Mostrando entradas con la etiqueta Giulio Caccini. Mostrar todas las entradas
Mostrando entradas con la etiqueta Giulio Caccini. Mostrar todas las entradas
domingo, 31 de enero de 2021
Marina Rebeka / Sinfonietta Rīga / Latvian Radio Choir / Modestas Pitrėnas CREDO
miércoles, 8 de julio de 2020
Marco Beasley / Constantinople / Kiya Tabassian LA PORTA D'ORIENTE
jueves, 2 de abril de 2020
viernes, 4 de mayo de 2018
Francesca Aspromonte / Il Pomo D'Oro / Enrico Onofri PROLOGUE
The prologue is a unique feature of early baroque opera: an opening
scene where an allegorical figure enters the stage to prepare the
audience for the musical drama to come. Thus Prologue is the musical
introduction of Italian star soprano Francesca Aspromonte and her
exclusive, long term engagement with Pentatone, promising great joy as
well as drama in the years to come.
Prologue is a highly original album consisting of several prologues from
early-baroque operas by Monteverdi, Caccini, Cavalli, Landi, Rossi,
Cesti, Stradella and Scarlatti. Strung together, they form a
representation in a single act, a theatre full of small, complete
dramas: the opera before the opera.
Francesca Aspromonte is quickly establishing herself as a shining star
in the Baroque firmament. She has curated this album together with
musical director Enrico Onofri, who leads il pomo d’oro, one of the most
important and successful period ensembles of today.
miércoles, 1 de noviembre de 2017
Roberta Mameli / Luca Pianca ANIME AMANTI
A voice, a lute, a sigh.
Nothing could be simpler and more immemorial. This expression of
sentiments and emotions, of the intermittencies of the heart and the
shadows of the soul, is of course as old as the world. Yet it was truly a
reconquest of the Renaissance. With Caccini, the ‘new music’ at once
found a miraculous melodist. He composed a Euridice, performed in 1602,
two years after Jacopo Peri’s setting and five years before Monteverdi’s
Orfeo. The Renaissance did not know opera, but long secreted that genre
soon to be born. And it is brand-new opera that opens and closes this
recording, through the voice of its first visionary, Claudio Monteverdi.
His Lamento d’Arianna, the centrepiece of a lost work, expresses
sorrow, regrets, revolt through the very music of the Italian language,
here brought to white heat. The ‘new music’ spread throughout Italy:
Merula in Cremona, Falconieri in Naples, and Barbara Strozzi, the most
famous woman composer of the age, in Venice.
The Italian soprano Roberta Mameli is a great lover of this music, which
she performs with an outstanding feeling for words and drama. Luca
Pianca offers her his artistry and his great experience. Roberta Mameli
is joining Alpha for several recordings, which will guide us towards
other rarities and other periods. (LQM)
viernes, 19 de septiembre de 2014
Elina Garanča MEDITATION
Elina's parents were involved with choral music, she grew up
listening to this music and sang herself in choirs as a young musician,
so it is a very important album to her personally, celebrating the
origins of her own singing career She studied at the Latvian Academy of
Music with her mother. She won the Mirjam Helin Singing Competition in
1999 and was a finalist in the 2001 BBC Cardiff Singer of the World
Competition.
She began her professional career as a resident artist with the
Südthüringischer Staatstheater in Meiningen where she appeared in a
number of leading roles and she appeared as a resident artist with the
Frankfurt Opera. In September 2005 Ms Garanča became an exclusive
recording artist with Deutsche Grammophon. Her first solo recording
'Aria Cantilena' was released in March 2007 to great popular and
critical acclaim and she was awarded the prestigious ECHO KLASSIK award
for 'Singer of the Year 2007.' Her second solo record, 'Bel Canto' was
received with similar enthusiasm.
Ms Garanča has since, quickly
established herself as one of the music world's major stars through her
performances with leading opera theaters and symphony orchestras around
the world. She has captured critical and popular acclaim for her
beautiful voice, intelligent musicianship, and compelling stage
portrayals.
The album includes a couple of real discoveries like Praulinš'
Dievaines, but also some hit repertoire like the Cantique de Noel
d'Adam. This is probably her most commercial album to date, the careful
selected variety of the repertoire will attract a lot of new
fans. Latvian choirs are extremely famous worldwide, so it was natural
for her to want a Latvian choir with her for this recording. Two Latvian
composers have been involved in the music for this recording - Ugis
Praulinš for his work Dievaines, and Eriks Esenvalds who has written an a
cappella arrangement (Allegri Miserere) especially for this recording.
Elina is joined on this recording by her husband, the well-known
Gibraltan conductor Karel Mark Chichon OBE. This is their second
collaboration on disc for DG following the success of Habanera.
(Timothy Yap / Sep 01, 2014)
Suscribirse a:
Comentarios (Atom)