Kukuruz Quartet JULIUS EASTMAN Piano Interpretations

Kukuruz started 2014 their involvement with Julius Eastman and his musical works. In 2017, their performance at documenta 14 in the Megaro Mousikis concert hall in Athens earned a standing ovation. They performed works by Julius Eastman: 'Evil Nigger', 'Gay Guerrilla', 'Buddha' and 'Fugue No. 7'. The recording of these compositions followed in November 2017 on four Steinway D pianos in the main hall of the historic Radiostudio Zürich. Composer, trombonist and scholar George E. Lewis, who knew Eastman personally and played with him, writes in the liner notes: „This brilliant recording by the Kukuruz Quartet constitutes an important new contribution to the growing corpus of performances of music by the composer, pianist, and singer Julius Eastman (1940-1990), who came to prominence in the experimental music scene of the 1970s and 1980s ... On this recording, the Kukuruz Quartet renders Eastman’s spirit of adventure audible and sensuous, exemplifying a new, creolized formation of contemporary classical music that is able to embrace a multicultural, multi-ethnic usable past and thinkable future that can affirm our common humanity in the pursuit of new music.“ (Intakt Records)

MEREDITH MONK Dolmen Music

Meredith Monk has such a wonderful and unique vocal style that she is able to sing in complete abstraction (no known words or language for much of the album) yet maintain a very emotional and even sentimental quality in these abstractions, at times. Listeners who can get past just how unique and abstract her approach is will find immense joy and sadness deep within her pieces. On Dolmen Music, Monk wavers from being sad to the point of being quite morose (such as the tracks "Gotham Lullaby" and "The Tale") to being happy to the point of hysteria (as on "Traveling" and "Biography") without skipping a beat. Most of the musical accompaniment is minimalist (mainly piano with occasional, sparse percussion, guest vocalists also being prominent on the final six-part track "Dolmen Music"). This minimalist support only furthers Monk's vast vocal language as the prominent focus in the recordings. Listeners will also be very pleased to find that her wonderful voice is not crowded or overshadowed. A true original, Monk's work should be sought by anyone with an interest in vocal exploration. (Michael G. Breece)

MEREDITH MONK Turtle Dreams

A daring display of vocal gymnastics and a journey back to childhood when all sounds were wondrous, Turtle Dreams includes the title track composition for four voices (two men, two women) and four organs as well as shorter pieces featuring various combinations of voice, Casio, piano, miniMoog, and didgeridoo. Monk's work raises smiles as well as the hair on the back of the neck. Here she seems tapped into some primordial force -- humming, babbling, chattering, all set to looping, funereal organ works of chromatic simplicity. Mesmerizing yet never mechanical, the side-long "Turtle Dreams" and "View 1" derive their pleasures from the infinite sounds of the human voice. The entire album accompanied a multimedia work where Monk and three other singer/dancers were intercut with shots of a turtle walking over various terrains (including miniature cities, looking like a monster movie). Comforting thoughts during any listen. (Ted Mills)