Bridget Bolliger / Andrew West TIMELESS

Australian flutist Bridget Bolliger, known as the artistic director of the Sydney Chamber Music Festival, presents a diverse range of works on this recital album. Of particular interest is the world premiere recording of Jim Coyle’s “Paradise of Birds” suite for flute and piano – a tribute to Bolliger’s home continent, and the perfect link between Europe (where all other music on this recording comes from) and Australia, where all Europeans long to spend their winter months. Australian-Swiss flautist Bridget Bolliger was born in Sydney, where she distinguished herself early, studying under Jenny Andrews, Jane Rutter and Vernon Hill and performing the Ibert Flute Concerto with the Sydney Symphony Orchestra at the age of 15. She graduated from the Sydney Conservatorium High School and was awarded the ASCM with Merit by New South Wales Conservatorium of Music. She went on to study in Switzerland at the Basel Music Academy, and has attended master classes with the world’s most famous flutists. She has been principal flute with the St. Gallen Symphony Orchestra and the Sinfonica de Sao Paolo.

Cristo Barrios / Andrew West DEEP LIGHT

We were inspired to gather together this collection of chamber works for reasons beyond the obvious prestige of the individual composers and the importance of their works. We wanted to present the listener with a satisfying musical journey, as much through the formal variety as the expressive content of the pieces, full of contrasts that are to be found among different movements of the same piece, as well as among the five works on the recording. Rather than offering a historical overview of the programme, we would prefer to look briefly at our choice of title, Deep Light, and its various meanings. On the one hand, it aims to evoke the luminosity that lies in the depth of feeling, represented here by two major works of the German Romantic clarinet repertoire, the Grand Duo Concertant by Carl Maria von Weber and Robert Schumann’s Phantasiestücke. Emotionally profound in their darker, slower movements, these works also display an exalted brightness in their exuberant finales. On the other hand, however, the deep and the light are simply synonyms for the serious and the playful. Seen in this way, the two German works provide the weight on the CD, while the three others fall more into the second category. It is our hope that the contrasting styles and the unusual juxtaposition of repertoire will stimulate those familiar with these works into fresh ways of listening, and provide those new to them with the delight of discovery. (Cristo Barrios / Andrew West)