del lago) overflow with elegant beauty.”

For her second album, “Classic Vienna”, she has recorded the most famous representatives of Viennese Classicism, Mozart (1756–1791), Haydn (1732–1809) and Gluck (1714–1787), with the ORF Vienna Radio Symphony Orchestra under the direction of Andrea Sanguinetti. Her Mozart selections include the aria “Parto, ma tu ben mio” from La clemenza di Tito, “Il padre adorato” from Idomeneo and the concert aria “Ch'io mi scordi di te?”. She sings Gluck’s arias “Che puro ciel” from Orfeo ed Euridice and “Oh, del mio dolce ardor” from Paride ed Elena as well as Haydn’s aria “Se non piange un’ infelice” from L’isola disabitata and his Scena di Berenice. The programme is rounded off with the overtures from Mozart’s Così fan tutte, Gluck’s Armide and Haydn’s Acide e Galatea. (Presto Classical)

Lena Belkina / Münchner Rundfunkorchester / Alessandro de Marchi DOLCI MOMENTI / BELCANTO ARIAS

The press has already taken her to their heart: “fulminant, brilliant, beautiful voice” (Das Opernglas), “a touching mezzo” (Süddeutsche Zeitung), “…a treat for the ears and the eyes…” (WAZ). The young mezzo-soprano Lena Belkina is already in demand all over the world.

She sang her way into the international limelight back in 2012 with her Angelina in Rossini’s La Cenerentola (Carlo Verdone/Gianluigi Gelmetti). The live video recording made by Mondovision was awarded the 64º PRIX ITALIA and the Warsaw Music Gardens Festival audience prize. What entranced the Oscar-winning director about his star performer was her extraordinary charisma: “…una fotogenia straordinaria, e la giusta dolcezza malinconica e sognante nei suoi grandi occhi neri…” (“extraordinarily photogenic, with the ideal melancholy and the dreamy sweetness of her big dark eyes”) (Verdone in Cultura). Since then, this film version produced by Andrea Andermann has been shown in more than 150 countries. Lena recorded her first solo album together with the Bavarian Radio Symphony Orchestra, which will already be released this year by Sony Classical.

There are currently three new productions planned: At the moment, Lena sings the Dorabella part in Cosi Fan Tutte in the Munich Cuvilliés Theatre. Subsequently, the singer can be experienced as Olga in Eugen Onegin at the Malmö Opera and as Angelina in La Cenerentola in the Prague Estates Theatre.
Apart from that, opera lovers may look forward to listening to Lena in several solo evening recitals with orchestra in Germany and Israel.

In summer 2014, the Ukrainian singer was engaged by the Rossini Opera Festival. Lena Belkina delighted with the major role of Arsace in a newly revised edition of the opera Aureliano in Palmira. It was the first performance of the opera at the festival and was directed by Mario Martone. A special highlight was that Lena was allowed to sing Giovanni Battista Velluti’s great cadenzas: a particular honour that no one else has been granted since the great castrato’s death. The opera published by Unitel Classica. The great success was brought by the 2015 re-invitation, where Lena will sing the Pippo part in Gazza Ladra.