Mostrando entradas con la etiqueta Arthur Honegger. Mostrar todas las entradas
Mostrando entradas con la etiqueta Arthur Honegger. Mostrar todas las entradas
viernes, 18 de junio de 2021
jueves, 10 de diciembre de 2020
miércoles, 5 de agosto de 2020
jueves, 18 de julio de 2019
Baltic Chamber Orchestra / Emmanuel Leducq-Barôme SCHOENBERG Verklärte Nacht Op.4 - HONEGGER Symphony No. 2
Schoenberg’s early String Sextet ‘Verklärte Nacht’ (Transfigured
Night) op.4 dates from 1899. He made the arrangement for string
orchestra in 1943. It is a work heavily indebted to Wagner, and
especially ‘Tristan und Isolde’ although the unique voice of Schoenberg
is already apparent.
‘Gurrelieder’ and ‘Pelleas und Melisande’ would bring the curtain
down on his late romantic period and the daring atonal music that has
caused him to remain a musical bogey man for many would follow.
Verklärte Nacht is a wonderful, intensely moving work and the ideal
introduction to this great composer.
Honegger , famous today for his depiction in music of an express
steam locomotive ‘Pacific 231’ and the game of rugby in the eponymous
work for orchestra composed five symphonies. The second is scored for
strings and trumpet . Composed for Paul Sacher and his Basel Chamber
Orchestra it was written during the darkest years of World War II. The
Nazis had banned Honegger’s music and he was branded as ‘leftist’,
composing music for films for resistance cinema. It is a powerful work
with a lament -like central slow movement and an energetic choral theme
in the finale providing a sense of triumphant resolution.
The Baltic Chamber Orchestra’s first release for Rubicon – Strauss
Metamophosen and Shostakovich Chamber Symphony was praised by the BBC
Music Magazine and made an orchestral CD of the month upon release. This
new album looks set to receive a similarly positive reception.
lunes, 7 de mayo de 2018
Emmanuel Pahud SOLO
Interweaving the Baroque era and the 20th and 21st centuries, the newest
addition to Emmanuel Pahud's Warner Classics catalogue is an
imaginative 2-CD collection of music for unaccompanied flute. Among the
composers are Telemann, Nielsen, Honegger, Varèse, Berio, Takemitsu,
Pärt, Pintscher and Widmann. "Most of the pieces are about exploring new
paths," says Pahud. "The power of this music often lies in the contrast
between a simple line and the most refined complexities, between a note
so quiet as to be barely perceptible and the loudest, most extreme
notes playable on the instrument."
sábado, 12 de septiembre de 2015
Julie Fuchs / Samuel Jean / Orchestre de Lille YES!
Hailed for her "generous temperament" and "agile and radiant
voice", French soprano Julie Fuchs is a rising star in the operatic
world.
Named Opera Artist of the Year at the
Victoires de la Musique Awards and 2nd prize winner in Operalia 2013, Ms
Fuchs has an exclusive long-term contract with Universal/Deutsche
Grammophon, with whom she recorded her first solo disc of French Arias
with the Orchestre National de Lille in 2015: "Yes" will be released on
the 11th of September 2015, with a second disc planned for 2016.
Ms
Fuchs has several important house and role debuts planned. At the start
of the 15-16 season she makes her Paris Opera debut as La Folie in the
Laurent Pelly production of Platée (conducted by Minkowski) and later that season makes her Bayerische Staatsoper Munich debut as Musetta in La bohème. In 16-17 Julie will make her debut at the Wiener Staatsoper and sing Marie in La fille du régiment in
Lausanne. Other engagements include significant roles at the Opera
Comique, Teatro Real Madrid, Opera d'Avignon, as well as returns to the
Theatre des Champs Elysees, Aix-en-Provence Festival, to the Paris Opera
in a major new production in the 16-17 season, and several major roles
at the Opernhaus Zurich.
As a member of the Opernhaus Zurich, Julie's roles have included Musetta, Rita, Marzelline in Fidelio (conducted by Fabio Luisi), Susanna in Le Nozze di Figaro, Morgana in Alcina alongside Bartoli (conducted by Antonini) and Rosane in La verità in cimento.
On
14 July 2015 Julie performed to over 700,000 people in " Le Concert de
Paris " with the Orchestre National de Paris at the Eiffel Tower in an
all-star line-up for Bastille Day. The concert, which also starred Joyce
DiDonato and Bryn Terfel, was conducted by Maestro Daniele Gatti and
broadcast live on French TV and transmitted across Paris.
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