Mostrando entradas con la etiqueta Jörgen van Rijen. Mostrar todas las entradas
Mostrando entradas con la etiqueta Jörgen van Rijen. Mostrar todas las entradas
martes, 23 de junio de 2020
domingo, 17 de marzo de 2019
Antwerp Symphony Orchestra / Martyn Brabbins KALEVI AHO Trombone Concerto - Trumpet Concerto
Hugely prolific as well as widely acclaimed, Kalevi Aho has composed 30
concertos to date. Many of them are available in recordings from BIS,
and the present release features two works from the past decade. The
Concerto for Trombone and Orchestra was commissioned for Jörgen van
Rijen, who also performs it here. The concerto is actually Aho’s second
concertante piece for the trombone –
his Symphony No. 9 (1994) included a substantial and very virtuosic
solo part for the instrument. In that work, and even more so in the
concerto, the composer’s aim has been to extend the expressive and
virtuosic possibilities of the trombone. Composed around the same time,
the Trumpet Concerto is scored for the wind section of a medium-sized
symphony orchestra, plus two saxophones, baritone horn and percussion.
It was given its premiere by the same musicians that perform it here,
the Antwerp Symphony Orchestra under Martyn Brabbins supporting its
principal trumpet Alain De Rudder in what is often a surprisingly jazzy
work.
jueves, 27 de diciembre de 2018
Camerata RCO / Jörgen van Rijen FRATRES
Sensing a special relationship between Arvo Pärt and J.S. Bach, Jörgen
van Rijen on his first recording for BIS Records brings together music
by the two composers. It’s a relationship which has several
aspects. First, Pärt has readily admitted to his love for the work of
Bach, referring to it in titles such as Collage über BACH, but also by
using the motif BACH (B flat-A-C-B). In addition, both composers share a
fascination for religion, while at the same time composing music that
is almost mathematically constructed, possessing an underlying order
that forms the basis of its timelessness. In collaboration with the
composer, van Rijen has adapted four works by Pärt for the trombone,
including the celebrated piece Fratres, which exists in numerous
versions, as well as the two religiously themed An den Wassern zu Babel …
and Vater unser.
Pärt’s open-minded attitude to adaptations of his works is also something he has in common with Bach, who regularly reused his own compositions, rearranging them for new occasions. Bach also ‘borrowed’ from other composers, and the three concertos heard here are all arrangements for solo organ of works by Italian composers, which van Rijen in his turn has arranged for trombone and strings. Principal trombonist of the Royal Concertgebouw Orchestra, Jörgen van Rijen is here supported by his colleagues in Camerata RCO.
Pärt’s open-minded attitude to adaptations of his works is also something he has in common with Bach, who regularly reused his own compositions, rearranging them for new occasions. Bach also ‘borrowed’ from other composers, and the three concertos heard here are all arrangements for solo organ of works by Italian composers, which van Rijen in his turn has arranged for trombone and strings. Principal trombonist of the Royal Concertgebouw Orchestra, Jörgen van Rijen is here supported by his colleagues in Camerata RCO.
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