Stile Antico JOSQUIN DES PREZ

 

JOSQUIN DES PREZ

 

Stile Antico A SPANISH NATIVITY

The Spanish ‘Golden Age’ witnessed an astonishing musical flowering, worthy of Spain’s newfound preeminence on the world stage. Focusing on works for Christmas and Epiphany, Stile Antico explores this glittering musical treasury, drawing together an irresistible mix of sumptuous polyphony and infectiously joyful folk dances.

The centrepiece of the disc is the superbly rich and luminous Missa Beata Dei genitrix Maria by Alonso Lobo. Interspersed between its movements are motets by Tomás Luis de Victoria, Francisco Guerrero and Cristóbal de Morales, an exuberant ‘ensalada’ by Mateo Flecha and classic villancicos - Spain’s answer to the traditional carol.

Stile Antico GIACHES DE WERT Divine Theatre

Little is known about the early life of Giaches de Wert, except that he was born in 1535 somewhere in the region of Antwerp or Ghent (perhaps in the small village of Weert between the two cities). From his youth, however, his world was more Italian than Flemish: as a child he was taken to Italy to be one of the Marchesa of Padulla’s choristers. In his mid-teens he moved to serve an offshoot of the Gonzaga family at Novellara, but soon made connections with the nearby ducal courts of Mantua – where the devout Duke Guglielmo Gonzaga had a particularly keen interest in church music – and Ferrara, long famed for its musical prestige thanks to the patronage of the Este family, where he was influenced by the madrigalist Cipriano de Rore. After a short spell in Milan, he returned to Mantua in 1565 as maestro di cappella in Duke Guglielmo’s recently completed chapel of Santa Barbara. There he was to remain for the rest of his life, though not without maintaining connections (both musical and, during the mid-late 1580s, romantic) with the court at Ferrara, where the lively musical life must have been a welcome distraction from his not always happy existence at the Mantuan court.

Giaches de Wert is best known for his madrigals - the perfect bridge between the polyphony of the high Renaissance and the new style of Monteverdi. Stile Antico's new album introduces us to another side of this composer who, though Flemish-born, spent most of his life in Italy, primarily in Mantua. The unique and dramatic style of these remarkable motets cannot fail to ravish explorers of this 'divine theatre'.