Mostrando entradas con la etiqueta Yves Saelens. Mostrar todas las entradas
Mostrando entradas con la etiqueta Yves Saelens. Mostrar todas las entradas
lunes, 21 de septiembre de 2020
sábado, 17 de noviembre de 2018
Lore Binon / Yves Saelens / Pierre-Yves Pruvot / Tijl Faveyts / Angélique Noldus / Camille Bauer / Inge Spinette / Jan Michiels CLAUDE DEBUSSY - MARIUS CONSTANT
“Debussy is the most difficult of all composers to grasp or define [...]. A listener, on hearing one of his Préludes, cannot know the
precise emotion that the landscape or object concerned aroused in Debussy; he can
only experience a more or less successful reproduction, a translation into sound of the landscape or object. For the listener, it seems that the object or landscape has been given musical form and, even more worryingly,
that he has, in a way, become the composer. Debussy is neither the painter nor the painting: he is the subject itself. He is both the music that is innate in the subject and the musician who gives it audible form.”
(Harry Halbreich)
lunes, 31 de julio de 2017
Reinbert de Leeuw / Asko|Schönberg / Netherlands Radio Choir GYÖRGY KURTÁG Complete Works for Ensemble and Choir
Recorded
in Amsterdam’s Musikgebouw and Haarlem’s Philharmonie between March
2013 and July 2016, this 3-CD Set is a milestone in the documentation of
Hungarian composer György Kurtág’s s work and also a labour of love.
It brings together all of Kurtàg’s works for ensemble and for ensemble
and choir. The insightful and precise performances bear witness to
extensive preparation by the dedicated Asko/Schoenberg Ensemble.
Conductor Reinbert de Leeuw speaks of “learning Kurtág’s oeuvre step by
step, and performing these pieces repeatedly over a period of twenty
years.” De Leeuw consulted extensively with György and Márta Kurtág
before and after each session: “There were moments when I was
overwhelmed at first hearing”, says the famously-demanding Kurtág, “and
we could embrace the result immediately. But sometimes we were critical.
The fact that Reinbert always listened to our remarks and re-recorded
fragments or even whole pieces makes this publication authentic.” Works
heard here are presented in chronological order of composition,
beginning with the Four Capriccios (1959-1970, rev. 1993) and continuing with Four Songs to Poems by János Pilinszky (1975), Grabstein für Stephan (1978-79, rev. 1989), Messages of the late Miss R. Troussova (1976-80), …quasi una fantasia… (1987-88), Op. 27 No. 2 Double Concerto (1989-90), Samuel Beckett: What is the Word (1991), Songs of Despair and Sorrow (1980-1994), Songs to Poems by Anna Akhmatova (1997-2008), Colindă-Baladă (2010), and Brefs Messages (2011). Extensive
CD booklet includes all song texts with translations, an interview with
Reinbert de Leeuw, liner notes by Wolfgang Sandner and Paul Griffith,
and a statement by György Kurtág. (ECM Records)
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