Vox Clamantis / Jaan-Eik Tulve CYRILLUS KREEK The Suspended Harp of Babel

                                                THE SUSPENDED HARP OF BABEL

Vox Clamantis / Jaan-Eik Tulve SACRUM CONVIVIUM

‘Sacrum Convivium’ presents a vision of French music over two millennia: from Gregorian chant through Guillaume de Machaut’s extraordinary ‘Lai de Nostre Dame’ to the Twentieth Century of Maurice Duruflé, Francis Poulenc and Olivier Messiaen, all three of them influenced in some way by the spirituality and sensibility of Gregorian chant, which Messiaen himself described as “the greatest treasure we possess in western music.”

Vox Clamantis ARVO PÄRT The Deer's Cry

The second ECM New Series album to fully showcase pure-toned Estonian vocal group Vox Clamantis and its artistic director/conductor Jaan-Eik Tulve is devoted to compositions by their great countryman, Arvo Pärt – whose music has been the most performed globally of any living composer over the past five years. This album – titled The Deer’s Cry after its first track, an incantatory work for a cappella mixed choir – is also the latest in an illustrious line of ECM New Series releases to feature Pärt’s compositions, the very music that inspired Manfred Eicher to establish the New Series imprint in 1984. Along with such classic works as Da pacem Domine the new album includes first-time recordings of the a cappella pieces Drei Hirtenkinder aus Fátima and Habitare Fratres. There is also an a cappella version of Alleluia-Tropus, which Vox Clamantis previously recorded alongside instruments for the acclaimed New Series album Adam’s Lament. Rarely recorded material makes up nearly half of this new release, including three pieces with instrumental accompaniment: Von Angesicht zu Angesicht, Sei gelobt, du Baum and Veni Creator. (ECM Records)

HELENA TULVE Arboles lloran por lluvia

Recorded in churches in Tallinn as well as the Estonian Concert Hall, the five compositions heard on “Arboles lloran por lluvia” (Trees cry for rain) give deeper insight into the unique sound-world of Helena Tulve, into music which is nourished by both contemporary and ancient currents. Tulve draws upon a wide-range of inspirational sources. She explores the raw fabric of sound and the nature of timbre in both analytical and instinctive ways, in compositions that are unmistakably her own, yet her work is inclusive – here incorporating aspects of Gregorian chant, melody from Yemenite Jewish tradition, and texts from Sufi, Sephardic and Christian mystic poetry. Strong performances by the soloists, above all Arianna Savall – featured on “silences/larmes”, “L’Équinoxe de l’âme” and the title track – and the choral, chamber and orchestral forces marshalled by Jaan-Eik Tulve and Olari Elts make Helena Tulve’s second ECM New Series recording a most impressive successor to the critically-acclaimed “Lijnen”.

The five compositions heard on Arboles lloran por lluvia give deeper insight into the unique sound-world of Helena Tulve, into music nourished by both contemporary and ancient currents. The Estonian composer draws upon a wide-range of inspirational sources. She explores the raw fabric of sound and the nature of timbre in both analytical and instinctive ways, in compositions that are unmistakably her own, yet her work is inclusive – here incorporating aspects of Gregorian chant, melody from Yemenite Jewish tradition, and texts from Sufi, Sephardic and Christian mystic poetry. Strong performances by the soloists, above all soprano and harpist Arianna Savall – featured on “silences/larmes”, “L’Équinoxe de l’âme” and the title track – and the choral, chamber and orchestral forces marshalled by Jaan-Eik Tulve and Olari Elts make Helena Tulve’s second ECM New Series recording a powerful successor to the critically-acclaimed Lijnen. The compositions, all receiving their recorded premieres here, are “Reyah hadas 'ala”(written in 2005), “silences/larmes”” (2006), “Arboles lloran por lluvia” (2006), “Extinction des choses vues” (2007), and “L'Équinoxe de l'âme”(2008).